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Mark Hansen
Duke University
  1. .Taylor Carman & Mark B. N. Hansen - 2005 - Cambridge University Presscarman, Taylor.
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  2.  8
    Feed-Forward: On the Future of Twenty-First-Century Media.Mark B. N. Hansen - 2014 - University of Chicago Press.
    Even as media in myriad forms increasingly saturate our lives, we nonetheless tend to describe our relationship to it in terms from the twentieth century: we are consumers of media, choosing to engage with it. In _Feed-Forward_, Mark B. N. Hansen shows just how outmoded that way of thinking is: media is no longer separate from us but has become an inescapable part of our very experience of the world. Engaging deeply with the speculative empiricism of philosopher Alfred North Whitehead, (...)
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  3.  39
    New Philosophy for New Media.Mark B. N. Hansen - 2004 - MIT Press.
    In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the "digital image" encompasses the entire process by which information is made perceivable, he places the body in a privileged position -- as the agent that filters information in order to create images. By doing so, he counters prevailing notions of technological transcendence and argues for the indispensability of the human in the digital era.Hansen examines new (...)
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    The Cambridge Companion to Merleau-Ponty.Taylor Carman & Mark B. N. Hansen (eds.) - 2004 - Cambridge University Press.
    Maurice Merleau-Ponty was described by Paul Ricoeur as 'the greatest of the French phenomenologists'. The essays in this volume examine the full scope of Merleau-Ponty's philosophy, from his central and abiding concern with the nature of perception and the bodily constitution of intentionality to his reflections on science, nature, art, history, and politics. The authors explore the historical origins and context of his thought as well as its continuing relevance to contemporary work in phenomenology, philosophy of mind, cognitive science, biology, (...)
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  5.  26
    Media Theory.Mark B. N. Hansen - 2006 - Theory, Culture and Society 23 (2-3):297-306.
    Poised on the cusp between phenomenology and materiality, media institute a theoretical oscillation that promises to displace the empirical-transcendental divide that has structured western meditation on thinking, including the thinking of technics. Because media give the infrastructure conditioning thought without ceasing to be empirical, they form the basis for a complex hermeneutics that cannot avoid the task of accounting for its unthematizable infrastructural condition. Tracing the oscillation constitutive of such a hermeneutics as it serves variously to constitute media theory in (...)
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  6. Digitizing the Racialized Body or The Politics of Universal Address.Mark B. N. Hansen - 2004 - Substance 33 (2):107-133.
  7.  28
    The Ontology of Media Operations, or, Where is the Technics in Cultural Techniques?Mark B. N. Hansen - 2017 - Zeitschrift für Medien- Und Kulturforschung 8 (2):169-186.
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  8. From Fixed to Fluid : Material-Mental Images Between Neural Synchronization and Computational Mediation.Mark B. N. Hansen - 2011 - In Jacques Khalip & Robert Mitchell (eds.), Releasing the Image: From Literature to New Media. Stanford University Press.
     
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  9. Appearance In-Itself, Data-Propagation, and External Relationality: Towards a Realist Phenomenology of »Firstness«.Mark B. N. Hansen - 2016 - Latest Issue of Zeitschrift Fuer Medien Und Kulturforschung 2016 (7):45-60.
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  10.  25
    Living (with) Technical Time.Mark B. N. Hansen - 2009 - Theory, Culture and Society 26 (2-3):294-315.
    This article proposes that time is not so much constituted by time-consciousness as given by technical inscriptions of time. The `digital gift' of time that comprises one fundamental mode of this giving of time correlates with Aristotle's conception of time as `the number of movement according to the before and after'; more specifically, it furnishes a minimal form of temporal difference — a minimal before-after structure — that proves useful for exploring how the experience of time has changed today. The (...)
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  11.  39
    Seeing with the Body: The Digital Image in Postphotography.Mark B. N. Hansen - 2001 - Diacritics 31 (4):54-82.
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    Appearance In-Itself, Data-Propagation, and External Relationality: Towards a Realist Phenomenology of »Firstness«.Mark B. N. Hansen - 2016 - Zeitschrift für Medien- Und Kulturforschung 7 (1):45-60.
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  13.  13
    The Operational Present of Sensibility.Mark B. N. Hansen - 2015 - Nordic Journal of Aesthetics 24 (47).
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