This volume explores East Asian intellectual traditions and their influence on contemporary discussions of the ethics of war and peace. Through cross-cultural comparison and dialogue between East and West, this work charts a new trajectory in the development of applied ethics. A sequel to the volume Chinese Just War Ethics, it expands the range of the earlier work and includes attention to Japan and other Eastern and Western traditions for contrastive reflection and engages with the full range of Chinese intellectual (...) traditions for comparative analysis. The book scrutinizes pioneering works such as the Mengzi, the Han Feizi, and the Seven Military Classics, investigating their influence in subsequent times. It also engages with new texts and thinkers such as the Four Books of the Yellow Emperor, Zeng Guofan, Chiang Kai-shek, and Mao Zedong, along with examining recent writings of the scholars of the People's Liberation Army. The final section of the book identifies and discusses some emerging issues in the comparative study of military ethics, just war and peace that derive from the preceding sections. The volume editors then offer some concluding remarks at the end of the book. This book will be of much interest to students of the ethics of war and peace, just war theory, military ethics, Asian studies and International Relations in general. (shrink)

In the twentieth century, in both China and the West, ritual became marginalized in the face of the growth of secularism and individualism. In China, Confucianism and its essentially ritualistic comportment to the world were vigorously suppressed during the Cultural Revolution (1966-1976) under Mao Zedong. But de-ritualization already took place as a result of the Chinese Revolution of 1911 under Sun Yat-Sen. In the West, while the process of de-ritualization has been generally more gradual, it has been nonetheless drastic. In (...) contrast to this situation, this volume investigates the crucial role ritual plays in constituting the human understanding of their place in the cosmos, the purpose of their lives, and imbues human existence with a more complete sense of meaningfulness. This volume presents the work of philosophers from both China and the West as they reflect upon the constitutive role that ritual plays in human life. They reflect not only on ritual in general but also on specific Confucian and Christian appreciations of ritual. This provocative volume is a beacon of warning to Western philosophers, who think they have graduated from the trappings of ritual, and a beacon of hope for Eastern thinkers, who wish to avoid cultural fragmentation. The Editors, both Eastern and Western, have together created a seamless work that not only introduces ritual, but advances an argument for the contribution that ritual makes to cultural renewal. This volume is a work of philosophical thinking about ritual doing, but challenges those who think to realize that the salvation of philosophical thinking rests in the particularity and contingency of ritual doing. Let us hope this volume is widely read, for it points to that which might renew the West. - Jeffrey P. Bishop, Saint Louis University. (shrink)

孙显元(1935~),浙江温州人,中国科学技术大学教授,全国逻辑学会理事,安徽省逻辑研究会会长.

本书分为前言、慎言全译、雅述全译、慎言原文、雅述原文、索引六部分,主要内容包括:王廷相生平、王廷相的哲学思想、王廷相的社会政治思想、当时及后世对王廷相的评价等.

本书所编选的文章,是作者从事伦理学的教学和科研工作40多年来,在伦理道德建设方面潜心研究的成果。大体分为以下几个方面:伦理学基本理论研究、中国传统伦理思想研究、现实道德问题研究等。.

Our fourteenth year of publication begins with an exceptional expansion of our sense of philosophy’s powers and resources. In our special featured article, Brian Schroeder’s groundbreaking essay, “...

v. 1. Li ze xue -- v. 2. Yu zhou lun xin li xue -- v. 3 Xing shang xue.

勞思光、牟宗三、葛瑞漢、華靄仁、安樂哲， 探究當代孟學家學術理解之差異， 透過思想省察及文獻分析等方式，重釋及廓清《孟子》研究的爭議性課題。 中國儒家經典《孟子》，向來被研究得最廣泛、透澈卻又似乎未能獲致研究者共同認定的一致性成果。由於研究者的學養背景相異，援引的哲學路數不同，使得《孟子》研究呈現出理解上的莫衷一是及多元歧見的情況。 本書針對當代學者有關《孟子》研究的爭議性課題，試圖透過思想史的省察及文獻分析等方式予以廓清與重釋。首先，作者立基於《孟子》的歷史發展脈絡，並掌握經典文獻語義及架構價值。其次，藉由學術研究成績斐然的勞思 光先生與當代新儒家的重要代表人物牟宗三先生，對於《孟子》詮釋的差異性作比較與省思，深刻觸及了儒家哲學的內在問題。接著，探究葛瑞漢、華靄仁以及安樂哲三位漢學家，何以因為迥異的思維而產生不同的學術理解。最 後，疏理傳統與當代及西方詮釋孟學所引發的爭議。全書既省察當代孟學詮釋，並對比其論述脈絡，是一本孟學及儒學研究者必備專書。.

本书探讨了元代儒学学派与诗文流派之间的互动关系。全书分为上下两编，上编为总论部分，对南宋金元时期学术变迁与派别分化、学术与诗文的联动、理学门派传承与诗文流派的生成加以宏观性论述；同时重点考察了许衡与元 代中州文派、刘因与元代北方文派、许谦与元代金华文派、李齐贤与元代高丽文派等的儒学承传和文学创作。下编为考证部分，汇辑了元代高丽士人李齐贤研究资料，并考撰了“元代中朝（韩）越日间文学活动编年”。.

This paper provides an analysis of the complex global reproduction networks driving the rapidly expanding cross-border surrogacy industry in Asia’s reproductive bioeconomy. It sheds light on the unique features of informal surrogacy networks, notable for their flexible business ties and non-standardized surrogate mother recruitment. These factors contribute to heightened vulnerability for surrogate mothers operating within these networks. While previous literature has underscored the merits of labor law in regulating the surrogacy industry, its application in informal cross-border surrogacy remains under-examined. To (...) address this gap, this research delves into innovative labor law strategies with potential to better regulate the surrogacy sector. Drawing inspiration from progressive labor regulations and supply chain strategies in Bulgaria and Australia, the proposed model aims to redefine the traditional employment relationship. This shift is aimed at bolstering protection for surrogate mothers and enforcing accountability throughout the surrogacy business network. The model further advocates for a collective framework that fosters collaboration and mandates the documentation and registration of surrogacy contracts. Moreover, it underscores the critical significance of international collaboration in bridging regulatory gaps and distributing accountability across consumer and supply states. (shrink)

This paper explores Zha Changping’s humanistic criticism of pioneering Chinese art as a new paradigm in art criticism after the postmodern disintegration of traditional art history with its linear art history writing. It introduces the “seven forming factors” at the heart of Zha’s “world relational aesthetics,” which, on one hand, gauges the pulse of the time, while on the other hand seeking to uncover the underlying relational logic informing this generation of pioneering artists’ intellectual outlook and artistic output.

本书收入论文23篇,是作者在中国美学诗学方面学术研究的一个回顾和总结,编为三辑:先秦美学研究、中国诗学经典与审美范畴研究、走向现代的中国美学诗学研究。.