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  1. Nietzsche, Aesthetics, and Modernity.Matthew Rampley - 2003 - Journal of Nietzsche Studies 25:106-108.
     
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  2.  28
    Nietzsche, Aesthetics and Modernity.Matthew Rampley - 1999 - New York: Cambridge University Press.
    Nietzsche, Aesthetics and Modernity analyses Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments on figures (...)
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  3.  10
    Meaning and language in early Heidegger: from duns scotus to Being and Time.Matthew Rampley - 1994 - Journal of the British Society for Phenomenology 25 (3):209-228.
  4.  50
    Art as a Social System: The Sociological Aesthetics of Niklas Luhmann.Matthew Rampley - 2009 - Telos: Critical Theory of the Contemporary 2009 (148):111-140.
    The work of Niklas Luhmann represents perhaps the last major body of social theory of the twentieth century. Beginning with Social Theory or Social Technology: What Does Systems Research Achieve? jointly published with Jürgen Habermas in 1971, Luhmann spent the following three decades up until his death in 1998 laying out the basis for a comprehensive theory of social systems.1 The author of some sixty books and three hundred and eighty essays and articles, Luhmann has had an enormous impact on (...)
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  5.  5
    Art History and Visual Studies in Europe: Transnational Discourses and National Frameworks.Matthew Rampley, Thierry Lenain, Hubert Locher, Andrea Pinotti, Charlotte Schoell-Glass & C. J. M. Zijlmans (eds.) - 2012 - Brill.
    This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts.
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  6.  27
    Creativity.Matthew Rampley - 1998 - British Journal of Aesthetics 38 (3):265-278.
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  7.  6
    Dialectics of contingency : Nietzsche's philosophy of art.Matthew Rampley - 1993 - Dissertation, St. Andrews
    This thesis examines the function of art in Nietzsche's philosophy. Its primary concern is with Nietzsche's turn to art as the means to counter what he terms metaphysics. Metaphysics is a metonym for the system of beliefs sustaining our culture whereby human judgements about the world are perceived as uncovering an objective truth antecedent to those judgements, with an implicit faith in the possibility of exhausting the totality of these antecedent truths. This thesis consequently has two principal strands. The first (...)
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  8.  1
    Echoes: After Heidegger, by J.Sallis.Matthew Rampley - 1992 - Journal of the British Society for Phenomenology 23 (3):289-291.
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  9.  50
    Nietzsche, aesthetics, and modernity.Matthew Rampley - 2000 - New York: Cambridge University Press.
    Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments on figures (...)
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  10. Nietzsche, Aesthetics, and Modernity.Matthew Rampley - 2002 - Journal of Aesthetics and Art Criticism 60 (4):354-356.
     
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  11.  7
    Of Memory, Reminiscence and Writing on the Verge, by David Farrell Krell.Matthew Rampley - 1993 - Journal of the British Society for Phenomenology 24 (3):292-293.
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  12.  26
    Physiology As Art: NIETZSCHE ON FORM.Matthew Rampley - 1993 - British Journal of Aesthetics 33 (3):271-282.
  13.  9
    Poetics, Speculation, and Judgement. The Shadow of the Work of Art from Kant to Phenomenology, by Jacques Taminiaux.Matthew Rampley - 1995 - Journal of the British Society for Phenomenology 26 (2):200-201.
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  14.  3
    The Question of Ethics, Nietzsche, Foucault, Heidegger.Matthew Rampley - 1991 - Journal of the British Society for Phenomenology 22 (3):207-209.
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  15.  1
    The Remembrance of Things Past: On Aby M. Warburg and Walter Benjamin.Matthew Rampley - 2000 - Otto Harrassowitz Verlag.
    The art historian Aby M. Warburg and the philosopher Walter Benjamin are widely respected as two of the most significant cultural theorists of the twentieth century. Their common interests in historiography, the function of collective memory, and the relation of modern society to earlier stages of human social existence, were important examples of the attempt to articulate, analyse and represent the experience of modernity. Drawing on a variety of discourses from aesthetics, art history, anthropology and psychology, they presented an account (...)
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  16.  1
    The seductions of Darwin: art, evolution, neuroscience.Matthew Rampley - 2017 - University Park, Pennsylvania: The Pennsylvania State University Press.
    A critical study of the growing use of evolutionary theory and neuroscience to interpret art. Explores the question of what is gained from using ideas and methods from the biological sciences in the analysis of art"--Provided by publisher.
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  17.  3
    What is Philosophy?, by Dietrich von Hildebrand.Matthew Rampley - 1994 - Journal of the British Society for Phenomenology 25 (3):314-315.
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  18.  25
    Reiner Grundmann, Marxism and Ecology. [REVIEW]Jonathan Hughes, Kathleen Nutt, David Archard, Nick Smith, John Mann, Andrew Bowie, Alex Klaushofer, Gary Kitchen, Katerina Deligiorgi, Ian Craib, Andrew Dobson, Kersten Glandien, Matthew Rampley, Lynne Segal, David Macey, Peter Osborne, Anthony Elliott, David Lamb, Chris Arthur, Anne Beezer & Michael Gardiner - 1993 - Radical Philosophy 63 (63).
  19.  31
    Scientism: Philosophy and the Infatuation with Science. [REVIEW]Roger Harris, Kevin Magill, Vincent Geoghegan, Anthony Elliott, Chris Arthur, Michael Gardiner, David Macey, Nöel Parker, Alex Klaushofer, Gary Kitchen, Tom Furniss, Christopher J. Arthur, Sadie Plant, Fred Inglis, Matthew Rampley, Alison Ainley, Daryl Glaser, Jean-Jacques Lecercle, Sean Sayers, Keith Ansell-Pearson & Lucy Frith - 1992 - Radical Philosophy 61 (61).
  20.  1
    A History of Art History by Christopher Wood. [REVIEW]Matthew Rampley - 2021 - Estetika: The European Journal of Aesthetics 58 (1):89-94.
    A book review of Christopher Wood, A History of Art History. Princeton: Princeton University Press, 2019. 459 pp. ISBN 978-0-691-15652-1.
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  21.  1
    Book-reviews. [REVIEW]Matthew Rampley - 1995 - British Journal of Aesthetics 35 (4):403-404.
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  22.  65
    Book reviews. [REVIEW]Matthew Rampley - 1991 - British Journal of Aesthetics 31 (3):403-404.
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  23.  45
    Book reviews. [REVIEW]Matthew Rampley - 1992 - British Journal of Aesthetics 32 (1):403-404.
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  24.  48
    Book reviews. [REVIEW]Matthew Rampley - 1994 - British Journal of Aesthetics 34 (1):403-404.
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  25.  62
    Book reviews. [REVIEW]Matthew Rampley - 1995 - British Journal of Aesthetics 35 (2):403-404.
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  26.  51
    Book reviews. [REVIEW]Matthew Rampley - 1999 - British Journal of Aesthetics 39 (3):403-404.
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  27. In the Presence of the Sensuous. [REVIEW]Matthew Rampley - 1991 - Radical Philosophy 59.
     
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  28. Thinking Art: Beyond Traditional Aesthetics. [REVIEW]Matthew Rampley - 1993 - Radical Philosophy 63.
     
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  29. The Anatomy of Philosophical Style. [REVIEW]Matthew Rampley - 1991 - Radical Philosophy 59.
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  30. The Cambridge Companion to Kant. [REVIEW]Matthew Rampley - 1993 - Radical Philosophy 63.
     
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  31. The Problems of Modernity: Adorno and Benjamin. [REVIEW]Matthew Rampley - 1992 - Radical Philosophy 61.
     
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