A thought-provoking comparative take on two seminal thinkers in Christian history In this book -- the first volume in the Kierkegaard as a Christian Thinker series -- Lee Barrett offers a novel comparative interpretation of early church father Augustine and nineteenth-century philosopher-theologian Soren Kierkegaard. Though these two intellectual giants have been paired by historians of Western culture, the exact nature of their similarities and differences has never before been probed in detail. Barrett demonstrates that on many essential theological levels Augustine (...) and Kierkegaard were more convergent than divergent. Most significantly, their parallels point to a distinctive understanding of the Christian life as a passion for self-giving love. Approaching Kierkegaard through the lens of Augustine, Barrett argues, enables the theme of desire for fulfillment in God to be seen as much more central to Kierkegaard's thought than previously imagined. (shrink)

Kierkegaard's writings contain seemingly divergent pictures of the relation of God's grace and human works. The differences are evident in the ways that he portrays the connection of human beings’ natural loving capacities to God's gracious enabling of love. What is the relation of human affiliative dispositions, such as attachment to family and friends, to the more extraordinary forms of Christian love, such as loving strangers, enemies, and God? Kierkegaard sometimes stressed the continuity of natural loves and God's grace and (...) sometimes their discontinuity because in different contexts he was pursuing different edifying purposes. On the one hand, he emphasized the continuity of the two when he was attempting to stimulate the appropriate yearning that is a precondition for welcoming God's grace. On the other hand, elsewhere he stressed the difference of the natural loves and Christian love in order to foster an appreciation for the uniqueness and gratuity of God's self-giving. (shrink)

Kierkegaard’s texts suggest countervailing construals of the respective roles of divine and human agency in an individual’s pursuit of blessedness. Kierkegaard paradoxically suggests that the individual must depend entirely on grace for the birth and development of faith, and at the same time actively cultivate faithful dispositions and passions. But Kierkegaard did not espouse Calvinistic divine determinism, or Pelagian autonomous human agency, or the Arminian cooperation of the two. For Kierkegaard, the ostensible paradox of grace and free will is not (...) a cognitive conundrum but is rather a challenge to integrate faith as a gift and faith as a task. (shrink)

Kierkegaard's relation to Luther and Lutheranism varied drastically according to his different authorial goals. In general, Kierkegaard employed Luther and the Lutheran doctrines of justification by grace and kenosis positively when he wanted to comfort believers or to prod partially sympathetic devout individuals toward a more authentic faith. However, he sharply critiqued Luther when he intended to challenge the basic premises of a spiritually anesthetized Christendom that took grace for granted. Consequently, the dialectic of rigor and leniency that Kierkegaard sometimes (...) discerned in Luther was reflected in Kierkegaard's own appropriation of Luther. (shrink)

Kierkegaard's work was a significant response to nineteenth‐century controversies about biblical hermeneutics. Kierkegaard attempted to resolve questions about meaning by focusing on the passions brought to bear on the text, and the passions that the text can evoke. His version of the hermeneutic circle was his conviction that the canonical form of the Bible has the power to evoke Christian pathos, when it is read with the appropriate self‐concern. The interaction of the canonical form and the apt subjectivity obviated the (...) need for any reconstructed authorial intentionality or historical context. (shrink)

Exploring Kierkegaard's complex use of the Bible, the essays in this volume use source-critical research and tools ranging from literary criticism to theology ...

This book argues that Kierkegaard, influenced by Kant's critique of metaphysics, did not attempt to integrate human and divine agencies in any speculative theory. Instead, Kierkegaard deploys them to encourage different passions and dispositions that can be integrated in a coherent human life.

Name der Zeitschrift: Kierkegaard Studies Yearbook Jahrgang: 2013 Heft: 1 Seiten: 3-24.

Kierkegaard’s attitude toward the family of issues usually associated with the rubric ‘nature and grace’ has long been disputed by his interpreters. Some of have seen him as a proponent of the ‘grace perfects nature’ position while others have viewed him as a radical bifurcator of nature and grace. Actually, Kierkegaard’s treatment of these issues is more nuanced. He does propose that human nature intrinsically possesses a yearning that can only be satisfied by God’s grace (and therefore nature is oriented (...) toward grace), but he suggests that the grace that God offers is utterly unanticipated, counter-intuitive, and potentially offensive (and therefore grace disrupts nature). The prospect of God’s self-emptying love is something that nature did not know would fulfill its deepest longings, and which excites both attraction and repulsion. (shrink)

Ever since the work of Louis Mackey, Kierkegaard: A Kind of Poet, English-language Kierkegaard scholarship has struggled to do justice to the literary-poetic as well as theological-philosophical aspects of the Danish authorship. The first part of this paper traces the development of this debate, noting how Kierkegaard, often in the journals and papers, comments on specific intellectual and doctrinal claims of the Christian faith. The debate between these two ways of reading and understanding is frequently viewed as an impasse. In (...) a second part, the paper endorses and makes a case for a way of reading Kierkegaard neither as “a non-doctrinal literary provocateur” nor as a “non-literary dogmatist.” For all of the difficulty that they pose to interpreters, Kierkegaard's literary stratagems are designed to challenge a reader to wrestle with doctrinal claims amid the struggles of personal existence. (shrink)