Journal Name: Apeiron Issue: Ahead of print.

This paper addresses alleged contradictions between the use and theory of metaphora in Aristotle. Some authors claim that these inconsistencies are resolved by showing that the use of metaphorai is allowed in the technai and forbidden in the epistemai. This paper instead unpacks Aristotle’s view on language, as it is contained in the semantics of metaphora, to make sense of Aristotle’s statements on metaphora. My proposal is that Aristotle refers to metaphora under different nomenclatures (metaphora, metapherein, and metaphorikon einai) as (...) they relate to the level of linguistic expression, to the perception of similarities, or to the ability to produce metaphors. This threefold distinction helps us understand that the use of metaphora by Aristotle is guided by his idea of the lexis as a means to show the dianoia, and express reality in energeia. This use does not contradict his methodological principles. Lastly, this interpretation also enlightens Aristotle’s understanding of the relations between language, thought, and reality. (shrink)

The habitual knowledge offers the postmodernity philosophy the neccesary cognitive support for its thematic opening. That is way the notion of habitual knowledge allow the continuation of the philosophy and, specificly, about metaphysics.

The question of what art is and why certain objects and events are considered art is examined. In the light of John Searle’s Social Philosophy, a hybrid Institutionalist-Functionalist explanation of what counts as art is presented. However, Searle’s apparatus applied to the ontology of the work of art is not enough to answer the question of why art has the status it exhibits. The proposal is to trace back the ontology of art to the origins of the dichotomy between freedom (...) and necessity, and more specifically to the notion of “end in itself” presented by Kant, as the status that persons have. Ultimately, the ontology of art emerges as a projection of the status “end in itself”, of personhood, to objects and events. (shrink)