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  1.  10
    From music to sound: the emergence of sound in 20th- and 21st-century music.Makis Solomos - 2020 - New York, NY: Routledge.
    From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music. Both well-known and lesser-known works and composers are anaylsed in detail, from Debussy to contemporary music in the early 21st century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis (...)
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  2. Arts, ecologies, transitions.Roberto Barbanti, Isabelle Ginot, Makis Solomos & Cécile Sorin (eds.) - 2024 - Abingdon, Oxon: Routledge.
    Arts, Ecologies, Transitions provides in depth insights into how aesthetic relations and current artistic practices are fundamentally ecological and intrinsically connected to the world. As art is created in a given historic temporality, it presents specific modalities of productive and sensory relations to the world. With contributions from more than 45 researchers, this book tracks evolutions in the arts that demonstrate an awareness of the environmental, economic, social, and political crises. It proposes interdisciplinary approaches to art that clarify the multiple (...)
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  3.  24
    De la fluidité du matériau sonore dans la musique de Pascale Criton.Caroline Delume & Makis Solomos - 2002 - Rue Descartes 38 (4):40-53.
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  4.  13
    Musicalités Anciennes et Contemporaines.Maÿlis Dupont, Thomas Dommange, Monique Desroches, Marie-Hélène Benoit-Otis, Makis Solomos, Hélène Cao, André Charrak & Djemaa Maazouzi - 2008 - Revue de Synthèse 129 (3):461-480.
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  5.  8
    Aspectos de una" alter-mundialización" musical.Makis Solomos - 2007 - Contrastes: Revista Cultural 48:41-45.
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  6.  5
    Formel, informel: musique-philosophie.Makis Solomos, Antonia Soulez & Horacio Vaggione (eds.) - 2003 - Paris: Harmattan.
    FORMEL/INFORMEL : Musique-Philosophie a pour noyau trois essais : Antonia Soulez montre le vaste champ conceptuel ouvert par Schönberg, qui le rapproche ainsi de la philosophie ; Horacio Vaggione s'interroge sur la composition musicale assistée par ordinateur en thématisant des problèmes spécifiquement musicaux, mais sur un ton ouvrant à la pensée en général ; Makis Solomos tente de définir les invariants de la pensée de Xenakis. A ces essais s'ajoutent deux articles historiques : une analyse musicale de l'op. 16 de (...)
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  7.  44
    From Sound to Sound Space, Sound Environment, Soundscape, Sound Milieu or Ambiance ….Makis Solomos - 2018 - Paragraph 41 (1):95-109.
    This article proposes approaching the phenomenon of sound as a fabric of relationships. Critiquing the notion of a sound object as it has become defined thanks to the fixity enabled by sound recording, it focuses on the characteristics of sound that converge towards a relational approach and suggests that there is an inextricable link between the vibrating object, the milieu in which the vibration spreads and the subject who listens. It is probably for this reason that current research — whether (...)
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  8.  6
    Musique et écologies du son: Propositions théoriques pour une écoute du monde.Makis Solomos (ed.) - 2016 - Paris: L'Harmattan Editions Distribution.
    Dans la musique récente ainsi que dans les arts sonores, l'émergence du son s'affirme comme noeud de questionnements théoriques et pratiques. Parmi ces questions, plusieurs portent sur l'interaction permanente du son avec ce qui l'entoure : l'espace physique, l'environnement, le milieu, l'auditeur... Ainsi débouche-t-on sur l'écologie du son au sens large du terme "écologie" comme rapport du son à l'oikos, le monde. On pourrait donc demander : quels sont les liens de la musique ou du son avec l'environnement et la (...)
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  9. PART IV. Recorded Sound in Changing Environments. Adorno and Jazz : A Critical Revision from an Audiotactile Perspective / Vincenzo Caporaletti ; 'To become transformed into an insect, man needs that energy which might possibly achieve his transformation into a man' : Adorno, the domination of nature and the becoming-insect of music.Makis Solomos - 2022 - In Gianmario Borio (ed.), Immediacy and the mediations of music: critical approaches after Theodor W. Adorno. New York: Routledge.
     
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  10. PART IV. Recorded Sound in Changing Environments. Adorno and Jazz : A Critical Revision from an Audiotactile Perspective / Vincenzo Caporaletti ; 'To become transformed into an insect, man needs that energy which might possibly achieve his transformation into a man' : Adorno, the domination of nature and the becoming-insect of music.Makis Solomos - 2022 - In Gianmario Borio (ed.), Immediacy and the mediations of music: critical approaches after Theodor W. Adorno. New York: Routledge.
     
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  11. PART I. The Joys of Noise : Historical, Theoretical, Aesthetic and Cultural Perspectives. Noise Annoys, Noise is the Future : Noise in Communication and Cybernetic Theories and Popular Music Practices / Michael N. Goddard ; Save Our Noise : When Sound Out of Place Deserves Our Protection / Karin Bijsterveld ; Tracing Earlines in Ethnomusicology / Barbara Titus ; Noise, Not Music / Paul Hegarty ; Between Morphological Research and Social Criticism : Notes on the Aesthetics of Noise in Avant-Garde Music. [REVIEW]Makis Solomos - 2022 - In Mark Delaere (ed.), Noise as a constructive element in music: theoretical and music-analytical perspectives. New York: Routledge.
     
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  12. PART I. The Joys of Noise : Historical, Theoretical, Aesthetic and Cultural Perspectives. Noise Annoys, Noise is the Future : Noise in Communication and Cybernetic Theories and Popular Music Practices / Michael N. Goddard ; Save Our Noise : When Sound Out of Place Deserves Our Protection / Karin Bijsterveld ; Tracing Earlines in Ethnomusicology / Barbara Titus ; Noise, Not Music / Paul Hegarty ; Between Morphological Research and Social Criticism : Notes on the Aesthetics of Noise in Avant-Garde Music. [REVIEW]Makis Solomos - 2022 - In Mark Delaere (ed.), Noise as a constructive element in music: theoretical and music-analytical perspectives. New York: Routledge.
     
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