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  1. “Feeling My Way”: Jazz Improvisation and Its Vicissitudes—A Plea for Imperfection.Lee B. Brown - 2000 - Journal of Aesthetics and Art Criticism 58 (2):113-123.
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  2.  8
    Jazz and the Philosophy of Art.Lee B. Brown & David Goldblatt - 2018 - New York: Routledge. Edited by David Goldblatt & Theodore Gracyk.
    Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography, musical forgeries, and jazz singing, as well as Goodman's allographic/autographic distinction, Adorno's critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges (...)
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  3. Musical works, improvisation, and the principle of continuity.Lee B. Brown - 1996 - Journal of Aesthetics and Art Criticism 54 (4):353-369.
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  4. Improvisation.Lee B. Brown - 2011 - In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. Routledge. pp. 59--69.
     
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  5.  20
    Ethical Leadership Perceptions: Does It Matter If You’re Black or White?Dennis J. Marquardt, Lee Warren Brown & Wendy J. Casper - 2018 - Journal of Business Ethics 151 (3):599-612.
    Ethical scandals in business are all too common. Due to the increased public awareness of the transgressions of business executives and the potential costs associated with these transgressions, ethical leadership is among the top qualities sought by organizations as they hire and promote managers. This search for ethical leaders intersects with a labor force that is becoming more racially diverse than ever before. In this paper, we propose that the ethical leadership qualities of business leaders may be perceived differently depending (...)
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  6.  41
    Phonography, repetition and spontaneity.Lee Brown - 2000 - Philosophy and Literature 24 (1):111-125.
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  7.  15
    Corporate Political Activity and Free Riding under Market Uncertainty: An Investigation of TARP Funding.Lee Warren Brown, John A. De Leon & Abdul A. Rasheed - 2019 - Business and Society Review 124 (1):115-143.
    Given that the benefits of Corporate Political Activity (CPA) are usually granted in the form of favorable industry regulation that benefits all industry participants rather than a single firm, small politically inactive firms are often able to take advantage of the benefits from CPA without investing in them. We argue that the free‐riding problem is context specific. Situations of extreme uncertainty create institutional voids that enable individual firms to more fully appropriate the returns from their CPA. In this paper, we (...)
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  8.  38
    Adorno's Critique of Popular Culture: The Case of Jazz Music.Lee B. Brown - 1992 - The Journal of Aesthetic Education 26 (1):17.
  9.  11
    Sound Figures.Lee B. Brown, Theodor Adorno & Rodney Livingston - 2001 - Journal of Aesthetic Education 35 (1):118.
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  10. Phonography, rock records, and the ontology of recorded music.Lee B. Brown - 2000 - Journal of Aesthetics and Art Criticism 58 (4):361-372.
  11.  15
    Aesthetics: A Reader in Philosophy of the Arts.David Goldblatt & Lee Brown (eds.) - 2005 - New York: Pearson Education.
    Painting -- Photography and film -- Architecture and the third dimension -- Music -- Literature -- Performance -- Popular art and everyday aesthetics -- Classic sources -- Contemporary sources.
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  12.  21
    A Critique of Michael Rings on Covers.Lee B. Brown - 2014 - Journal of Aesthetics and Art Criticism 72 (2):193-195.
  13.  26
    Understanding the Arts.Lee B. Brown - 1984 - Teaching Philosophy 7 (3):267-270.
  14.  19
    Aesthetics: An Introduction.Lee B. Brown - 1973 - Journal of Aesthetics and Art Criticism 31 (4):543-544.
  15.  27
    Can American Popular Vocal Music Escape the Legacy of Blackface Minstrelsy?Lee B. Brown - 2013 - Journal of Aesthetics and Art Criticism 71 (1):91-100.
  16. Aesthetics: A Reader in the Philosophy of the Arts, 4th edition.David Goldblatt, Lee Brown & Stephanie Patridge (eds.) - 2017 - Routledge.
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  17.  85
    Understanding and Ontology in Traditional African Thought.Lee Brown - 2006 - In M. Brown Lee (ed.), African Philosophy: New and Traditional Perspectives.
    This essay discusses how ontological commitments within modern Western culture are no less problematic than those within traditional African cultures. Each posits unobservable entities to explain the experiential world, and neither has ready access to those posits held as grounding or as otherwise determining what is experienced. It looks at the conceptions of persons in Western and African traditions and suggests that each tradition can learn from the other.
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  18.  8
    Notes on.Bruce Ellis Benson, Jeanette Bicknell, Stephen Blum, Lee B. Brown & Malcolm Budd - 2011 - In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. Routledge.
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  19.  21
    Adorno's Aesthetic Theory. The Redemption of IllusionNotes to Literature, Volume One.Lee B. Brown - 1993 - Journal of Aesthetic Education 27 (2):117.
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  20.  75
    Art from start to finish: Jazz, painting, writing, and other improvisations edited by Becker, Howard S., Robert R. Faulkner, and Barbara kirshenblatt-gimblett.Lee B. Brown - 2008 - Journal of Aesthetics and Art Criticism 66 (2):205–208.
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  21.  4
    A literary common ground.Lee Rust Brown - 1996 - Philosophy and Literature 20 (1):193-196.
    In lieu of an abstract, here is a brief excerpt of the content:A Literary Common GroundLee Rust BrownLet me make note of a few things that have occurred to me during this conference. Some of these will be observations; some will be practical inferences. One of them, though, involves the crossing of an expectation, or maybe a fear, I had brought with me to Minneapolis. Since this has to do with the whole tone of the conference, we might as well (...)
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  22.  2
    Compassion and Societal Well‐Being.Lee M. Brown - 2017 - Pacific Philosophical Quarterly 77 (3):216-224.
    Although there are compelling reasons for believing otherwise, compassion cannot provide a basis for grounding a viable theory of civil and political society. Firstly, it is often irrational or personally irresponsible to be compassionate. Secondly, relations based on compassion do not require characteristics that are essential for a viable civil and political society. Thirdly, the unpredictable consequences of compassion are such that compassion alone is not sufficient for grounding a viable civil and political society. Finally, obligating people to be compassionate (...)
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  23.  21
    Definitions and art theory.Lee B. Brown - 1969 - Journal of Aesthetics and Art Criticism 27 (4):409-415.
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  24.  10
    Documentation and Fabrication in Phonography.Lee B. Brown - 1998 - The Paideia Archive: Twentieth World Congress of Philosophy 1:6-17.
    In most general terms, my paper is about the mixture of agendas in the recording industry, where documentation, with its apparently educational implications, becomes difficult to distinguish from a range of distinct, even opposed, goals—which I group under the heading "fabrication." After a few historical remarks, I develop the concept of what I call works of phonography —that is, sound-constructs created by the use of recording machinery. I detail their ontological characteristics, as contrasted the features of ordinary musical works. WPs (...)
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  25.  2
    Hertz, David Michael. The Tuning of The Word.Lee B. Brown - 1988 - Journal of Aesthetics and Art Criticism 46 (3):439-440.
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  26.  37
    Jazz among the DiscoursesRepresenting Jazz.Lee B. Brown & Krin Gabbard - 1997 - Journal of Aesthetics and Art Criticism 55 (3):325.
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  27. Jazz.Lee B. Brown - 2011 - In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. Routledge.
     
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  28. Lee B. Brown.Leeb Brown - 2011 - In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. Routledge. pp. 426.
     
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  29.  11
    Notes to Literature, Volume Two.Lee B. Brown, Theodor W. Adorno, Rolf Tiedemann & Shierry Weber Nicholsen - 1994 - Journal of Aesthetic Education 28 (1):113.
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  30.  83
    Postmodernist jazz theory: Afrocentrism, old and new.Lee B. Brown - 1999 - Journal of Aesthetics and Art Criticism 57 (2):235-246.
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  31.  45
    Philosophy, Rhetoric, and Style.Lee B. Brown - 1980 - The Monist 63 (4):425-444.
    What aspects of philosophical style really count? What aspects of philosophical writing count only as matters of style? Some features of philosophical writing and talking do seem to be of merely ornamental significance, worthy subjects only of gossip or banter. We are familiar with the academic sneer with which poor Professor Kluck is charged with having “somehow managed to confuse” one thing with another. A more serious stylistic matter, of course, would be Professor Kluck’s own willingness to use the apparatus (...)
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  32.  14
    Quasi una Fantasia: Essays on Modern MusicAdorno's Aesthetics of Music.Lee B. Brown, Theodor W. Adorno, Rodney Livingstone & Max Paddison - 1995 - Journal of Aesthetics and Art Criticism 53 (2):212.
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  33.  81
    Resurrecting Hegel to Bury art.Lee B. Brown - 1989 - British Journal of Aesthetics 29 (4):303-315.
  34.  19
    Jazz: America's Classical Music?Lee B. Brown - 2002 - Philosophy and Literature 26 (1):157-172.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.1 (2002) 157-172 [Access article in PDF] Symposium: On Ken Burns's "Jazz" Jazz: America's Classical Music? 1 Lee B. Brown I VIEWERS OF KEN BURNS'S third cultural epic "Jazz" probably fell into one of three categories. 2 Some found it gripping. Some found it grating. Some found it both at once.The series has unforgettable moments: spectacular jitterbug sequences; Jimmy Lunceford's horn men fanning their trumpet bells (...)
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  35.  24
    Traditional aesthetics revisited.Lee B. Brown - 1971 - Journal of Aesthetics and Art Criticism 29 (3):343-351.
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  36.  10
    The effects of CEO activism on employees person‐organization ideological misfit: A conceptual model and research agenda.Lee Warren Brown, Jennifer G. Manegold & Dennis J. Marquardt - 2020 - Business and Society Review 125 (1):119-141.
    Research has found many positive benefits to person‐organization (PO) fit, for both individuals and the organization. However, PO misfit has received far less attention in the literature. In this article, we look specifically at PO misfit caused by the differing political values and beliefs of the CEO and employee. We argue that CEO activism influences employee perceptions of ideological misfit (IM), whereby differing political beliefs between employees and their activist CEO can impact workplace outcomes. We consider how peer group reactions, (...)
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  37.  12
    The Semblance of Subjectivity: Essays in Adorno's Esthetic Theory.Lee B. Brown, Tom Huhn & Lambert Zuidervaart - 1999 - Journal of Aesthetic Education 33 (1):118.
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  38.  79
    The theory of jazz music "it don't mean a thing...".Lee B. Brown - 1991 - Journal of Aesthetics and Art Criticism 49 (2):115-127.
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  39.  39
    World Interpretations and Lived Experience.Lee B. Brown - 1971 - The Monist 55 (2):275-292.
    Some two hundred years ago the course of philosophy was changed, and we shall in this paper take it for granted that we cannot return to an earlier standpoint. We have left behind, not simply the notion that we can penetrate the nature of things by pure reason, but also the idea that our knowledge moves in ever-widening circles of objectivity toward a standpointless comprehension of things. Absolute comprehension is a mere regulative idea, although even that is misleading if it (...)
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  40.  3
    W. J. T. Mitchell, Iconology: Image, Text, Ideology.Lee B. Brown - 1986 - Journal of Aesthetics and Art Criticism 45 (2):211-213.
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  41. Aesthetics: A Reader in Philosophy (4th ed.).David Goldblatt, Stephanie Partridge & Lee Brown (eds.) - 2017
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  42.  84
    Jazz: America's Classical Music?Lee B. Brown - 2002 - Philosophy and Literature 26 (1):157-172.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.1 (2002) 157-172 [Access article in PDF] Symposium: On Ken Burns's "Jazz" Jazz: America's Classical Music? 1 Lee B. Brown I VIEWERS OF KEN BURNS'S third cultural epic "Jazz" probably fell into one of three categories. 2 Some found it gripping. Some found it grating. Some found it both at once.The series has unforgettable moments: spectacular jitterbug sequences; Jimmy Lunceford's horn men fanning their trumpet bells (...)
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  43.  17
    Musical Elaborations.Lee B. Brown - 1992 - Journal of Aesthetics and Art Criticism 50 (4):352-354.
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  44.  2
    Review. [REVIEW]Lee B. Brown - 1993 - Journal of Aesthetic Education 27 (2):117.
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  45.  23
    Review of Richard H. bell, Understanding African Philosophy: A Cross-Cultural Approach to Classical and Contemporary Issues[REVIEW]Lee Brown - 2002 - Notre Dame Philosophical Reviews 2002 (11).