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  1. Peirce's Esthetics: A Taste for Signs in Art.Martin Lefebvre - 2007 - Transactions of the Charles S. Peirce Society 43 (2):319-344.
    : Is Peirce's esthetic relevant for the philosophy of art—what is usually referred to today as aesthetics? At first glance Peirce's idiosyncratic esthetic seems quite unconcerned with issues of art. Yet a careful examination reveals that this is not the case. Thus, rather than attempt to "apply" Peirce's views to some aspect of the practice or the theory of art (e.g., creativity, historiography of art, style, genre), or even to a particular work of art, my intention is to examine how (...)
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    Photography and Semiotics: Use and Purpose.Martin Lefebvre - 2022 - Critical Inquiry 48 (4):742-773.
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    Remarques sur la sémiotique de l’image.Martin Lefebvre - 1999 - Semiotica 123 (1-2):97-114.
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    Remarks on the Semiotics of the Image.Martin Lefebvre - 1999 - Semiotica 123 (1-2):97-113.
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    Conspicuous Consumption.Martin Lefebvre - 2005 - Theory, Culture and Society 22 (3):43-62.
    The aim of this article is to posit a conceptual model for the way ideas, conceptions, or feelings are represented or ‘figured’ in memory with the help of the imagination, and to use this model to begin to outline what I believe constitutes part of our culture’s ‘memory-image’ of the serial killer in both fact and fiction. Human memory is not simply a passive storehouse of information. It is an active process whereby relations are created by way of the imagination. (...)
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