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Michael Cowan [5]Mark Cowan [1]M. Cowan [1]
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Michael Cowan
Loyola University, New Orleans
  1.  29
    Advertising, Rhythm, and the Filmic Avant-Garde in Weimar : Guido Seeber and Julius Pinschewer's Kipho Film.Michael Cowan - forthcoming - Rhuthmos.
    Ce texte a déjà paru dans la revue October, N° 131, Winter 2010, p. 23–50. Nous remercions Michael Cowan de nous avoir autorisé à le reproduire ici. In September of 1925, readers leafing through Der Kinematograph or Lichtbildbühne or another such film journal might have encountered a strangely familiar sight : in an advertisement for a major exhibition of the German film and photography industries entitled “Kipho” (“Kino und Photo”), which was to be held in Berlin from September 25th to (...)
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  2.  9
    Nietzsche and the Psychology of the Will.Michael Cowan - 2005 - Nietzsche Studien 34 (1):48-74.
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  3.  4
    Nietzsche and the Psychology of the Will.Michael Cowan - 2005 - Nietzsche Studien (1973) 34:48-74.
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  4.  8
    Rhythm and the Mediation of Modern Experience.Michael Cowan - forthcoming - Rhuthmos.
    Ce texte est l'introduction de Technology's Pulse. Essays on Rhythm in German Modernism, London, Institute of Germanic & Romance Studies, 2012, ouvrage dont on trouvera la présentation ici. Nous remercions Michael Cowan de nous avoir autorisé à le reproduire sur RHUTHMOS. - 1er XXe siècle – Nouvel article.
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  5.  32
    The Heart Machine : “Rhythm” and Body in Weimar Film and Fritz Lang's Metropolis.Michael Cowan - forthcoming - Rhuthmos.
    This article was first published in MODERNISM / modernity, Volume 14, number 2, The Johns Hopkins University Press, 2007, pp. 225–248. It can also be found online here. - 1er XXe siècle – Nouvel article.
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  6.  18
    Pitch and frequency modulation.D. Lewis, M. Cowan & G. Fairbanks - 1940 - Journal of Experimental Psychology 27 (1):23.