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  1.  21
    Livestream Experiments: The Role of COVID-19, Agency, Presence, and Social Context in Facilitating Social Connectedness.Kelsey E. Onderdijk, Dana Swarbrick, Bavo Van Kerrebroeck, Maximillian Mantei, Jonna K. Vuoskoski, Pieter-Jan Maes & Marc Leman - 2021 - Frontiers in Psychology 12:647929.
    Musical life became disrupted in 2020 due to the COVID-19 pandemic. Many musicians and venues turned to online alternatives, such as livestreaming. In this study, three livestreamed concerts were organized to examine separate, yet interconnected concepts—agency, presence, and social context—to ascertain which components of livestreamed concerts facilitate social connectedness. Hierarchical Bayesian modeling was conducted on 83 complete responses to examine the effects of the manipulations on feelings of social connectedness with the artist and the audience. Results showed that in concert (...)
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  2.  20
    BeatWalk: Personalized Music-Based Gait Rehabilitation in Parkinson’s Disease.Valérie Cochen De Cock, Dobromir Dotov, Loic Damm, Sandy Lacombe, Petra Ihalainen, Marie Christine Picot, Florence Galtier, Cindy Lebrun, Aurélie Giordano, Valérie Driss, Christian Geny, Ainara Garzo, Erik Hernandez, Edith Van Dyck, Marc Leman, Rudi Villing, Benoit G. Bardy & Simone Dalla Bella - 2021 - Frontiers in Psychology 12.
    Taking regular walks when living with Parkinson’s disease has beneficial effects on movement and quality of life. Yet, patients usually show reduced physical activity compared to healthy older adults. Using auditory stimulation such as music can facilitate walking but patients vary significantly in their response. An individualized approach adapting musical tempo to patients’ gait cadence, and capitalizing on these individual differences, is likely to provide a rewarding experience, increasing motivation for walk-in PD. We aim to evaluate the observance, safety, tolerance, (...)
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  3.  67
    Four Applications of Embodied Cognition.Joshua Ian Davis, Adam Benforado, Ellen Esrock, Alasdair Turner, Ruth C. Dalton, Leon van Noorden & Marc Leman - 2012 - Topics in Cognitive Science 4 (4):786-793.
    This article presents the views of four sets of authors, each taking concepts of embodied cognition into problem spaces where the new paradigm can be applied. The first considers consequences of embodied cognition on the legal system. The second explores how embodied cognition can change how we interpret and interact with art and literature. The third examines how we move through architectural spaces from an embodied cognition perspective. And the fourth addresses how music cognition is influenced by the approach. Each (...)
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  4.  15
    Entrainment and Synchronization to Auditory Stimuli During Walking in Healthy and Neurological Populations: A Methodological Systematic Review.Lousin Moumdjian, Jeska Buhmann, Iris Willems, Peter Feys & Marc Leman - 2018 - Frontiers in Human Neuroscience 12.
  5.  5
    With No Attention Specifically Directed to It, Rhythmic Sound Does Not Automatically Facilitate Visual Task Performance.Jorg De Winne, Paul Devos, Marc Leman & Dick Botteldooren - 2022 - Frontiers in Psychology 13.
    In a century where humans and machines—powered by artificial intelligence or not—increasingly work together, it is of interest to understand human processing of multi-sensory stimuli in relation to attention and working memory. This paper explores whether and when supporting visual information with rhythmic auditory stimuli can optimize multi-sensory information processing. In turn, this can make the interaction between humans or between machines and humans more engaging, rewarding and activating. For this purpose a novel working memory paradigm was developed where participants (...)
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  6.  11
    De interactie van kennis tijdens muziekperceptie: een dynamisch model.Marc Leman - 1987 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 79 (1):25-40.
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  7.  2
    Inquiry. Bradford Books, The MIT Press, 1984. R. C. Stalnaker.Marc Leman - 1986 - Philosophica 37.
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  8.  1
    On models of musical communication and cognition.Marc Leman - 1990 - Artificial Intelligence 44 (3):372.
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  9.  7
    Synergetics of cogninon: Haken, H, Stadler, M.Marc Leman - 1991 - Communication and Cognition: An Interdisciplinary Quarterly Journal 24 (2):275-277.
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  10.  5
    The use of logic as a design tool in cognitive musicology.Marc Leman - 1986 - Logique Et Analyse 116:496-499.
  11. Defining sound art.Laura Maes & Marc Leman - 2017 - In Marcel Cobussen, Vincent Meelberg & Barry Truax (eds.), The Routledge companion to sounding art. Abingdon, Oxon: Routledge.
     
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  12.  19
    The impact of cognitive load on operatic singers' timing performance.Muzaffer Çorlu, Pieter-Jan Maes, Chris Muller, Katty Kochman & Marc Leman - 2015 - Frontiers in Psychology 6.
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  13.  5
    Cognitive Science, an Introduction. a Bradford Book, The MIT Press, 1987. Neil A. Stillings, Mark H. Feinstein, Jay L. Garfield, Edwina L. Rissland, David A. Rosenbaum, Steven E. Weisler & Lynne Baker-Hard. [REVIEW]Marc Leman - 1989 - Philosophica 44.
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  14. Review of H. Haken & M. Stadier (eds.). Synergetics of Cognition, Springer-Verlag, 1990. [REVIEW]Marc Leman - 1991 - Communication and Cognition. Monographies 24 (2):275.
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  15.  44
    The theory of tone semantics: Concept, foundation, and application. [REVIEW]Marc Leman - 1992 - Minds and Machines 2 (4):345-363.
    Tone semantics is a psychoacoustic-based theory of gestalt perception that deals with tone perception and the assignment of functional relationships between tones in the musical context. The theory provides an operational account of semantics in terms of complex dynamic systems theory and forms the basis for non-symbolic research in music imagination. This is illustrated by an application in the automatic recognition of tone centers from acoustical input. An analysis of the basic concepts and related epistemological and methodological principles reveals a (...)
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