A partir de uma revisão bibliográfica do século XVIII, resgataremos elementos que estavam naraiz da concepção universalista de homem desse século, como pertencente ao continuum da natureza.Com recurso aos métodos da antropologia estrutural, analisaremos nosso objeto que está situado nosdomínios do pensamento científico do século XVIII. O principal objetivo consistirá em identificar erecuperar a influência de alguns “mitos” acerca de seres antropomorfos, recuperando a origem dealgumas representações gráficas desses seres. A partir de algumas fontes de Rousseau e seuscontemporâneos, esboçaremos algumas (...) versões desses mitos para, ao final, aplicarmos recursos a queLévi-Strauss recorreu diante de elementos sincrônicos e anacrônicos de sua análise do mitemas. (shrink)

In the following pages, the main proposal is to indicate how Max Weber has dialogued directly with some prerogatives from Kant’s Critic of practical Reason, following the reception of Wilhelm Windelband’s concept of “responsibility” (Verantwortlichkeit) and his theory of values. In sight of these influences, in this paper will be argued how Weber adherence to the neo-Kantian value concept has made possible a review on the categorical imperatives, which has turned his reading from Kantian philosophy to the proposal of an (...) antinomy between the ethic of conviction and the ethic of responsibility inside the Kantian moral maxims. -/- Nessa abordagem será proposto que a recepção de Max Weber do conceito de “responsabilidade” (Verantwortlichkeit) de Wilhelm Windelband, bem como sua revisão de certos elementos da filosofia dos valores neokantiana do sudoeste da Alemanha, permitiram que Weber estabelecesse um diálogo mais direto com os pressupostos de Kant em sua Crítica da razão prática. Em vista dessas influências, o presente artigo argumentará que a maneira como Weber revisa os imperativos categóricos direcionou sua compreensão da filosofia kantiana pelo conceito de “valores”, o permitindo ainda, propor a existência de uma antinomia entre a ética da convicção e da responsabilidade no interior das máximas morais kantianas. (shrink)

Voltaire has presented in his Letters on the English different themes, from religious ethics, literacy, politics, to dramas and science. The letters present us a comparison between England and France. In this parallel we shall present how Voltaire was concerned in evaluate a high standard of taste and refinements. This paper will review some of the last letters of those, which testify about this criterion of taste as a modern point of view. We shall present in Voltaire the eminence of (...) modernity in taste, refinements and on liberty of enjoying the ecstasies of a cosmopolitan life fulfilled with entertainments and luxury. We shall present how Voltaire fought against barbarism in benefit of civilization and some how against religiosity in benefit of an ethic hedonism. (shrink)

The tragic death in Tolstoy's writings has helped both Max Weber and György Lukács in characterizing the modern pathos as a tragic contemplation of the emptiness of life. Through Tolstoy's readings, Weber and Lukács found an interesting source of denying arts and modern sciences autonomy, considering, from the aesthetics sphere, the meaningless of this new immanent reality. Both has assumed Tolstoy main theme from the same perspective, contrasting ancient and modern worldviews. Max Weber presented this theme in his disenchantment of (...) world theory and Lukács, in a very similar way, following the paradox of religious needing as a mainline. -/- O tema da morte trágica, presente nos escritos de Liev Tolstói, auxiliou tanto a Max Weber como a György Lukács a caracterizarem o pathos moderno de pressentimento da morte como uma contemplação do vazio. Weber e Lukács encontraram, através das leituras de Tolstói, uma interessante maneira de questionar a autonomia da arte e da ciência moderna, considerando pela esfera estética, como se mostra sem sentido a recente realidade imanente. Ambos assumiram o tema central das obras de Tolstói segundo uma mesma imagem, derivada do contraste entre o mundo antigo e o moderno. Max Weber adequou esse tema a sua teoria do desencantamento do mundo e Lukács, de modo muito semelhante, seguindo seu conceito do paradoxo da necessidade religiosa. (shrink)

This article intend to elucidate how Wilhelm Windelband employed the Kantian critic method without devoid its typical features, going through this, what is fundamental for the approach from speculative reason to practical reason would be identified. We understand that practical reason, as a theoretical interest, is prefigured on the first critic, and that the Kantian system suffers mutations until his second critic formulation. Windelband’s critical view, can offer the tips of how to interpreter Kant’s passage from speculative to practical reason, (...) observing the elements witch are kept, as constant elements, the third antinomy for stance, and witch one changes among the course, as the ideas of liberty and nature in both theoretical and practical sense. Windelband can unfold to notice those variations and help to understand them in the development of Kantian theories as elements not contradictories with the canon of speculative reason. (shrink)

This review will develop a theme from the theoretical contrast between Max Weber and Adorno approach of the concept of “progress”, read by their discussions on, respectively, “The Meaning of Wertfreiheit in Sociology and Economics” (1917) and “Fortschritt”, (Progress, 1962). After establishing a comparison between both writings and their theoretical tools, we shall identify the differences in resources by the critical and traditional theory elements. The opposition shall become more distinctly as the comparison reach the historical examples from their readings (...) on Art History. Weber has employed a general bias to equate musical productions and painting, as Adorno, on the other hand, forecast something quite different as he followed the same guideline, the technical progress. (shrink)

Comments on the paper: Pluralismo y absolutismo en la crítica. Dialéctica reflexiva y política democrática a partir de M. Horkheimer y Th. W. Adorno, by Emiliano Matías Gambarotta.