This unconventional and lighthearted introduction to the ideas of the major Western philosophers examines The Simpsons — TV’s favorite animated family. The authors look beyond the jokes, the crudeness, the attacks on society — and see a clever display of irony, social criticism, and philosophical thought. The writers begin with an examination of the characters. Does Homer actually display Aristotle’s virtues of character? In what way does Bart exemplify American pragmatism? The book also examines the ethics and themes of the (...) show, and concludes with discussions of how the series reflects the work of Aristotle, Marx, Camus, Sartre, and other thinkers. (shrink)

Nietzsche is undoubtedly one of the most original and influential thinkers in the history of philosophy. With ideas such as the overman, will to power, the eternal recurrence, and perspectivism, Nietzsche challenges us to reconceive how it is that we know and understand the world, and what it means to be a human being. Further, in his works, he not only grapples with previous great philosophers and their ideas, but he also calls into question and redefines what it means to (...) do philosophy. Nietzsche and the Philosophers for the first time sets out to examine explicitly Nietzsche’s relationship to his most important predecessors. This anthology includes essays by many of the leading Nietzsche scholars, including Keith Ansell-Pearson, Daniel Conway, Tracy B. Strong, Gary Shapiro, Babette Babich, Mark Anderson, and Paul S. Loeb. These excellent writers discuss Nietzsche’s engagement with such figures as Plato, Aristotle, Kant, Socrates, Hume, Schopenhauer, Emerson, Rousseau, and the Buddha. Anyone interested in Nietzsche or the history of philosophy generally will find much of great interest in this volume. (shrink)

The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ...

In fifteen witty essays, fifteen philosophers answer the questions of what writer, director, actor, comedian, musician, and deep thinker Woody Allen is trying to say and why anyone should care. Original.

This is a collection of essays devoted to the issue of Nietzsche’s complex relationship to metaphysics. In the preface, Haar claims that the overcoming of metaphysics “marks without a doubt the entire development of [Nietzsche’s] thought...”. He goes on to wonder whether or not Nietzsche “remains prisoner to the categories that he overturns”. Was Nietzsche successful in overcoming metaphysics, or was he, as Heidegger claims, the last exemplar of the metaphysics of the subject?

The debate continues as to whether Nietzsche is a proto-postmodernist, who rejects truth, metaphysics, and objective values, or a thinker still part of the philosophical tradition, offering us a picture of how the world is actually put together. Richardson enters this fray with an ambitious project to lay out the implicit system running through Nietzsche's work. The system consists in an ontology around which his other views are organized. A key problem here is making such claims to knowledge about the (...) world cohere with Nietzsche's perspectivism, the idea that any viewpoint is limited, partial, and necessarily interested. (shrink)