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Mark Ian Thomas Robson [6]Mark Robson [5]Mark E. Robson [2]
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Mark Ian Thomas Robson
Durham University (PhD)
Mark Ian Thomas Robson
Durham University
  1. Possible worlds and the beauty of God.Mark Ian Thomas Robson - 2010 - Religious Studies.
    In this paper I explore the relationship between the idea of possible worlds and the notion of the beauty of God. I argue that there is a clear contradiction between the idea that God is utterly and completely beautiful on the one hand and the notion that He contains within himself all possible worlds on the other. Since some of the possible worlds residing in the mind of the deity are ugly, their presence seems to compromise God's complete and utter (...)
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  2.  64
    Is Ultimate Moral Responsibility Metaphysically Impossible? A Bergsonian Critique of Galen Strawson's Argument.Mark Ian Thomas Robson - 2017 - Philosophy 92 (4):519-538.
    What I want to do in this essay is examine a notorious argument put forward by Galen Strawson. He advocates what he describes as an a priori argument against the possibility of ultimate (moral) responsibility. There have been many attempts at answering Strawson, but whether they have been successful is debatable. I attempt to employ Henri Bergson's approach to the free will debate and assess whether what he says has any purchase in terms of criticism of Strawson's position. I conclude (...)
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  3. Divine maximal beauty: a reply to Jon Robson.Mark Ian Thomas Robson - 2013 - Religious Studies (2):1-17.
    In this article I reply to Jon Robson's objections to my argument that God does not contain any possible worlds. I had argued that ugly possible worlds clearly compromise God's beauty. Robson argues that I failed to show that possible worlds can be subject to aesthetic evaluation, and that even if they were it could be the case that ugliness might contribute to God's overall beauty. In reply I try to show that possible worlds are aesthetically evaluable by arguing that (...)
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  4.  56
    Evolutionary theodicy, redemption, and time.Mark Ian Thomas Robson - 2015 - Zygon 50 (3):647-670.
    Of the many problems which evolutionary theodicy tries to address, the ones of animal suffering and extinction seem especially intractable. In this essay, I show how C. D. Broad's growing block conception of time does much to ameliorate the problems. Additionally, I suggest it leads to another way of understanding the soul. Instead of it being understood as a substance, it is seen as a history—a history which is resurrected in the end times. Correspondingly, redemption, I argue, should not be (...)
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  5.  36
    Jacques Rancière and Time: le temps d'après.Mark Robson - 2015 - Paragraph 38 (3):297-311.
    This article asks whether the work of Jacques Rancière might be said to present a philosophy of time. Outlining the ways in which a consideration of time is a central component of Rancière's thinking on a range of issues, particularly in his attention to the politics of time, the article shows Rancière's resistance both to certain Marxist and to phenomenological notions of time. Particular emphasis is given to the ways in which close attention to Rancière's writing as writing is essential (...)
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  6.  17
    Jacques Rancière's Aesthetic Communities.Mark Robson - 2005 - Paragraph 28 (1):77-95.
  7.  18
    Psychosocial Effects of Multigene Panel Testing in the Context of Cancer Genomics.Jada G. Hamilton & Mark E. Robson - 2019 - Hastings Center Report 49 (S1):44-52.
    In recent years, with both the development of next‐generation sequencing approaches and the Supreme Court decision invalidating gene patents, declining costs have contributed to the emergence of a new model of hereditary cancer genetic testing. Multigene panel testing (or multiplex testing) involves using next‐generation sequencing technology to determine the sequence of multiple cancer‐susceptibility genes. In addition to high‐penetrance cancer‐susceptibility genes, multigene panels frequently include genes that are less robustly associated with cancer predisposition. Scientific understanding about associations between many specific moderate‐penetrance (...)
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  8.  25
    Risks to Relatives in Genomic Research: A Duty to Warn?Yvonne Bombard, Kenneth Offit & Mark E. Robson - 2012 - American Journal of Bioethics 12 (10):12-14.
    The American Journal of Bioethics, Volume 12, Issue 10, Page 12-14, October 2012.
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  9.  35
    Evil, Privation, Depression and Dread.Mark Ian Thomas Robson - 2013 - New Blackfriars 94 (1053):552-564.
    In this essay I examine the idea that evil is to be understood as a kind of absence or a privation. I put forward two arguments against this idea. The first claims that if evil is an absence it becomes causally powerless, which seems strongly contradicted by experience and revelation. The other argument says that the idea that evil is an absence cannot do justice to the evil of depression. Depression is a set of feelings which are all too real, (...)
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  10.  6
    An Other Europe.Mark Robson - 2008 - Paragraph 31 (3):375-388.
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  11.  11
    Introduction: Hearing Voices.Mark Robson - 2005 - Paragraph 28 (1):1-12.
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  12. Ontology and Providence in Creation: Taking Ex Nihilo Seriously.Mark Ian Thomas Robson - 2008 - Continuum.
    My concern is to overturn the Leibnizean model of God's creation of the world which proposes that God selected a possible world out of a whole host of other alternative ones. This is the familiar possible worlds model of creation. I argue that this understanding of creation does not take seriously the idea of ex nihilo and that, rather than considering determinate possible worlds, we should understand possibility as indeterminate. I then develop this argument and explores how it impacts on (...)
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  13.  5
    What is literature?: a critical anthology.Mark Robson (ed.) - 2020 - Hoboken: Wiley-Blackwell.
    Yet another remark,also bearing on Christian tragedies might be made about the conversion of Clorinda. Convinced though we may be of the immediate operations of grace, yet they can please us little on the stage, where everything that has to do with the character of the personages must arise from natural causes. We can only tolerate miracles in the physical world; in the moral everything must retain its natural course, because the theatre is to be the school of the moral (...)
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