Este texto já apareceu em 2018 na Revista Dobra N° 2. Resumo : Manuel António Pina chamava-lhe isto porque não sabia o nome d'isto. Já eu venho escolhendo a precária, transitória e possivelmente redundante designação de “ritmo vital”. Escolher este nome não resulta de uma tentativa de definição, é antes uma decisão operatória que permite avançar e descolar a atenção do isto, para o gesto de contacto com esse isto – ritmo vital –, e a sua relação com a (...) experiência estética e com a criação artística. Neste - Esthétique – Nouvel article. (shrink)

Manuel Azaña nació en un Reino, presidió una República y murió cuando España ya estaba bajo el yugo de una dictadura. Vivió una vida llena de vicisitudes en los campos de la política, pero también de la literatura y el pensamiento, que él mismo se encargó de dejar para la posteridad.

An exhibition catalog presents fifty photographs taken from the J. Paul Getty Museum along with informaton on the life and career of Manual Alvarez Bravo.

Les Arts et les Images se veut une introduction aux principaux terrains d’investigation de Dominic McIver Lopes, philosophe canadien contemporain, figure incontournable de l’esthétique et de la philosophie de l’art en langue anglaise au cours des vingt dernières années. Il ouvre une réflexion sur les méthodes employées en esthétique et philosophie de l’art aujourd’hui, qu’on soit un philosophe dit « analytique » ou bien « continental », Lopes cherchant à penser le lien entre les deux traditions. -/- À (...) travers leur textes respectifs, Laure Blanc-Benon, Jacques Morizot et Frédéric Pouillaude instaurent un dialogue avec Dominic McIver Lopes, sur plusieurs de ses livres : Understanding Pictures (1996), ouvrage de référence sur la question philosophique des images et de la représentation, Beyond Art (2014), livre qui traite de la question classique au XXe siècle de la définition de l’œuvre d’art, et Four Arts of Photography (2016) dans lequel Dominic Lopes met en avant une nouvelle philosophie de la photographie. À ce dialogue s’ajoutent trois textes de Lopes inédits en français, portant sur la méthode de l’esthétique et de la philosophie de l’art et également sur la question de la beauté et de la valeur esthétique. (shrink)

Testemunhos na primeira pessoa dados por quem aceitou recordar os factos, os dramas e os sucessos do tempo de mudança e transformação vertiginosa que constituiu o período de vida do Padre Manuel Antunes, professor que marcou indelevelmente várias gerações.

Ziel meines Aufsatzes ist es, die Frage zu stellen, ob die Art und Weise, wie Nietzsche sich auf das Verhältnis zwischen Philosophie und Wissenschaft bezieht, mithilfe des zeitgenössischen methodologischen Naturalismus beschrieben werden kann. Leiter (2009) hat diese Frage mit einem entschiedenen Ja beantwortet, ohne jedoch die Spannungen, die eine solche Antwort mit sich bringen, ausführlich zu diskutieren. Zumindest aus zwei Gründen scheint die Philosophie Nietzsches sich mit der stärkeren Version des methodologischen Naturalismus nicht so leicht in Einklang bringen zu lassen: (...) Erstens aufgrund des Prinzips des Willens zur Macht, das die These impliziert, dass das Intentionalitätsvokabular primitiver bzw. gründlicher als das physikalistische Vokabular sei, als einer Konsequenz aus der Verwendung des pragmatischen Prinzips der Sparsamkeit auf die ontologische Debatte (JGB 36, KSA 5, 54 f.); zweitens aufgrund Nietzsches Auffassung der spezifischen Aufgabe der Philosophie als einer normativen Aufgabe (JGB 211, KSA 5, 144 f.; GM I Anmerkung, KSA 5, 289). Gegen die starke Interpretation Leiters werden hier die folgenden Thesen vertreten: Nietzsche kann nur insofern als ein Vertreter des methodologischen Naturalismus betrachtet werden, als er der Auffassung ist, dass der Philosoph epistemische Tugenden erst dann gewinnt, wenn er sich mit einer wissenschaftlichen Methode vertraut macht (MA I 256, KSA 2, 212). Das bedeutet, dass er sich zumindest vorläufig den Regeln unterwirft, die innerhalb einer bestimmten wissenschaftlichen Gemeinschaft gelten (MA I 635, KSA 2, 360 f.; JGB 188, KSA 5, 108 ff.). Der Philosoph soll dies tun, um die epistemischen Tugenden zu erlangen, die für die normative Aufgabe der Philosophie unentbehrlich sind. Diese epistemischen Tugenden sind wesentlich skeptischer Natur. Sie zu kultivieren, bedeutet sicherlich, epistemische Werte zu fördern, nicht aber unbedingt für sie (AC 54, KSA 6, 236 f.), geschweige denn für ein kausales, bzw. monokausales Erklärungsmodell Exklusivität beanspruchen zu müssen (JGB 21, KSA 5, 35 f.). (shrink)

One of the key insights of Simone de Beauvoir’s The Second Sex is the idea that gender-based subordination is not just something done to women, but also something women do to themselves. This raises a question about ethical responsibility: if women are complicit, or actively implicated in their own oppression, are they at fault? Recent Beauvoir scholarship remains divided on this point. Here, I argue that Beauvoir did, in fact, ethically criticize many women for their complicity, as a sign of (...) what she called “bad faith”. I challenge recent accounts by Nancy Bauer and Manon Garcia, who both read Beauvoir as exonerating complicit women. According to this reading, women emerge as human “freedoms” within a social world where a “destiny” of inferiority is already prepared for them. Their self-subordination is then an inevitable product of acting in a patriarchal world. I argue, however, that this interpretation generates a crucial tension, leading Bauer and Garcia to call on women to stop being complicit, while also claiming they cannot avoid complicity. I propose instead a different interpretation, on which feminine complicity is often fueled by criticizable ethical attitudes that are far from inevitable. By revisiting Beauvoir’s notion of “bad faith”, I show that this account is compatible with recognizing the limitations imposed on women’s agency and I show that this feminist ethical criticism is itself an important part of a collective project of social transformation. (shrink)

At the end of 2017, Kristen Roupenian’s short story, Cat Person, went viral. Published at the height of the #MeToo movement, it depicted a ‘toxic date’ and a disturbing sexual encounter between Margot, a college student, and Robert, an older man she meets at work. The story was widely viewed as a relatable denunciation of women’s powerlessness and routine victimization. In this paper, I push against this common reading. I propose an alternative feminist interpretation through the lens of Simone de (...) Beauvoir’s notion of narcissism: a form of alienation that consists in making oneself both the subject and the ultimate project of one’s life. Framing Margot as a narcissist casts her as engaging, not in subtly coerced, undesired sex, but rather in sex that is desired in a tragically alienated way. I argue that Beauvoir’s notion of narcissism is an important tool for feminists today – well beyond the interpretation of Cat Person. It presses us to see systematic subordination not just as something done to women, but also as something women do to themselves. This in turn highlights the neglected role of self-transformation as a key aspect of feminist political resistance. (shrink)

Conceptual engineering means to provide a method to assess and improve our concepts working as cognitive devices. But conceptual engineering still lacks an account of what concepts are (as cognitive devices) and of what engineering is (in the case of cognition). And without such prior understanding of its subject matter, or so it is claimed here, conceptual engineering is bound to remain useless, merely operating as a piecemeal approach, with no overall grip on its target domain. The purpose of this (...) programmatic paper is to overcome this knowledge gap by providing some guidelines for developing the theories of concepts and of cognition that will ground the systematic unified framework needed to effectively implement conceptual engineering as a widely applicable method for the cognitive optimization of our conceptual devices. (shrink)

In ‘Sight and Sensibility: Evaluating Pictures’ Dominic Lopes attempts two things. First, he attempts to solve the ‘Puzzle of Mimesis’: why do we value looking at pictures over looking at the things they depict? Second, he defends ‘interactionism’: the view that some aesthetic evaluations of pictures imply evaluations in moral and cognitive terms. I argue that the attempt to solve the Puzzle turns on the notion of ‘inflection’, and that that notion is more problematic than Lopes admits. I (...) further argue that Lopes’s defence of interactionism in fact establishes a thesis weaker than desired. (shrink)

Revised edition of the author's Business ethics, c2012.

This essay argues that Callicles is depicted by Plato in the Gorgias as a potential tyrant from a psychological standpoint. To this end I will contend that the Calliclean moral psychology sketched at 491e-492c points towards the analysis of the tyrannical individual pursued by Plato in books VIII and IX of the Republic based upon the tripartite theory of the soul. I will thereby attempt to show that (i) in the Gorgias, Callicles does not actually personify the ideal of the (...) superior person advocated by himself insofar as he is still susceptible to shame, as evinced by Socrates' cross-examination (494c-495a); and that (ii) looking forward to the Republic, he can be understood for this same reason as being precisely on the threshold between the democratic and the tyrannical soul. (shrink)

ResumenSe trata, en esta investigación, de hacer una aproximación moral, política y filosófica al teatro español del Siglo de Oro a través de dos de sus más paradigmáticos creadores: Lope de Vega y Calderón de la Barca. Me apoyo para ello en una definición política de lo trágico que se encuentra arraigada en la tradición greco-latina del género. Se investigará si en las obras analizadas de Lope y Calderón lo trágico aún se encuentra delimitado por lo político, deduciéndose, como se (...) verá, que en Lope tal relación ha desaparecido, mientras que en Calderón se mantiene, pero eliminándose el enfoque dialéctico debido a la afirmación de los códigos del Honor.Palabras claveTragedia española, tradición clásica, estética, teoría de la literatura, literatura comparadaThis paper is a moral, philosophical and political approach to the theatre of Spanish Golden Age based on a philosophical and political conception of the tragic literature. We focus our attention on two classic authors: Lope de Vega and Calderon de la Barca. A comparative approach between Greek tragedy and the Spanish plays will help us define if the tragic bias is limited by a political aspect in Lope and Calderon. Finally, we intend to deduce that politics have disappeared in Lope´s plays and still exist in Calderon, although not in a dialectical way due to the code of Honour.KeywordsSpanish Tragedy, classical tradition, Aesthetics, Literary Theory, Comparative Literature. (shrink)

In recent years, online “involuntary celibate” or “incel” communities have been linked to various deadly attacks targeting women. Why do these men react to romantic rejection with not just disappointment, but murderous rage? Feminists have claimed this is because incels desire women as objects or, alternatively, because they feel entitled to women’s attention. I argue that both of these explanatory models are insufficient. They fail to account for incels’ distinctive ambivalence toward women—for their oscillation between obsessive desire and violent hatred. (...) I propose instead that what incels want is a Beauvoirian “Other.” For Beauvoir, when men conceive of women as Others, they represent them as simultaneously human subjects and embodiments of the natural world. Women function then as sui generis entities through which men can experience themselves as praiseworthy heroes, regardless of the quality of their actions. I go on to give an illustrative analysis of Elliot Rodger’s autobiographical manifesto, “My Twisted World.” I show how this Beauvoirian model sheds light on Rodger’s racist and classist attitudes and gives us a better understanding of his ambivalence toward women. It therefore constitutes a powerful and overlooked theoretical alternative to accounts centered on objectification and entitlement. (shrink)

This book is conceived as an introductory text into the theory of syntactic and semantic information, and information flow.

Jewish Law as Rebellion is unconventional and controversial in its approach to the world of Jewish Law and its response to religious crises. The book delves into the contemporary application and development of halacha and pointedly protests many accepted methods and ideals, offering new solutions to existing halachic dilemmas. Rabbi Cardozo discusses hot topics such as same-sex marriage, conversion, and religion in the State of Israel and presents a critical analysis and explanation of the application of halacha.