A recent wave of scholarship has challenged the traditional way of understanding of self-command in Adam Smith’s Theory of Moral Sentiments as ‘Stoic’ self-command. But the two most thorough alternative interpretations maintain a strong connection between self-command and rationalism, and thus apparently stand opposed to Smith’s overt allegiance to sentimentalism. In this paper I argue that we can and should interpret self-command in the context of Smith’s larger sentimentalist framework, and that when we do, we can see that self-command is (...) ‘sentimentalized’. I offer an interpretation of Smithian self-command, arguing that self-command has its motivational basis in the natural desire for the pleasure of mutual sympathy; that self-command is guided by the sentimental standard of propriety; and that self-command works through the psychological mechanism of the ‘supposed’ impartial spectator. And I show that Smithian self-command is a home-grown, sentimentalist virtue and not an awkward rationalistic transplant. (shrink)

It has been claimed that Adam Smith, like David Hume, has a ‘reflective endorsement’ account of the authority of morality. On such a view, our moral faculties and notions are justified insofar as they pass reflective scrutiny. But Smith's moral philosophy, unlike Hume's, is also peppered with references to God, to divine law, and to our being ‘set up’ in a specific way so as to best attain what is good and useful for us. This language suggests that there is (...) another strategy available for accounting for the authority of morality, one that would align Smith with teleological accounts of human nature and theological accounts of morality. The authority of Smith's impartial spectator would, on such an account, be derivative – it would be derived from the supreme authority of God. Such a view poses a serious challenge for contemporary interpreters of Smith who seek to read him as an empiricist, naturalist, and sentimentalist moral philosopher. This paper examines the textual evidence for this view, focusing on the role of the explicitly religious language found in a key section of Smith's Theory of Moral Sentiments. I argue that this language should neither be interpreted as merely ornamental, nor as providing a theological justification of morality. Rather, it is part of Smith's illustration of the psychological influence of religious beliefs, especially the beliefs in an all-seeing judge and in a just afterlife where all human actions will be accounted for and appropriately rewarded or punished. (shrink)

abstract: Mary Wollstonecraft is an early and important critic of Adam Smith, engaging with his Theory of Moral Sentiments in her Vindication of the Rights of Woman. Given Wollstonecraft's arguments against moralists who "give a sex to virtue," what did she make of Smith's use of gender-coded language and the oft-cited passage where he claims that "humanity is the virtue of a woman, generosity of a man" ( TMS IV.2.10)? This paper revisits the scholarly debate over gender essentialism in Smith, (...) arguing that Smith's view of virtue is not gender essentialist, and that Wollstonecraft saw this and did not target Smith with her critique. Instead, Wollstonecraft affirms Smith's claims, leveraging them in order to advocate for educational and social reform. Reading these texts together corrects the tenacious reading of Smith as a gender essentialist, while also illuminating the differences between Smith's and Wollstonecraft's conceptions of self-control. (shrink)

What might Adam Smith have learned from Jane Austen and other novelists of his moment? This paper finds and examines a serious problem at the center of Adam Smith’s moral psychology, stemming from an unacknowledged tension between the effort of the spectator to sympathize with the feelings of the agent and that of the agent to moderate her feelings. The agent’s efforts will result in her opacity to spectators, blocking their attempts to read her emotions. I argue that we can (...) resolve this tension by looking to developments in eighteenth-century literature, as perfected in the hands of Jane Austen. I focus on two techniques, focalization and free indirect style, and I show that the problems for spectatorship diminish when we see that good Smithian spectators are savvy readers. (shrink)

Abstract:The claim is often made that the novel can be an important resource in developing the moral capacities of readers, but how might this work? What would such an education look like for the reader of a novel? This paper explores these questions by working through a specific novel, Jane Austen's Persuasion, and examining how it accomplishes these goals. I argue that Persuasion dramatizes the workings of moral imagination, and I show how this dramatization can affect the reader by refining (...) her imagination and making her more discerning of moral qualities. (shrink)

Several authors have recently noted Hume’s relative silence on the virtue of strength of mind and how it is developed. In this paper I suggest that Hume had good reasons for this silence, and I argue that Hume’s discussion of artificial virtue, especially the virtue of allegiance, reveals a complex view of the limitations on human efforts at self-reform. Further, it reveals the need for government and externally-imposed regulative structures to enable the development of strength of mind. I argue that (...) because of this, strength of mind awkwardly straddles Hume’s distinction between natural and artificial virtue. I conclude that, in comparison with traditional models of self-control, Humean strength of mind is indirect, artificial, and social. (shrink)

In the final edition of the Theory of Moral Sentiments (TMS), Smith recommends several literary authors—Racine and Voltaire, Richardson, Marivaux, and Riccoboni—as “much better instructors than Zeno, Chrysippus, or Epictetus,” specifically in their illustrations of relationships of love and friendship as well as the “private and domestic affections,” like “parental tenderness” and “filial piety” (III.3.13-4). Smith does not here explain how literature performs this instructive function, and his remarks on the function of literature are scattered across TMS and the Lectures (...) on Rhetoric and Belles Lettres. This chapter contributes to a growing body of scholarship on Smith and literature by focusing closely on this recommendation, elucidating the instructive potential of the early novel, and showing how well-suited the techniques of that form are to the goals and challenges of Smith’s sentimentalist moral philosophy. By examining shared themes and formal features of the novels of Samuel Richardson, Pierre Marivaux, and Marie-Jeanne Riccoboni, I show how a reader’s engagement with these novels helps to enable and train her skills as an impartial and sympathetic spectator. (shrink)

The mention of “self-control” calls up certain stock images: Saint Augustine struggling to renounce carnal pleasures; dispassionate Mr. Spock of Star Trek; the dieter faced with tempting desserts. In these stock images reason is almost always assigned the power and authority to govern passions, desires, and appetites. But what if the passions were given the power to rule—what if, instead of sovereign reason, there were sovereign sentiments? My dissertation examines three sentimentalist conceptions of self-control: David Hume’s conception of “strength of (...) mind”; Adam Smith’s conception of “self-command”; and Jane Austen’s examination of these conceptions. Hume divests reason of motivational power, and with this new moral psychology comes a new conception of self-control. Humean strength of mind is indirect, artificial, and social—a regulatory system that humans cannot develop until societal systems of government and regulations have been instituted. Smith accepts Hume’s anti-rationalist arguments, but he emphasizes that only certain sentiments are fit to rule. And he argues that self-control develops without the sophisticated external conditions posited by Hume. Smithian self-command is the capacity to modify one’s feelings in accordance with a regulative ideal: the sentiments of an imagined impartial spectator. Austen responds to these conceptions, illustrating and complicating them. Sense and Sensibility explores the difficulties of discerning the feelings of others, and Persuasion dramatizes the difficulties of distinguishing strength of mind in another, offering sets of characters for the reader’s scrutiny, each with a competing claim to strength of mind. Taken together, Austen’s novels offer a fuller and more delicately shaded depiction of the sort of self-control that Hume and Smith imagine in their philosophical works. (shrink)

In this intricate, careful, and compelling book, Griswold stages an extended encounter between two towering figures of Enlightenment thought: Jean-Jacques Rousseau and Adam Smith. While Rousseau and Smith were known to each other, they had nothing like the "encounter" that Rousseau and David Hume had, for example. Smith commented on Rousseau's views, particularly those found in the Discourse on the Origins of Inequality, in his 1756 "Letter to the Authors of the Edinburgh Review" as well as in his The Theory (...) of Moral Sentiments, and Rousseau shows up in Smith's correspondence with Hume, but beyond that there was little actual interaction between the two philosophers. However, Griswold's work is not to focus on the... (shrink)

Samuel Fleischacker's book is a very welcome addition both to scholarship on Adam Smith and to the burgeoning field of empathy studies. Fleischacker brings decades of excellent and influential work on Smith to the popular topic of empathy to show that Smithian empathy (Smith uses the term "sympathy" for this capacity), with some updates, has a crucial role to play in our ethical practices. In doing so, Fleischacker offers important responses to some perennial objections to Smith's empathy-based moral theory, and (...) to the recent critiques of empathy from Paul Bloom and Jesse Prinz. But Fleischacker does more than just delineate and defend Smithian empathy in this book; he also makes a compelling case for an eclectic, humanistic, and empathy-based ethics. (shrink)

The philosophical friendship between David Hume and Adam Smith spanned almost thirty years and influenced several of the greatest productions of the Scottish Enlightenment, but it has never before been the subject of a book-length study. Rasmussen’s accessible account of the friendship between Hume and Smith remedies this and tells an engaging story about these two “dearest” friends.Rasmussen’s story unfolds chronologically, with each chapter focusing largely on either Hume or Smith. The major events of their friendship are dutifully covered, including (...) their respective journeys to France, and Hume’s controversial quarrel with Rousseau; but Rasmussen’s focus is on tracing their relationship and how that... (shrink)