Martin Heidegger’s Sein und Zeit presents one of the most striking reflexions on human facticity, i.e. the fact that Dasein fundamentally exists in a world letting Dasein and world be co-extensive. By quoting two central personages in theology, Pascal and Augustine, Heidegger refers to a concept of love that is constitutive for Dasein’s facticity to truth and to knowledge. By investigating the claim that love is as good as absent from Sein und Zeit, the article intends to show that the (...) scanty references to love nevertheless have a central role in Heidegger’s early work and, furthermore, why Heidegger returns to it in his later thinking. Interesting in this regard is the connection between the theological concept of love and Heidegger’s concept of ‘world’. The article places Heidegger’s Destruktion of the metaphysical tradition in the realms of his Dasein analysis focussing on facticity. Taking its methodological cues from Giorgio Agamben and Jacques Derrida, the article shows how the concepts of possibility and impotentiality (Ohnmacht) become essential in Heidegger via his reference to love. Lastly, the article examines to what extent Heidegger’s Sein und Zeit paraphrases the old angelology letting the Dasein concept become its secularisation. (shrink)

The Italian thinker Giorgio Agamben has achieved large international recognition since his first book in the homo sacer-project, Homo sacer. Il potere sovrano e la nuda vita, was published in 1995. The project’s basic aim is to try and understand the fundamental relation between man and power, politics and theology, which Agamben gives the name biopolitics. Such a politics, Agamben writes in the introduction, is the very fundamental element of Western metaphysics, “because it occupies the threshold in which the articulation (...) between the living and logos is accomplished.” With relentless stringency scholars and researchers have analysed Agamben’s perhaps most famous concept, naked life, and related it to the history of religion, philosophy of law etc. The philosopher himself never thought that his term naked life would achieve such fame, as he said at a small conference at Iuav. However, what has been given less attention, if any, is the most obvious part in that concept: nudity. This holds the key, nonetheless, to understand Agamben’s thinking, because nudity is that very threshold holding together, as well as separating, life and logos, man and animal. Perhaps this is one of the reasons, if not needs, for Agamben writing a book with the telling title: Nudità. Centre in the present article is to discuss Agamben’s concept of nudity alongside that of naked life in thematizing the term shame which is central in this regard. Furthermore, the attempt to argue in favour of a conceptual use of the metaphor-naked life-shall also be unfolded. (shrink)

This article has a twofold scope: I want to suggest that the term “philosophical archaeology” is a methodologically significant concept which is relevant when working historically with the humanities—texts primarily. As a means for this the two most interesting philosophical archaeologists will play a key role: Michel Foucault and Giorgio Agamben. Furthermore, I want to discuss why philosophical archaeology is needed when working critically with what Jan Assmann so famously has defined as cultural memory scholarship. For this purpose Carlo Ginzburg’s (...) concept of, especially, the principle of reality will be discussed lastly where also the difference—or, perhaps, the alleged difference-between law and history, proof and fact will be debated. (shrink)