The problems which troubled people's minds during the Italian Renaissance were much the same as today. In trying to cope with them, many deep thinking people turned to Marsilio Ficino for help. Through his letters he advised, encouraged, and occasionally reproved them. Fearlessly he expressed the truth and his wisdom influenced many of the finest Western minds. He numbered statesmen, popes, artists, scientists, and philosophers amongst his circle.

-- volume 4. Ennead III, Part 1 (Books I-IV) -- volume 5. Ennead III, part 2 (Books V-IX) and Ennead IV.

Un circolo lucreziano -- Furor et voluptas -- Dio, anima, natura -- Virtú e fortuna -- Platonismo e repubblicanesimo -- Pietas et sapientia -- Poeti platonici -- De miseria hominis -- Misteri d'amore -- Del bello, o della grazia -- Immortalità e resurrezione -- Anima mundi -- Il mondo delle immagini -- Sui demoni -- Fatalia -- Medicina del corpo, medicina dell'anima -- Sul male -- Profezia -- Preghiera e sacrificio -- De Trinitate -- Lode al sole.

»De amore sive in convivium Platonis«, dessen Wirkungsgeschichte bis weit ins 17. Jahrhundert reicht, ist Nachdichtung und Platon-Kommentar in einem und eines der bedeutendsten philosophischen Werke der Renaissance. - Bei einem Bankett vorgeblich anlässlich von Platons Geburtstag stellen neun Gäste, allesamt bekannte Florentiner Gelehrte, ihre Auffassungen über die Liebe in wechselnden Reden vor, indem sie Platons »Symposion« in zeitgenössischer Neuakzentuierung paraphrasieren. Dabei wird die Lehre von amor / caritas zum spekulativen Ansatzpunkt für Erkenntnislehre, Theologie, Kosmologie, Ethik und Naturphilosophie. In das (...) Grundkonzept des »Symposion« trägt Ficino als neues Element die Konvergenz des Platonismus mit dem Christentum ein, wobei er den ›Eros‹ einerseits neuplatonisch in sinnliche und himmlische Liebe differenziert, andererseits den Liebesbegriff christlich dynamisiert und erweitert. Nicht nur, wie bei Platon, bewirkt der ›Eros‹ das Streben des Sinnlichen zum Höheren, auch umgekehrt richtet sich das erotische Bestreben des Göttlichen auf das Materielle. Und schließlich ist die Liebe das Moment, das alle Dualismen, Form und Materie, Gott und Universum, zusammenhält: Der Eros wird zur Chiffre des Hervorgangs und der Rückwendung alles Seienden in Relation zu Gott – eine Relation, deren irdisches Abbild die irdische Liebe ist. Ficinos Metaphysik, die für die Philosophie der Renaissance von fundamentaler Bedeutung ist, enthält gleichzeitig auch eine für die Geschichte der Ästhetik bedeutsame Theorie des Schönen: Liebe wird als Sehnsucht nach dem Schönen verstanden, der Mensch gelangt über die Schau der körperlichen Schönheit zur geistigen Schönheit und letztlich zur Erkenntnis der Ordnung der Ideen und des Universums. Ficinos neuplatonische »Ästhetik« ist weit entfernt von subjektivistischer Kunsttheorie, enthält aber bereits Ansätze zu einer Theorie des menschlichen Liebens und Wahrnehmens. (shrink)

v. 1. Books I-IV. -- v. 2. Books V-VIII -- v. 3. Books IX-XI -- v. 4. Books XII-XIV -- v. 5. Books XV-XVI -- v. 6. Books XVII-XVIII.

The problems that taxed the minds of people during the Renaissance were much the same as those confronting us today. In their perplexity many deep-thinking people sought the advice of Marsilio Ficino, the leader of the Platonic Academy in Florence, and through his letters he advised them, encouraged them, and sometimes reproved them. Ficino was utterly fearless in expressing what he knew to be true. His letters cover the widest range of topics, mixing philosophy and humor, compassion and advice, (...) and offering a profound glimpse into the soul of the Renaissance. This is the only accessible collection of Ficino's writings available in English. (shrink)

This volume contains Ficino’s extended analysis and commentary on the Phaedrus, which he explicates as a meditation on “beauty in all its forms” and a ...

Marsilio Ficino, Protegé Cosimos, Pieros und Lorenzos von Medici, gilt als Zentralgestalt des italienischen Renaissance-Platonismus. Mit den Übersetzungen der Dialoge Platons, der Schriften Plotins und des Corpus Hermeticum sowie durch eine theoretische Verknüpfung von antiker Philosophie mit christlicher Religion übte er einen unübersehbar grossen Einfluss auf die europäische Wissenschafts- und Geistesgeschichte aus. Im Zentrum seines Theorie-Gebäudes steht ein komplexes Konzept von Magie, dessen Konstruktion bis heute erforscht wird. Es hat dem Band den Titel gegeben, dessen Themen sich Ficinos intellektuellem (...) Horizont entsprechend jedoch in eine Vielzahl weiterer Aspekte ausdifferenzieren. Diese literarisch-künstlerischen, literaturwissenschaftlichen, wissenschaftshistorischen und philosophisch-theologischen Implikationen von Ficinos Schriften werden paradigmatisch und vergleichend behandelt. (shrink)

Orphei ad Musaeum -- Orphei hymni -- Procli Lycii philosophi hymni -- Magica dicta magorum ex Zoroastre.

Among the items in his legacy, the Florentine philosopher and humanist Marsilio Ficino (1433-1499) left an extensive collection of Latin letters, which illustrate his studies and how he viewed himself as a teacher and counselor of princes. This book provides an introduction to this letter collection, analyzing selected letters with reference to the roles adopted by the author and his literary strategies.

The philosopher and humanist Marsilio Ficino (1433-1499) has attracted scholarly attention as translator of Plato, the Corpus Hermeticum, Plotinus and other Neoplatonists, and for his complex synthesis of Platonism and Christianity. While most previous studies of Ficino's reception have focussed on Italy, France, England and Spain, this book presents a comprehensive study of his reception in Germany and neighbouring areas, examining how Northern writers between the fifteenth and eighteenth centuries remembered and reinvented Ficino's person and work. Focused chapters examine (...) the ways German authors adapted his theories of the Ancient Theology, melancholia, celestial influence and poetic inspiration, and used his writings in related fields such as alchemy and witchcraft. It also studies those who rejected Ficino's work, providing context for those who embraced his ideas. The most comprehensive bibliography of printed editions of Ficino's work since Kristeller forms the basis for a bibliometric analysis"--Back cover. (shrink)

This first complete study of Marsilio Ficino’s _Commentary on Plotinus_, published in 1492, will serve as the definitive analysis of Ficino’s late philosophy and also as an essential companion to Gersh’s edition-translation of the same work.

Introduction to Marsilio Ficino's Philosophy (English translation): Intellectual Development: The Discovery of a Philosophical Gift. The Organic Worldview: Man as "Intellectual Hero." Psychology: The Soul as "the Midpoint of Everything." Epistemology: The Mind as "Infinite Power." Metaphysics: The Mind-Soul as "Intellect and Will." Aesthetics: The Soul as "Artist." Reception and Updated Bibliography (selection).

In 1484, humanist philosopher and theologian Marsilio Ficino published the first complete Latin translation of Plato's extant works. Students of Plato now had access to the entire range of the dialogues, which revealed to Renaissance audiences the rich ancient landscape of myths, allegories, philosophical arguments, etymologies, fragments of poetry, other works of philosophy, aspects of ancient pagan religious practices, concepts of mathematics and natural philosophy, and the dialogic nature of the Platonic corpus's interlocutors. By and large, Renaissance readers in (...) the Latin West encountered Plato's text through Ficino's translations and interpretation. -/- In Plato's Persona, Denis J.-J. Robichaud provides the first synthetic study of Ficino's interpretation of the Platonic corpus. Robichaud analyzes Plato's works in their original Greek and in Ficino's Latin translations, as well as Ficino's non-Platonic writings and correspondence, in the process uncovering new aspects of Ficino's intellectual work habits. In his letters and works, Ficino self-consciously imitated a Platonic style of prose, in effect devising a persona for himself as a Platonic philosopher. Plato's dialogues are populated with a wealth of literary characters with whom Plato interacts and against whom Plato refines his own philosophies. Reading through Ficino's translations, Robichaud finds that the Renaissance philosopher seeks an understanding of Plato's persona(e) among all the dialogues' interlocutors. In effect, Ficino assumed the role of Plato's Latin spokesperson in the Renaissance. -/- Plato's Persona is grounded in an extensive study of scholarship in Renaissance humanism, classics, philosophy, and intellectual history, and contextualizes Ficino's intellectual achievements within the contemporary Christian orthodox view of Platonism. Ficino was an influential figure in the early Italian Renaissance: the key intermediary between Greek and Latin, and between manuscript and print, giving voice to Plato and access to the ancient frameworks needed to interpret his dialogues. (shrink)