People often make use of a spatial “mental time line” to represent events in time. We investigated whether the eyes follow such a mental time line during online language comprehension of sentences that refer to the past, present, and future. Participants' eye movements were measured on a blank screen while they listened to these sentences. Saccade direction revealed that the future is mapped higher up in space than the past. Moreover, fewer saccades were made when two events are simultaneously taking (...) place at the present moment compared to two events that are happening in different points in time. This is the first evidence that oculomotor correlates reflect mental looking along an abstract invisible time line during online language comprehension about time. Our results support the idea that observing eye movements is likely to “detect” invisible spatial scaffoldings which are involved in cognitively processing abstract meaning, even when the abstract meaning lacks an explicit spatial correlate. Theoretical implications of these findings are discussed. (shrink)

Vertrauen ist als Thema allgegenwärtig. Ob von Politikverdrossenheit, Bankenkrise oder Mißbrauchsskandalen die Rede ist - stets wird vorausgesetzt, daß Vertrauen eine zentrale Ressource sozialen Handelns ist, die nur schwer hergestellt, aber schnell zerstört werden kann. Aber was ist Vertrauen? Wie wird es geschaffen, wie zerstört? Wem sollten wir vertrauen, wem eher mit Mißtrauen begegnen? Martin Hartmann unternimmt in dieser profunden Studie den Versuch, Vertrauen sowohl begrifflich als auch historisch zu klären. Er veranschaulicht seine theoretischen Überlegungen immer wieder mit konkreten Beispielen (...) aus Politik, Wirtschaft und Familie. Vertrauen, so zeigt er, reduziert nicht Komplexität, wie oft vermutet, es ist selbst ein hochkomplexes Phänomen, das deutlich macht, wie zerbrechlich und anspruchsvoll Prozesse der Vertrauensbildung sind. (shrink)

concepts like numbers or time are thought to be represented in the more concrete domain of space and the sensorimotor system. For example, thinking of past or future events has a physical manifestation in backward or forward body sway, respectively. In the present study, we investigated the reverse effect: can passive whole-body motion influence the processing of temporal information? Participants were asked to categorize verbal stimuli to the concepts future or past while they were displaced forward and backward , or (...) upward and downward . The results showed that future related verbal stimuli were categorized faster during forward as compared to backward motion. This finding supports the view that temporal events are represented along a mental time line and that the sensorimotor system is linked to that representation. We showed that body motion is not just an epiphenomenon of temporal thoughts. Passive whole-body motion can influence higher-order temporal cognition. (shrink)

Philosophy & Social Criticism, Volume 47, Issue 9, Page 1088-1103, November 2021. Ethical naturalists such as Philippa Foot, John McDowell or Sabina Lovibond have critically distinguished their version of naturalism from the version ascribed to David Hume. This article defends Hume’s naturalism against this criticism in constructing a more plausible version of it. The article briefly delineates John McDowell’s reading of Hume in his well-known ‘Two Sorts of Naturalism’. Based on Nietzsche, the article then offers the concept of ‘historical naturalism’ (...) as alternative to McDowell’s reading, concentrating in particular on the charge of Hume’s naturalism being narrowly empiricistic. The concept of historical naturalism will be contrasted with David Wiggins’ Humean variant of vindicatory naturalism. In conclusion, Annette Baier’s suggestion of reconstructing Hume’s naturalism as critical is taken up and elaborated upon. While the spirit of Baier’s approach is adopted, its application to the problem of deeply entrenched sexism will be treated as overly optimistic. (shrink)

Ethical naturalists such as Philippa Foot, John McDowell or Sabina Lovibond have critically distinguished their version of naturalism from the version ascribed to David Hume. This article defends H...

A short overview, written for a primarily scientific audience, of how conceptual analysis and philosophy of science can assist in nanoscience research.

This paper discusses recent interpretations of Jean-Paul Sartre's early theory of emotions, in particular his Sketch for a Theory of the Emotions. Despite the great interest that Sartre's approach has generated, most interpretations assume that his approach fails because it appears to be focussed on ‘malformed’, ‘irrational’ or ‘distorted’ emotions. I argue that these criticisms adopt a rationalistic or epistemically biassed perspective on emotions that is wrongly applied to Sartre's text. In my defence of Sartre I show that the directional (...) fit of emotions is not towards an evaluatively loaded world which is independently given and, at best, represented by emotions, but towards a world shaped through the impact of emotions themselves. Sartre's idea of emotions ‘magically transforming’ reality for the subject so that the latter is better able to cope with problematic aspects of practically relevant situations encapsulates the world-shaping capacities of emotions, which are thus not reserved for a restricted class of emotions. Recognition of the transformative powers of emotions will also direct attention away from their seemingly representative elements to their normative and practical aspects and offer a new basis for delineating the criteria for judging them. The plausibility of this position is discussed with reference to some of Sartre's examples, such as fear, sadness and horror, but also with reference to Joan Didion's account of grief in The Year of Magical Thinking. (shrink)

This paper discusses recent interpretations of Jean-Paul Sartre's early theory of emotions, in particular his Sketch for a Theory of the Emotions. Despite the great interest that Sartre's approach has generated, most interpretations assume that his approach fails because it appears to be focussed on ‘malformed’, ‘irrational’ or ‘distorted’ emotions. I argue that these criticisms adopt a rationalistic or epistemically biassed perspective on emotions that is wrongly applied to Sartre's text. In my defence of Sartre I show that the directional (...) fit of emotions is not towards an evaluatively loaded world which is independently given and, at best, represented by emotions, but towards a world shaped through the impact of emotions themselves. Sartre's idea of emotions ‘magically transforming’ reality for the subject so that the latter is better able to cope with problematic aspects of practically relevant situations encapsulates the world-shaping capacities of emotions, which are thus not reserved for a restricted class of emotions. Recognition of the transformative powers of emotions will also direct attention away from their seemingly representative elements to their normative and practical aspects and offer a new basis for delineating the criteria for judging them. The plausibility of this position is discussed with reference to some of Sartre's examples, such as fear, sadness and horror, but also with reference to Joan Didion's account of grief in The Year of Magical Thinking. (shrink)

Bernard Williams Truth and Truthfulness: An Essay in Genealogy.

Introduction: There is evidence from earlier trials for the efficacy of music therapy in the treatment of depression among working-age people. Starting therapy sessions with relaxation and revisiting therapeutic themes outside therapy have been deemed promising for outcome enhancement. However, previous music therapy trials have not investigated this issue.Objective: To investigate the efficacy of two enhancers, resonance frequency breathing and listening homework, when combined with an established music therapy model.Methods: In a 2 × 2 factorial randomised controlled trial, working-age individuals (...) with depression were allocated into groups based on four conditions derived from either the presence or absence of two enhancers. All received music therapy over 6 weeks. Outcomes were observed at 6 weeks and 6 months. The primary outcome was the Montgomery Åsberg Depression Rating Scale score.Results: There was a significant overall effect of treatment for the primary outcome favouring the breathing group. The effect was larger after adjustment for potential confounders. Treatment effects for secondary outcomes, including anxiety and quality of life, were also significant, favouring the breathing group. The homework enhancer did not reach significant treatment effects.Conclusion: We found that the addition of RFB to a music therapy intervention resulted in enhanced therapeutic outcome for clients with depression. (shrink)

The proteasome family of proteases comprises oligomeric assemblies of very different symmetry. In different sizes, it features ring‐like oligomers with dihedral symmetry that allow the stacking of further rings of regulatory subunits as observed in the modular proteasome system, but also less symmetric helical assemblies. Comprehensive sequence and structural analyses of proteasome homologs reveal a parsimonious scenario of how symmetry may have emerged from a monomeric ancestral precursor and how it may have evolved throughout the proteasome family. The four characterized (...) representatives—ancestral β subunit (Anbu), HslV, betaproteobacterial proteasome homolog (BPH), and the 20S proteasome—are outlasting cornerstones in the family's evolutionary history, each marking a transition in symmetry. This article contextualizes the evolutionary and functional key aspects of these symmetry transitions, explaining how they facilitated the diversification and concurrent evolution of independent proteolytic systems side by side, each with its customized network of auxiliary interactors. -/- . (shrink)

Hume’s concept of sympathy is often discussed in isolation from the concept of comparison, which plays an important role in his social and moral philosophy. If both concepts are discussed at all in...

In medieval Europe, Christian amulets comprised of illuminations and/or script were considered powerful apotropaic shields. This article focuses on a single example, Ms Princeton 235. It is argued that this object primarily functions as a prayer aid rather than as a magical object. Comparable to rosaries or prayer nuts, this amulet conveys its assumed protective powers through specific devotional acts. Its textual program prefigures such pious practices, which include carrying the amulet above one’s heart, folding and unfolding it, reciting a (...) profession of faith and the divine names, making the sign of the cross, and contemplatively looking at a miniature showing the Arma Christi. Through an analysis of how the textual and visual features of Ms Princeton 235 prompt devotional practices, its claim to mediate divine grace and power become comprehensible. (shrink)

Inwieweit kann die Rolle, die einzelne Emotionen wie Scham, Eifersucht oder Ekel in den Shakespeare-Deutungen Cavells spielen, für eine allgemeinere Theorie der Emotionen fruchtbar gemacht werden? Leitende Annahme ist, dass eine narrative Konstruktion einzelner Emotionen im Kontext eines Selbstverständnisses den ‘direkten Repräsentationalismus’ korrigieren kann, der viele gegenwärtige Emotionstheorien bestimmt. Es geht vor allem um den Nachweis, dass eine Einbettung des Emotionsphänomens in narrativ zu rekonstruierende Selbstverständnisse einhergeht mit einer Neubestimmung der Grundlage der Beurteilung einzelner Emotionen. Cavells Begriff der Anerkennung liefert (...) erste Bausteine der ethischen Basis der Beurteilung dieser Emotionen. (shrink)

Name der Zeitschrift: Deutsche Zeitschrift für Philosophie Jahrgang: 64 Heft: 3 Seiten: 424-448.

This book explores the many facets of naturalism in social philosophy, investigating the consequences of concepts such as "second nature" and "forms of life" analyse the ways in which social action, gender, work and morality and embodied and surveys the conceptions of nature at play in social criticism.

The relatively young discipline of neuroeconomics has taken an interest in forms of interpersonal trust from its very inception in an attempt to correct one-dimensional overrationalistic pictures of homo economicus. This article analyzes the notion of trust as present in these studies, but also takes a look at typical philosophical ways of criticizing neuroscientific uses of everyday concepts such as trust that insist on their irreducible semantic complexity. It is suggested that these critical approaches are justified, but often underrate the (...) extent to which everyday concepts change or modify their meaning under various social, economic and political pressures. If this is granted, it becomes possible to take a deepened look at the neuroeconomic concept of trust. While it is true that this concept is under the influence of an every_day concept of trust it can be shown that this everyday concept of trust gradually takes on a reduced economic twist. If this fact remains unrecognized neuroeconomics in particular and neuroscience in general can take on ideological functions in reflecting back to society a seemingly natural understanding of trust that is, in truth, highly shaped by economic forces. (shrink)

Body movement is a primary nonverbal communication channel in humans. Coordinated social behaviors, such as dancing together, encourage multifarious rhythmic and interpersonally coupled movements from which observers can extract socially and contextually relevant information. The investigation of relations between visual social perception and kinematic motor coupling is important for social cognition. Perceived coupling of dyads spontaneously dancing to pop music has been shown to be highly driven by the degree of frontal orientation between dancers. The perceptual salience of other aspects, (...) including postural congruence, movement frequencies, time‐delayed relations, and horizontal mirroring remains, however, uncertain. In a motion capture study, 90 participant dyads moved freely to 16 musical excerpts from eight musical genres, while their movements were recorded using optical motion capture. A total from 128 recordings from 8 dyads maximally facing each other were selected to generate silent 8‐s animations. Three kinematic features describing simultaneous and sequential full body coupling were extracted from the dyads. In an online experiment, the animations were presented to 432 observers, who were asked to rate perceived similarity and interaction between dancers. We found dyadic kinematic coupling estimates to be higher than those obtained from surrogate estimates, providing evidence for a social dimension of entrainment in dance. Further, we observed links between perceived similarity and coupling of both slower simultaneous horizontal gestures and posture bounding volumes. Perceived interaction, on the other hand, was more related to coupling of faster simultaneous gestures and to sequential coupling. Also, dyads who were perceived as more coupled tended to mirror their pair's movements. (shrink)