What, if anything, is problematic about the involvement of celebrities in democratic politics? While a number of theorists have criticized celebrity involvement in politics (Meyer 2002; Mills 1957; Postman 1987) none so far have examined this issue using the tools of social epistemology, the study of the effects of social interactions, practices and institutions on knowledge and belief acquisition. This paper will draw on these resources to investigate the issue of celebrity involvement in politics, specifically as this involvement relates to (...) democratic theory and its implications for democratic practice. We will argue that an important and underexplored form of power, which we will call epistemic power, can explain one important way in which celebrity involvement in politics is problematic. This is because unchecked uses and unwarranted allocations of epistemic power, which celebrities tend to enjoy, threaten the legitimacy of existing democracies and raise important questions regarding core commitments of deliberative, epistemic, and plebiscitary models of democratic theory. We will finish by suggesting directions that democratic theorists could pursue when attempting to address some of these problems. (shrink)

En 1928, à la suite d’une « conversion » qui le tourne vers des « valeurs spirituelles de poésie », le poète Pierre Jean Jouve renie tous ses ouvrages antérieurs à 1925 et proclame le début d’une « vita nuova ». Désormais, son œuvre ne cessera de représenter cette « scène originaire » de mort et de résurrection, mise sous le signe d’une « imitation du Christ ». Parmi ces représentations, le phénix occupe une place plutôt discrète mais significative. L’article (...) examine les différentes occurrences du symbole du phénix dans l’œuvre de traduction, de roman et de poésie de l’auteur, et y reconnaît une figure de la représentation, en tant que celle-ci exige la mort de l’objet tout en lui donnant une nouvelle vie. Le phénix jouvien apparaît comme une figure de l’« accomplissement » de cette représentation, aux multiples sens du mot. Il la montre en train de s’accomplir, via le sacrifice du corps « visible » comme présidant à un amour éternellement « audible » dans les mots. Il la représente sous une forme « accomplie » dans la prostituée qui, objet d’un meurtre sacrificiel, prend la figure d’un gouffre, lieu où toute représentation s’abîme, mais où toute représentation trouve aussi son origine et sa condition de possibilité. Il permet enfin d’en entrevoir le terme : l’oiseau, qui représente l’essence amoureuse et sacrificielle de la poésie, est d’autant plus « près » d’incarner cette essence qu’il renonce à se montrer ; il s’effacera derrière la représentation du lieu où son mystère s’est manifesté. In 1928, as a result of his “conversion” which turns him to “spiritual values of poetry”, the French poet Pierre Jean Jouve repels all the works he wrote before 1925 and announces the beginning of a “vita nuova”. From now on, his œuvre will never stop representing this “primitive scene” of death and resurrection, interpreted as an “imitation of Christ”. Among these representations, the Phoenix is a discrete but significant image. The article examines the different places where the Phoenix symbol appears, in Jouve’s translations, novels and poetry. The bird appears as a symbol of representation, based upon the death of the object and giving it a new life. Jouve’s Phoenix is a figure of the “accomplishment” of this representation. It shows representation in statu nascendi, as a sacrifice of the “visual” corporal appearance in order to realize a life and a love “hearable” in words. It represents representation as “accomplished” in the image of the prostitute, who was killed in a sacrificial way, and takes the appearance of an abyss, where every representation stops, but where every representation also finds its origin and its possibility. It finally puts in perspective the end of representation: the bird which represents the “essence” of poetry—an essence of love and sacrifice—is imagined “near to essences and God”, and the nearer as it becomes invisible and stops showing itself; in one of the last poems, it disappears behind the representation of the place where its mystery has revealed itself. (shrink)

The importance of memory as a metaphysical concept throughout the history of thought was first discovered by Plato and elaborated in his famous though controversial doctrine of recollection. Various myths and metaphors in the dialogues Phaedrusand Theaetetus refer to the divine origin of memory and the a priori nature of true ‘scientific’ knowledge, as different from the ‘second-hand’ knowledge acquired from external sources, as well as to the function of earthly beauty, which is to remind the soul of the eternal, (...) transcendent beauty of truth itself. The philosophical practice of recollection aims – as we read in the Phaedo– at turning away the mind from beguiling sensuous appeareances. It is an ascetic self-purification finally culminating in death, which is but the liberation of the soul from the bodily impediment, so that it can fly back to its homeland to be reunited with its divine origin, the transcendent Good. This is the true destiny of mankind. This divine origin is vaguely remembered and longed for, thanks to the divine gift of memory, the metaphysical place where heaven meets the earth and – as Saint Augustine put it – the seeker can find God. (shrink)

This intervention study examined the effects of a career crafting training on physicians' perceptions of their job crafting behaviors, career self-management, and employability. A total of 154 physicians working in two hospitals in a large Dutch city were randomly assigned to a waitlist control group or an intervention group. Physicians in the intervention group received an accredited training on career crafting, including a mix of theory, self-reflection, and exercises. Participants developed four career crafting goals during the training, to work on (...) in the subsequent weeks, after which a coaching conversation took place over the phone. Physicians in the control group received no intervention. A pre- and post-test 8 weeks later measured changes in job crafting and career self-management and employability of 103 physicians that completed the pre- and post-test. RM ANOVAs showed that the intervention enhanced perceptions of career self-management and job crafting behavior to decrease hindering job demands. No support was found for the effect of the intervention on other types of job crafting and employability. This study offers novel insights into how career crafting can be enhanced through training, as this is the first empirical study to examine a career crafting intervention. HR managers can use the outcomes to develop tailored career policies and career development practices. (shrink)