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Lucia Angelino
Université paris 1
  1.  27
    Motor Intentionality and the Intentionality of Improvisation: A Contribution to a Phenomenology of Musical Improvisation.Lucia Angelino - 2019 - Continental Philosophy Review 52 (2):203-224.
    The intentionality of improvisation represents surely one of the most pressing and controversial issues in contemporary action theory: how do we find the way to characterize the proper intentionality of improvisation, which is an unplanned yet intentional action? This article will address this question bringing together Merleau-Ponty’s motor intentionality and Bergson’s conception of duration. My argument will unfold in three main stages. First, I will briefly describe the traditional scheme that is used to think of intentional action in contemporary action (...)
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  2.  33
    A frame of analysis for collective free improvisation on the bridge between Husserl’s phenomenology of time and some recent readings of the predictive coding model.Lucia Angelino - 2020 - Phenomenology and the Cognitive Sciences 19 (2):349-369.
    The kind of collective improvisation attained by the “free jazz” at the beginning of the sixties sets a challenge to analytic theories of collective intentionality, that emphasize the role played by future-directed plans in the interlocking and interdependent intentions of the individual participants, because in the free jazz case the performers’ interdependence or [interplay] stems from an intuitive understanding between musicians. Otherwise said: what happens musically is not planned in advance, but arises from spontaneous interactions in the group. By looking (...)
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  3.  15
    Collective intentionality and the further challenge of collective free improvisation.Lucia Angelino - 2020 - Continental Philosophy Review 53 (1):49-65.
    The kind of collective improvisation attained by free jazz at the beginning of the sixties appears interesting from the perspective of contemporary debates on collective intentionality for several reasons. The most notable of these, is that it holds a mirror up to what analytical philosophers of action identify as “the complexly interwoven sets of collective intentions” that make a group more than the sum of its parts. But at the same time, free jazz poses a challenge to these philosophical theories (...)
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  4.  17
    Les frontières entre réel et imaginaire à l’épreuve des promenades sonores in situ.Lucia Angelino - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (1):189-203.
    This article examines the particular aesthetic experience brought about by soundwalks. In each case, the point of departure is the phenomenological analysis of two case study: Janet Cardiff’s Walks and the audio-tours Remote x by Rimini Protokoll. Drawing upon Husserl and Merleau-Ponty, I will examine the conflicts of perception and the peculiar shift from one order of perception to another that punctuate the spectator’s walking, as well as the intertwining of the real and the imaginary coming into being in such (...)
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  5. L'espace comme ouverture enveloppante.Lucia Angelino - forthcoming - Studia Phaenomenologica.
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  6.  13
    Correction to: A frame of analysis for collective free improvisation on the bridge between Husserl’s phenomenology of time and some recent readings of the predictive coding model.Lucia Angelino - 2020 - Phenomenology and the Cognitive Sciences 19 (2):371-371.
    The original version of this article unfortunately contains incorrect data. Page 4, first paragraph, line 1: the term "All" has been corrected. Page 12, fifth paragraph, line 31: the location “there are:” has been deleted and placed in the third paragraph, line 13.
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  7.  11
    Motor Intentionality and the Intentionality of Improvisation: A Contribution to a Phenomenology of Musical Improvisation.Lucia Angelino - 2019 - Continental Philosophy Review 52 (2):203-224.
    The intentionality of improvisation represents surely one of the most pressing and controversial issues in contemporary action theory: how do we find the way to characterize the proper intentionality of improvisation, which is an unplanned yet intentional action? This article will address this question bringing together Merleau-Ponty’s motor intentionality and Bergson’s conception of duration. My argument will unfold in three main stages. First, I will briefly describe the traditional scheme that is used to think of intentional action in contemporary action (...)
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  8.  34
    Abstract: Some Notes Concerning the Dialogue Between Merleau-Ponty and Melanie Klein.Lucia Angelino - 2005 - Chiasmi International 6:381-381.
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  9. The Meaningful Body.Elizabeth A. Behnke, Philippe van Haute, Lucia Angelino & Jonathan Kim-Reuter - 2008 - Philosophy Today 52 (Supplement):46-84.
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  10.  38
    Re-Reading Merleau-Ponty in the Light of the Unpublished Writings (II): One Day Conference at the Husserl Archives in Paris.Lucia Angelino - 2007 - Chiasmi International 9:493-497.
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  11.  5
    The Role of the Third in the Genesis of a We-Perspective.Lucia Angelino - 2021 - International Journal of Philosophical Studies 29 (2):185-203.
    ABSTRACT According to a recent and prominent view, a ‘we-perspective’ arises out of a dyadic I-you relation involving a special form of reciprocity in which I relate to another as a you – as somebody who is also attending and addressing me. As important as this argument might be, one obvious limitation lies in that it typically applies to dyadic forms of ‘we’ which are bound to the here and now of face-to-face interactions between ‘ad hoc pairs of individuals’. Drawing (...)
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  12.  34
    Note sul Dialogo tra Merleau-Ponty e Melanie Klein.Lucia Angelino - 2005 - Chiasmi International 6:369-379.
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  13.  35
    résumé: Notes sur Ie dialogue entre Merleau-Ponty et Melanie Klein.Lucia Angelino - 2005 - Chiasmi International 6:380-380.
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  14.  15
    L'a priori du corps chez Merleau-Ponty.Lucia Angelino - 2008 - Revue Internationale de Philosophie 2:167-187.
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  15.  14
    Between Phenomenology and Psychoanalysis: The Meaningful Body.Lucia Angelino - 2008 - Philosophy Today 52 (Supplement):63-73.
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  16.  20
    Compte rendu de la journée d'études des Archives Husserl de Paris “Relire Merleau-Ponty à la lumière des inédits (II)” organisé par Emmanuel de Saint Aubert à l'Ecole Normale Supérieure de Paris.Lucia Angelino - 2007 - Chiasmi International 9:483-493.
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  17.  18
    Merleau-Ponty's Thinking Eye.Lucia Angelino - 2014 - Philosophy Today 58 (2):265-278.
    The general aim of this paper is to reach a better understanding of the dynamic process that gives rise to a self and its conscious activity. In order to meet this overall goal, I will analyse in detail the three main stages of the creative process, taking Merleau-Ponty’s reflections on the painter’s experience provided in Eye and Mind as my starting point. My argument will unfold in three main stages. First, I will focus on his notion of flesh, in order (...)
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  18.  14
    Drawing From Merleau-Ponty’s Conception of Movement as Primordial Expression.Lucia Angelino - 2015 - Research in Phenomenology 45 (2):288-302.
    _ Source: _Volume 45, Issue 2, pp 288 - 302 In this paper I intend to show that Merleau-Ponty’s conception of movement as primordial expression, whereby movement is a shaping force that can be discerned in the forms it creates, allows us to go beyond the superficial definition of movement as “change of place” and discover its most essential characteristic: that is the expression of a motion—intrinsic to feeling—which can take on the form of either a generative thrust or an (...)
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  19.  17
    Relire Merleau-Ponty à la Lumiàre Des Inedits (II): Journée d’études des Archives Husserl de Paris.Lucia Angelino - 2007 - Chiasmi International 9:488-492.
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  20.  11
    Rileggere Merleau-Ponty alla Luce degli Inediti (II): Giornata di studi degli Archivi Husserl di Parigi.Lucia Angelino - 2007 - Chiasmi International 9:483-487.
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  21.  4
    Relire Merleau-Ponty à la Lumiàre Des Inedits : Journée d’études des Archives Husserl de Paris.Lucia Angelino - 2007 - Chiasmi International 9:488-492.
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  22.  4
    Re-Reading Merleau-Ponty in the Light of the Unpublished Writings : One Day Conference at the Husserl Archives in Paris.Lucia Angelino - 2007 - Chiasmi International 9:493-497.
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  23.  2
    Le « mouvement qui trace et laisse derrière lui les figures du sillage ».Lucia Angelino - 2013 - Alter: revue de phénoménologie 21:279-297.
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  24.  2
    Note sul Dialogo tra Merleau-Ponty e Melanie Klein.Lucia Angelino - 2005 - Chiasmi International 6:369-379.
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  25.  1
    Rileggere Merleau-Ponty alla Luce degli Inediti : Giornata di studi degli Archivi Husserl di Parigi.Lucia Angelino - 2007 - Chiasmi International 9:483-487.
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