This essay offers a short overview of feminist history of science and introduces a new project into that history, namely feminist history of colonial science. My case study focuses on eighteenth-century voyages of scientific discovery and reveals how gender relations in Europe and the colonies honed selective collecting practices. Cultural, economic, and political trends discouraged the transfer from the New World to the Old of abortifacients.1.

Feminism and the Body presents classic texts in feminist body studies. Intended for undergraduate and graduate students, the volume touches on the medical history of sexual differences, the political history of the body, the history of clothing and its cultural meanings, symbolic renderings of the body, male bodies, and the body in colonial and cross-cultural contexts.

: This essay offers a short overview of feminist history of science and introduces a new project into that history, namely feminist history of colonial science. My case study focuses on eighteenth-century voyages of scientific discovery and reveals how gender relations in Europe and the colonies honed selective collecting practices. Cultural, economic, and political trends discouraged the transfer from the New World to the Old of abortifacients (widely used by Amerindian and African women in the West Indies).1.

In early modern science, the struggle between feminine and masculine allegories of science was played out within fixed parameters. Whether science itself was to be considered masculine or feminine, there never was serious debate about the gender of nature, one the one hand, or of the scientist, on the other. From ancient to modern times, nature—the object of scientific study—has been conceived as unquestionably female.5 At the same time, it is abundantly clear that the practitioners of science, scientists, themselves, overwhelmingly (...) have been men.But what about science? What gender was it—as an activity and set of ideals—to have? In one tradition the answer was clear: science was a woman. This tradition, stretching back at least to Boethius’ sixth-century portrayal of Philosophy as a woman, was codified and explained in Cesare Ripa’s Iconologia, the Renaissance bible of iconography.6 In this work, Ripa portrayed each of the sciences as a woman. “Scientia”—knowledge or skill—was portrayed as a woman of serious demeanor, wearing stately robes . “Physica”—physical science—was a goddess with a terrestrial globe at her feet. Geometry was a woman holding a plumb line and compass. Astrology, too, was a woman, dressed in blue, with a crown of stars and wings signifying the elevation of her thoughts to the distant stars. With a compass in her right hand and the celestial sphere in her left, she studied the movement and symmetry of the skies. 5. See Carolyn Merchant, The Death of Nature: Women, Ecology, and the Scientific Revolution .6. Boethius describes female Philosophy as she appeared to him in a dream in his De consolatione philosophiae. See also Cesare Ripa, Iconologia , first illustrated in 1603. Londa Schiebinger is an assistant professor of history at Pennsylvania State University. Her book, “The Mind has no Sex”: Women in the Origins of Modern Science, will be published next spring. (shrink)