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Martin Ovens
Oxford University
  1. Owen Barfield in Contemporary Contexts: Exploring His Thought and Influence.Martin Ovens (ed.) - forthcoming
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  2. What is Comparative Philosophy?Martin Ovens (ed.) - forthcoming
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  3.  1
    The Sceptic Pilgrim: Seeking Intercultural and Interdisciplinary Patterns In the Philosophy of Creativity.Martin Ovens - 2013 - Culture and Dialogue 1 (1):45-90.
    This essay considers a potential linkage between skepsis and the engendering of creativity. It explores and contests the possibility of a dialogical evolution of an intercultural scepticism, in particular a mode of skepsis conceived as a viable, productive way of life. It reflects on the conditions that encourage the development of a sceptical sensibility with reference to Sextus Empiricus, and then depicts an intercultural unfolding of the “sceptic ego” via reference to encounters with traditions such as Daoism and Romanticism. The (...)
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  4.  9
    Why Skeptics Paint, or Imagining “Skepoiesis”: Un-Knowing and Re-Knowing Aesthetics Martin Ovens.Martin Ovens - 2014 - Journal of Aesthetics and Phenomenology 1 (1):33-61.
    ABSTRACTTwo distinct domains of philosophic enquiry are selected in order to disclose the core dynamics and concerns of a particular mode of “aesthetic skepsis”. Aspects of philosophy of cosmology and philosophy of infinity are considered in ways that serve to discipline the diminution of “belief” and the cultivation of creativity. The journey begins with a skeptic ego that is phenomenologically “empty” but wedded to a rhetoric of “darkness and light.” The result is a skepsis that needs to recapture and reconfigure (...)
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    Culture, Science, and Dialogue.Martin Ovens - 2016 - Culture and Dialogue 4 (1):3-24.
    How do we understand the sciences and discourses about them? Aspects of philosophical dialogue are highlighted and considered in ways that reveal distinct domains of enquiry relating to culture, science and mathematics. This analysis serves to contextualize the nature and content of the papers selected for the collection.
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    Resemblance, Resonance and Reconstitution: Some Remarks on Śaṃkara and Creative Skepsis.Martin Ovens - 2018 - Culture and Dialogue 6 (1):96-113.
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