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  1.  28
    From Sound to Sound Space, Sound Environment, Soundscape, Sound Milieu or Ambiance ….Makis Solomos - 2018 - Paragraph 41 (1):95-109.
    This article proposes approaching the phenomenon of sound as a fabric of relationships. Critiquing the notion of a sound object as it has become defined thanks to the fixity enabled by sound recording, it focuses on the characteristics of sound that converge towards a relational approach and suggests that there is an inextricable link between the vibrating object, the milieu in which the vibration spreads and the subject who listens. It is probably for this reason that current research — whether (...)
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  2. Formel, Informel Musique-Philosophie.Makis Solomos, Antonia Soulez & Horacio Vaggione - 2003
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  3.  16
    De la fluidité du matériau sonore dans la musique de Pascale Criton.Caroline Delume & Makis Solomos - 2002 - Rue Descartes 38 (4):40.
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  4.  4
    Musicalités Anciennes et Contemporaines.Maÿlis Dupont, Thomas Dommange, Monique Desroches, Marie-Hélène Benoit-Otis, Makis Solomos, Hélène Cao, André Charrak & Djemaa Maazouzi - 2008 - Revue de Synthèse 129 (3):461-480.
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  5.  3
    Aspectos de una" alter-mundialización" musical.Makis Solomos - 2007 - Contrastes: Revista Cultural 48:41-45.
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