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Marcel R. Zentner [3]Marcel Zentner [3]
  1. Music evoked emotions are different–more often aesthetic than utilitarian.Klaus Scherer & Marcel Zentner - 2008 - Behavioral and Brain Sciences 31 (5):595-596.
    We disagree with Juslin & Vll's (J&V's) thesis that music-evoked emotions are indistinguishable from other emotions in both their nature and underlying mechanisms and that music just induces some emotions more frequently than others. Empirical evidence suggests that frequency differences reflect the specific nature of music-evoked emotions: aesthetic and reactive rather than utilitarian and proactive. Additional mechanisms and determinants are suggested as predictors of emotions triggered by music.
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  2.  40
    Grand Challenges for Personality and Social Psychology: Moving beyond the Replication Crisis.Anat Bardi & Marcel Zentner - 2017 - Frontiers in Psychology 8.
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  3.  34
    „Das Ziel alles Lebens ist der Tod“. Schopenhauer und Freuds Todestrieb.Marcel R. Zentner - 1993 - Archiv für Geschichte der Philosophie 75 (3):319-339.
  4.  4
    Die Flucht ins Vergessen: die Anfänge der Psychoanalyse Freuds bei Schopenhauer.Marcel R. Zentner - 1995
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  5. Der Selbstmord als Antwort auf das Leid bei Schopenhauer.Marcel R. Zentner - 1988 - Freiburger Zeitschrift für Philosophie Und Theologie 35 (3):433-448.
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  6.  6
    Social bonding and credible signaling hypotheses largely disregard the gap between animal vocalizations and human music.Marcel Zentner - 2021 - Behavioral and Brain Sciences 44.
    Mehr et al. propose a theory of the evolution music that can potentially account for most animal vocalizations as precursors to human music. Therein lies its appeal but also its Achilles' heel, for the wider the range of animal vocalizations treated as premusical expressions, the wider the gap to human music. Here, I offer a few critical observations and constructive suggestions that I hope will help the authors strengthen their case.
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