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Mathias Obert [13]M. Obert [1]
  1. Han xue yu kua wen hua si wei.Mathias Obert - 2020 - Xinbei Shi Xizhi Qu: Lian jing chu ban shi ye gu fen you xian gong si.
    關懷當代跨文化思維的處境與潛力 對華語界的哲學思維進行批判省思 繼而開拓嶄新的思索途徑 為了盡量具體揭露跨文化思維的立場和思考模式,《漢學與跨文化思維》落實在中文字獨有的視像性以及與《莊子》、王陽明、海德格、列維納斯等研究對象相關的跨領域、跨科系之探討。 宋灝以身體現象學為基本視角與綱領,探究這些哲學資源的啟發。藉由融合詮釋學與現象學的方法,揭示「身體自我」在人的存在上標記著多麼關鍵、豐富的情境,以便為了當代身體觀的轉化必要作辯解,並且具體彰顯這種轉化 的可能性與意義。 全書分為三部,第一部反映宋灝從隸屬漢學對中國古代傳承的關懷,逐漸過渡到哲學與跨文化思維的立場,試圖以宋明理學與華嚴佛教為例,藉中國的文獻逆向來擴充歐洲的詮釋學思想,尤其是高達美式哲學詮釋學。第二部收入 作者近幾年對漢學與跨文化思維的方法和處境所進行的批判和反思。第三部是在此方法論架構下,採取現象學及當代歐洲思維為出發點,探討中國古代傳承的啟發。.
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  2. Künstlerische Verdinglichung und die Widerständigkeit naturwüchsiger Dinge.Mathias Obert - 2017 - Philosophisches Jahrbuch 124 (1):3-25.
    This paper deals with a paradoxon inherent to the concept of “reification”, commonly used with negative connotations only, as seen from the stance of phenomenological aesthetics. A positive understanding of the term is proposed in this pleading for a re-evaluation of our notion of a “thing” and its significance for the human access to the world. After an inquiry into Adorno’s ambiguous reflections on reification by creating art works, and reification of art itself, a discussion of the Japanese garden yields (...)
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  3. Ruckzug und freiheit im zhuangzi ansatze zu einer komparativen ethik.Mathias Obert - 2002 - Perspektiven der Philosophie 28 (1):359-382.
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  4. Xu Funguan's esthetic thinking (1902-1982).M. Obert - 2005 - Revue Internationale de Philosophie 59 (232):267-285.
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  5.  22
    Chinese Ink Brush Writing, Body Mimesis, and Responsiveness.Mathias Obert - 2013 - Dao: A Journal of Comparative Philosophy 12 (4):523-543.
    This essay aims at an elucidation of the performative relation connecting artistic mimesis with the living body. Encompassing art theory and phenomenology of the body, the scope is to evince a crucial link between aesthetic interpretation, body motion, and mimetic creativity, with general implications for reflection on the body, as well as a deeper understanding of a major element of ancient Chinese culture. By mainly analyzing Chinese texts on ink brush writing, as well as some testimony taken from 20th century (...)
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  6.  17
    La pensée esthétique de Xu Fuguan (1902-1982).Mathias Obert - 2005 - Revue Internationale de Philosophie 2:267-285.