: I argue that the modernist synthesis of the higher self and dehumanized art prepares the way for the Age of Biotech. The high modernists went "out of nature" to recreate man and morality. The critical heirs of modernism, including postmodernists, inherit this ambitious effort — the modernist moral project. The roads of modernism run from the City of Art in Yeats's Byzantium poems, through the dehumanized aesthetic of Woolf and others, to the postmodernist deconstruction of character, as well as (...) to the democratic vistas of John Dewey and Freeman Dyson. (shrink)

What was the ethical perspective of modernist literature? How did Yeats, Eliot, Joyce, Woolf and Beckett represent ethical issues and develop their moral ideas? Lee Oser argues that thinking about human nature restores a perspective on modernist literature that has been lost. He offers detailed discussions of the relationship between ethics and aesthetics to illuminate close readings of major modernist texts. For Oser, the reception of Aristotle is crucial to the modernist moral project, which he defines as the effort to (...) transform human nature through the use of art. Exploring the origins of that project, its success in modernism, its critical heirs, and its possible future, The Ethics of Modernism brings a fresh perspective on modernist literature and its interaction with ethical strands of philosophy. It offers many new insights to scholars of twentieth-century literature as well as intellectual historians. (shrink)

"Oser examines the twentieth-century literary clash between a dogmatically relativist modernism and a robust revival of Christian humanism.