The Oxford Handbook of Feminist Theory provides an overview of the analytical frameworks and theoretical concepts feminist theorists have developed to challenge established knowledge. Leading feminist theorists, from around the globe, provide in-depth explorations of a diverse array of subject areas, capturing a plurality of approaches. The Handbook raises new questions, brings new evidence, and poses significant challenges across the spectrum of academic disciplines, demonstrating the interdisciplinary nature of feminist theory.

My assumption is that thought itself arises out of incidents of living experience and must remain bound to them as the only guideposts by which to take its bearings. Hannah Arendt.

In this new interpretation of the political writings of Hannah Arendt, Lisa Jane Disch focuses on an issue that remains central to today's debates in political philosophy and feminist theory: the relationship of experience to critical understanding. Discussing a range of Arendt's work including unpublished writings, Disch explores the function of storytelling as a form of critical theory beyond the limits of philosophy.

This article situates Hannah Arendt’s On Revolution in the traditions of French and American revolutionary historiography to demonstrate that Arendt’s ‘fable’ of the American Revolution was at odds with her argument about the council form. I argue that had Arendt really wanted to inspire a resurrection of the council form in the present, she would have done better to orient her readers to the French Revolution, specifically to the experiments in democratic republicanism of the group known as the Girondins.

Der Beitrag rekapituliert einige grundlegende Anliegen der konstruktivistischen Wende der politischen Repräsentationstheorie und ihrer normativen Folgen. Er behandelt die Performativität politischer Repräsentation, die politische Meinungen und kollektive Subjektivitäten und damit Handlungsmacht erst hervorbringt. Die Wende, bzw. der „constructivist turn“, impliziert ein Abwenden von der Vorstellung, demokratische Repräsentation sei als neutrale Spiegelung oder Vertretung gesellschaftlicher Gruppen und Interessen zu verstehen und betont stattdessen die Her(aus)stellung des Kollektivs durch den Prozess seiner Repräsentation.

Rousseau's Julie, ou La Nouvelle Héloïse is two novels in one: a story of wifely virtue and a counterstory of women's friendship. Whereas the virtue story exemplifies what feminist readers since Mary Wollstonecraft have considered to be the most oppressive of Rousseau's prescriptions for women, the friendship counterstory questions the ethical foundations and social manifestations of the model of patriarchal authority that Rousseau ordinarily defends. In this essay, I read the novel with an eye for both stories and the tension (...) between them. (shrink)

Rousseau's Julie, ou La Nouvelle Héloise is two novels in one: a story of wifely virtue and a counterstory of women's friendship. Whereas the virtue story exemplifies what feminist readers since Mary WoRstonecraft have considered to be the most oppressive of Rousseau's prescriptions for women, the friendship counterstory questions the ethical foundations and social manifestations of the model of patriarchal authority that Rousseau ordinarily defends. In this essay, I read the novel with an eye for both stories and the tension (...) between them. (shrink)