In the past, deception detection research has explored whether there were specific personal characteristics that were related to lying and found that factors such as personality and morality are indeed related to lying. However, past research has usually focused on a variable-centered approach. Yet, a person-centered might be more suitable here as it allows for the study of people in an integrative manner. In this experiment, 673 students completed a questionnaire which included measures of the five factors of personality, the (...) level of moral disengagement, the perceived cognitive load when lying, lying strategies, frequency of lying and the LiES scale, a tool measuring the tendency to tell self-serving, altruistic and vindicative lies. We performed a Latent Profile Analysis to integrate personality, moral disengagement, and perceived cognitive load scores into specific profiles. Then, we related profile membership to lying behavior. We obtained four profiles, and found that extraversion, moral disengagement, and the perceived cognitive load contributed most to profile differences. We also found that lying frequency did not differ across profiles, whereas lying tendency did. In conclusion, our results suggest that several facets of the individual play a joint role in lying behavior, and that adopting a person-centered approach might be a good strategy to explore the role of interpersonal differences in lie detection research. (shrink)

After decades of epistemological inquiry on the social construction of science, we have observed a renewed consensus on empiricism in application-oriented social sciences and a growing trust in evidence-based practice and decision-making. Drawing on the long-standing debate on value-ladenness, evidence and normativity in sciences, this article theoretically discusses and empirically illustrates the Life-World origins of methods in a domain of inquiry strongly characterized by an empiricist epistemic culture and a normative stance: Children and Media Studies. Adopting a reflexive approach to (...) their own research in such an epistemologically underexplored field, the authors analyze a standard research instrument and two procedures. The analysis illustrates how background assumptions shape the research method and how the procedures routinely conceal this work of shaping. In the discussion the authors cast light on the role scientific procedures play in the naturalization of a given moral order, and put forward the question of whether and how this “morality-building” feature of methods should be taken into account in the assessment of their appropriateness. In the conclusion the authors advance that the situated nature of scientific knowledge, rather than discrediting its relevance, is what makes it relevant, here and now, for the larger community the research may impact on. The authors discuss the risks of such a pragmatic outcome and propose the adoption of an oscillating epistemic stance as a way to cope with them. (shrink)

Oggi come in passato l'Oriente è vittima di stereotipi derivati dalla tradizione orientalistica ottocentesca che ha contribuito a plasmare una miriade di cliché esotici dai quali fatichiamo a renderci indipendenti. In questo intervento si cerca di segnalare, e in parte demitizzare, alcuni di tali luoghi comuni, con particolare riferimento al contesto musicale russo di fine Ottocento. Nel quadro dell'immaginario dell'Oriente che si sviluppa nella cultura russa si colloca la suite sinfonica Sekherezada op. 35 di Nikolaj Andreevič Rimskij-Korsakov: temi popolari di (...) sapore orientaleggiante si sviluppano su impianti sonori di grande effetto che trasportano gli uditori in un mondo lontano, sconosciuto, immaginato, chiamato Oriente As a consequence of the multitude of exotic cliché shaped by the eighteenth-century orientalistic tradition, the East has always fallen victim to a series of misleading stereotypes from which we can hardly set free.The aim of this paper is to bring to light and demythologize some of those cliché, with particular attention paid to the eighteenth-century musical output in Russia. Among the Russian musical works that focus on the theme of the East is the symphonic suite Sekherezada op. 35 composed by Nikolaj Andreevič Rimskij-Korsakov: oriental-sounding folk themes develop on impressive sonorities taking the listener to a far-away, unknown, imaginary place, called “East”. (shrink)

This is an exclusive interview with the film-maker Nurith Aviv. Her last film Misafa Lesafa, on the plural linguistic identity in Israel, is linked to her former work and analysed through its cultural background, its symbolic dimension and its technical realization.

The author summarizes here the main theme of the papers gathered in the second part of this issue. It describes the dual identities they deal with and places them in the context of an ongoing seminar work carried out at the Maison des sciences de l’homme in Paris.

Dalla figura di Macbeth emerge l'idea di un'epoca crudele e violenta, che tende a esaltare gli aspetti brutali e malvagi dell'uomo.

I : PETRARCH'S BRITAIN 1: Piero Boitani: Petrarch and the barbari Britanni II: PETRARCH AND THE SELF 2: Jennifer Petrie: Petrarch solitarius 3: Zygmunt G. Baranski: The Ethics of Ignorance: Petrarch's Epicurus and Averroes and the Structures of the De Sui Ipsius et Aliorum Ignorantia 4: Jonathan Usher: Petrarch's Second Death III: PETRARCH IN DIALOGUE 5: Francesca Galligan: Poets and Heroes in Petrarch's Africa: Classical and Medieval Sources 6: Enrico Santangelo: Petrarch reading Dante: the Ascent of Mont Ventoux 7: John (...) Took: Petrarch and Cino da Pistoia: A Moment in the Pre-history of the Canzoniere IV: PETRARCHISM AND ANTIPETRARCHISM IN ITALY 8: Abigail Brundin: Petrarch and the Italian Reformation 9: Hilary Gatti: Petrarch, Sidney, Bruno 10: Diego Zancani: Renaissance Misogyny and the Rejection of Petrarch 11: Letizia Panizza: Impersonations of Laura in Sixteenth and Seventeenth Century Italy V: PETRARCHISM: ENGLISH AND SCOTTISH CONNECTIONS 12: Michael Wyatt: Other Petrarchs in Early Modern England 13: Stephen Clucas: Thomas Watson's Hekatompathia and European Petrarchism 14: John Roe: The Comedy of Astrophil: Petrarchan Motifs in Sidney's Astrophil and Stella 15: Syrithe Pugh: Sidney, Spenser and Political Petrarchism 16: R. D. S. Jack: Petrarch and the Scottish Renaissance Sonnet VI: PETRARCH AND THE MODERNS: ITALY AND BRITAIN 17: Pamela Williams: Leopardi and Petrarch 18: Ela Tandello: Between Tradition and Transgression: Amelia Rosselli's Petrarch 19: Martin McLaughlin: Nineteenth-century British Biographies of Petrarch 20: Peter Hainsworth: Translating Petrarch. (shrink)

In questo articolo ci si occupa di come il regno e la vita di due califfi abbasidi siano ritratti e valutati dalle fonti narrative arabe medievali. Hārūn al-Rashīd e al-Muqtadir divennero, pochi decenni dopo la loro morte, il paradigma del buono e del cattivo califfo rispettivamente; tuttavia, i loro lunghi califfatia le loro biografie personali presentano diversi elementi comuni. Un'analisi di temi simili presenti nelle rappresentazioni dei due sovrani illustrano mezzi e strategie narrativi impiegati dalle fonti, nel tentativo di stabilire (...) quali fattori determinino lo sviluppo di una reputazione post-mortem positiva o negativa.This paper looks at how the lives and reigns of two Abbasid caliphs are portrayed and evaluated in medieval Arabic narrative sources. Hārūn al-Rashīd and al-Muqtadir became, only a few decades after their death, the paradigm of the good and the bad caliph respectively. However, their long caliphates as well as their personal biographies share several elements. An analysis of similar themes in the portrayals of the two rulers illustrates narrative means and strategies employed by the sources, in an attempt to establish which factors determine the development of a positive or negative post-mortem reputation. (shrink)