This book brings together researchers from a variety of fields to jointly present and discuss some of the most relevant problems around the conscious mind. This academic plurality perfectly characterizes the complexity with which a current researcher is confronted to discuss and work on this topic. The volume is organized as follows: Part I introduces the general problems of Philosophy of Mind and some historical perspectives. Part II focuses on understanding the input that the empirical sciences can offer to the (...) theoretical problems. Part III discusses some of the core concepts of the field, namely, perception, memory and experience. Part IV debates human and artificial intelligence and, finally, Part V deliberates about the computation and the ethics of big data and artificial intelligence. The book contains valuable material for researchers in several fields such as Cognitive Science and Neuroscience, Psychology and Artificial Intelligence, and Philosophy. It can also be used as a guide to some courses at various levels, from BAs to MAs and PhD courses of several fields. It is our belief, as it is claimed in the preface by Georg Northoff, that there is an urgent need for a truly transdisciplinary exchange between philosophy and the sciences in order to stimulate some real progress. We hope that this book will become a sound step for such an interdisciplinary enterprise. (shrink)

O livro oferece o primeiro estudo sobre o espólio de Edmundo Curvelo (1913-1954), professor da Faculdade de Letras da Universidade de Lisboa e um dos introdutores dos laboratórios psicotécnicos e psicológicos em Portugal. São publicados pela primeira vez manuscritos filosóficos de Curvelo, bem como a sua correspondência com grandes nomes da Cultura e da Filosofia do século XX (W. V. Quine, Alonzo Church, Stephen Kiss, Joaquim de Carvalho e Delfim Santos). O livro apresenta igualmente um estudo do enquadramento da obra (...) de Curvelo e da sua importância para a história do pensamento e da ciência portuguesa do século XX. This book presents the first study into the collection of Edmundo Curvelo (1913-1954), professor in the Faculty of Letters of the University of Lisbon and co-responsible for the introduction of psychotechnic and psychological laboratories into Portugal. Some of his philosophical manuscripts are published here for the first time, along with his correspondence with great names of 20th century Philosophy (W. V. Quine, Alonzo Church, Stephen Kiss, Joaquim de Carvalho and Delfim Santos). The book also contains a study which contextualizes Curvelo’s oeuvre within the history of 20th-century Portuguese science and thought. (shrink)

This volume addresses key questions related to how content in thought is derived from perceptual experience. It includes chapters that focus on single issues on perception and cognition, as well as others that relate these issues to an important social construct that involves both perceptual experience and cognitive activities: aesthetics. While the volume includes many diverse views, several prominent themes unite the individual essays: a challenge to the notion of the discreet, and non-temporal, unit of perception, a challenge to the (...) traditional divide between perception and cognition, and a challenge to the traditional divide between unconscious and conscious intentionality. Additionally, the chapters discuss the content of perceptual experience, the value of traditional notions of content, disjunctivism, adverbialism, and phenomenal experience. The final section of essays dealing with perception and cognition in aesthetics features work in experimental aesthetics and unique perspectives from artists and gallerists working outside of philosophy. Perception, Cognition and Aesthetics is a timely volume that offers a range of unique perspectives on debates in philosophy of mind surrounding perception and cognition. It will also appeal to scholars working in aesthetics and art theory who are interested in the ways these debates influence our understanding of art. ists and gallerists working outside of philosophy. Perception, Cognition and Aesthetics is a timely volume that offers a range of unique perspectives on debates in philosophy of mind surrounding perception and cognition. It will also appeal to scholars working in aesthetics and art theory who are interested in the ways these debates influence our understanding of art. (shrink)

The human mind is one of the most extraordinary mysteries of the contemporary sciences and philosophy. We know for sure that we have one, and that we have feelings and conscious experience. But why is that? This anthology addresses contemporary issues in the field of study that is the philosophy of mind. It is divided into five main parts: i) the concept of Self in the contemporary philosophy of mind; ii) sensory experience: odors, vision and colors; iii) Artificial Intelligence: the (...) future, the ethics and the costs; iv) the relationship between neuroscience and philosophy; and, finally, v) the influences and history of the philosophy of mind. This book will be useful for specialists of the field, but also for others who are interested in some of the more updated sciences of the mind. (shrink)

This volume addresses key questions related to how content in thought is derived from perceptual experience. It includes chapters that focus on single issues on perception and cognition, as well as others that relate these issues to an important social construct that involves both perceptual experience and cognitive activities: aesthetics. While the volume includes many diverse views, several prominent themes unite the individual essays: a challenge to the notion of the discreet, and non-temporal, unit of perception, a challenge to the (...) traditional divide between perception and cognition, and a challenge to the traditional divide between unconscious and conscious intentionality. Additionally, the chapters discuss the content of perceptual experience, the value of traditional notions of content, disjunctivism, adverbialism, and phenomenal experience. The final section of essays dealing with perception and cognition in aesthetics features work in experimental aesthetics and unique perspectives from artists and gallerists working outside of philosophy. Perception, Cognition and Aesthetics is a timely volume that offers a range of unique perspectives on debates in philosophy of mind surrounding perception and cognition. It will also appeal to scholars working in aesthetics and art theory who are interested in the ways these debates influence our understanding of art. ists and gallerists working outside of philosophy. Perception, Cognition and Aesthetics is a timely volume that offers a range of unique perspectives on debates in philosophy of mind surrounding perception and cognition. It will also appeal to scholars working in aesthetics and art theory who are interested in the ways these debates influence our understanding of art. (shrink)