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Change/Inattentional Blindness in Philosophy of Cognitive Science

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The Works of al-Kāfiyajī and Its Contribution to the Arabic Linguistic: Identification, Classification and Evaluation.Murat Tala - 2020 - Cumhuriyet İlahiyat Dergisi 24 (3):1081-1111.

Muhyiddîn el-Kâfiyecî (öl. 879/1474), on beşinci yüzyıl Saruhanoğulları, Osmanlı ve Memlüklü alimlerindendir. Yüzden çok eser yazmıştır. Makale Kâfiyeci’nin hayatı ve eserlerini araştırır. Yazdığı eserler, onun, Arap dili, Arap grameri, belagat, tarih metodolojisi, hadis ve usulü, tefsir ve usulü, fıkıh ve usulü, kelâm, tasavvuf, dil felsefesi, semantik, metafizik meseleler, geometri, optik ve astronomi gibi konularda uzmanlaştığını göstermektedir. Kâfiyeci en önemli eserlerini Arap dili ve mantık sahalarında yazmıştır. Eserleri içerisinde yaptığı linguistik çözümlemeler, onun yetkin bir dil alimi olduğunu göstermektedir. Kâfiyeci eserlerini yazarken (...) linguistik, mantıki, ilmi ve felsefi bir yöntem kullanmıştır. Araştırmada, Kâfiyeci’nin, hayatı boyunca en az yüz on iki eser yazdığı tespit edilmiştir. Bu eserlerden, doksan altısının adı belirlenmiştir. Kâfiyeci’nin eserleri konularına göre şöylece tasnif edilebilir: Arap Dili ve Dil Felsefesi: Şerḥu’1-i‘râb ‘an Ḳavâ‘idi’l-i‘râb, el-Unmûzec fî baḥsi’l-isti‘âre, Şerḥu’l-isti‘âre, Risâle fî Kâne Zeydun Ḳâimen, Risâle fî Zeydun Ḳâimun, Risâle fi’l-mebâḥisi’l-mute‘alliḳa bi Emmâ, Nuzhetu’l-mu‘rib fi’l-Meşrıḳ ve’l-Maġrib, Nuzhetu’l-aṣhâb fî mes’eleti’l-kuhl, Remzu’l-esrâr, en-Niseb li ehli’l-edeb, el-İşrâḳ fî meratibi’ṭ-ṭıbâk, Ḥâşiye ‘ale’l-Muṭavvel, Risâle fî “men” eş-şartiyye. Mantık: et-Terġîb fî keşfi rumûzi’t-Tehẕîb. Tarih Metodolojisi: el-Muḫtaṣaru’l-mufîd fî ‘ilmi’t-târîḫ, en-Naṣru’l-ḳâhir ve’l-fetḥu’ẓ-ẓâhir. Akâid ve Kelâm: Envâru’ṣ-Ṣa ‘âde, Şerḥu’l-‘Aḳâidi’l-‘Aḍuḍiyye, Hâşiye ‘alâ Şerḥi’l-‘Aḳâidi’l-‘Aḍuḍiyye, Şerḥu’l-Mevâḳıf, Telḫîsu Şerḥi’l-Mevâḳıf, el-Hidâye li beyâni’l-ḫalḳ ve’t-tekvîn, Risâle fî beyâni’l-mu‘cizât, Nehru’l-hayât fî ma‘rifeti’ṣ-ṣıfât, ‘İlmu’l-kumûn ve’l-burûz, Risâle fî Kavlihi Teâlâ “Lâ ye’menu mekr Allâhi ille’l-kavmu’l-hâsirûn” [A‘râf, 7/99]. Kur’ân, Kırâat ve Tefsir Bilimleri: Şerḥu’l-İsti‘âẕe ve’l-Besmele, Ḥâşiye ‘ale’l-Keşşâf, Şerḥ fî muḥâkemât beyne’l-mutekellimîn ‘ale’l-Keşşâf, Ḥâşiye ‘alâ Tefsîri’l-Beyḍâvî, eẓ-Ẓafer ve’l-ḫalâṣ, et-Teysîr fî ḳavâ‘idi ‘ilmi’t-tefsîr, Risâle fî ‘ilmi’t-tefsîr ve vucûhi’l-ḳırâat, Keşfu’n-niḳâb li’l-aṣḥâb ve’l-aḥıbbe fî ‘icâzi’l-Ḳur’ân, et-Temhîd fî şerḥi’t-taḥmîd, Ḳarâru’l-vecd fi şerḥi’l-ḥamd, el-İlmâ‘ bi ifâdeti Lev li’l-imtinâ‘ fî ḳavlihi Te‘âlâ “Lev kâne fîhimâ âlihetun illallâh le fesedetâ” [Enbiyâ, 21/22], Cevâb ‘an suâl fî ḳavlihi Te‘âlâ “Ve’n-Necmi iẕâ hevâ” [Necm, 62/1], Nuzhetu’l-iḫvân fî tefsi¬ri ḳavlihi Te‘âlâ “Yâ Lûṭu İnnâ Rusülü Rabbike” [Hûd, 11/81], Neylu’l-merâm fi tefsîri ḳavlihi Te‘âlâ “Ve Mâ Rabbuke bi Ẓallâm” [Fussilet, 41/46], el-Bişâra fî ḳavlihi Te‘âlâ “Fe’tû bi sûratin min mislih” [Bakara, 2/23], Nuzhetu’l-aṣḥâb, el-Ġurratu’l-vâḍıḥa fî tefsîri’l-Fâtiḥa, Zeḫîratu’l-ḳaṣr fî tefsiri Sûrati’l-‘Aṣr. Hadis Bilimleri: Muḫtaṣar fî ‘ulûmi’l-ḥadîs, Menbe‘u’d-durer fî ‘ilmi’l-eser, Ḫulâṣatu’l-‘aḳvâl fî ḥadîsi “İnneme’l-a‘mâlu bi’n-niyyât”. Fıkıh, Usûl ve Fetva: Risale fî mesʹeleti’l-istisnâʹ, Ḥâşiye ‘ala şerḥi’l-Hidâye, Vecîzu’n-niẓâm fî ıẓhâri mevâridi’l-aḥkâm, el-Feraḥ ve’s-surûr fî beyâni’l-meẕâhîbi’l-erba‘ati fi’l-‘uṣûr, Neşâtu’ṣ-ṣudûr fî şerḥi Kitâbi’l-Feraḥ ve’s-surûr, et-Taḥrîr lima zukira fi’d-Dureri’l-manẓûm, Muhâveratu’l-fıḳhiyye, Risâle fi’stiḳbâli’l-Ḳıble, Telḫîṣu’l-Câmi‘i’l-kebîr ve’l-Mecma‘, Kitâbu’t-Teẕkira/Risâle fi’l-vaḳf, Ravḍatu’ẓ-ẓahira en-nâfi‘a fî’d-Dünya ve’l-Âḫira, Kitâbu’l-muḫtasar fî ‘ilmi’l-istibdâl, er-Remz fî ‘ilmi'l-istibdâl, el-Kâfî fî beyâni’ṣ-ṣaffi’ṭ-ṭavîli’l-mustaḳîm, Risâle fî ṭabaḳâti’l-butûn li beyâni’l-vaḳf ‘alâ evlâdi’l-evlâd, el-İḥkâm fî ma‘rifeti’l-Eymân ve’l-aḥkâm, Ferâid baḥri’l-fevâiḍ. Siyasetname, Adap ve Ahlak: Niẓâmu ḳalâidi’l-‘ıḳyân, Seyfu’l-kuḍât ‘ale’l-buġât, Seyfu’l-mulûk ve’l-ḥukkâm el-murşid lehum ilâ sebîli’1-Haḳḳ ve’1-aḥkâm, Seyfu’l-ḥaḳḳ ve’n-nuṣra ‘alâ riḳâbı ehli’l-baġy ve’l-fitne, ed-Durratu’l-‘âliyetu’l-ġâliye. Metafizik, Tasavvuf ve Felsefe: el-Kâfî eş-şâfî, Kitâbu’r-ravḥ fî ‘ilmi’r-rûḥ, Kitabu’r-raḥme fî beyânı aḥvâli ‘alemi’l-berzâḫ, en-Nuzhe fî ravḍati’r-rûḥ ve’n-nefs, Neşâtu’l-bişâra bi’l-işâra fî kıbleti’l-ervâh, Ḳıbletu’l-ervâḥ fi’t-taṣavvuf, Nuzhetu’l-ervâḥ ve ġıbṭatu’l-eşbâḥ fi’t-taṣavvuf, Menâzilu’l-ervâḥ fi’t-taṣavvuf, ‘Ikdu’l-ferâid min baḥri’l-fevâiḍ fî şerḥi Esmâillâhi’l-husnâ, el-Unsu’1-enîs fî ma‘rifeti şeʹni’n-nefsi’n-nefîs. Siyer, İrşat ve Fazâil: Zeynu’l-feraḥ bi mîlâdi’n-Nebî (s.a.v.), Muḫtasar fî ‘ilmi’l-irşâd, Risâle fi’l-maḥabbe, Ḳalâidu’l-‘ıḳyân fî baḥri faḍâili Raceb ve Şa‘bân: Fen Bilimleri: Ḥallu’l-işkâl fî mebâhisi’l-eşkâl fi’l-hendese, Şerḥu’l-caġmînî fi’l-heyʹe, er-Remz fî ‘ilmi’l-uṣturlâb. Diğer Eserleri: Remzu’l-ḫıṭâb bi raşḥi’l-‘ıyâb, Benâtu’l-efkâr fî şeʹni’l-‘i‘tibâr, Keşfu’l-vucûhi’l-ḥasene’l-mestûra bi’n-niḳâb li faḍlillâhi’l-Cevâdi’l-Vehhâb, el-Keşf ‘an şerafi Ehli’l-Beyti’l-kirâm li efḍali’r-rusuli ve’l-enâm, ‘Iḳdu’l-ferâid min taḥrîri’l-fevâid, Risâle mustaḳılle bi ‘ilmi’n-nefs ve vucûhi’l-ḳırâa, Cevâbu’l-enẓâr, Ḥusnu’l-ḫıtâm li’l-merâmi min haẕa’l-kelâm, Ḫıtâmu’l-misk. (shrink)

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Investigative Poetics: In (night)-Light of Akilah Oliver.Feliz Molina - 2011 - Continent 1 (2):70-75.

continent. 1.2 (2011): 70-75. cartography of ghosts . . . And as a way to talk . . . of temporality the topography of imagination, this body whose dirty entry into the articulation of history as rapturous becoming & unbecoming, greeted with violence, i take permission to extend this grace —Akilah Oliver from “An Arriving Guard of Angels Thusly Coming To Greet” Our disappearance is already here. —Jacques Derrida, 117 I wrestled with death as a threshold, an aporia, a bandit, (...) a part of life. —Akilah Oliver Moraine in geological lingo is that which is left behind. Moraine- a euphemism for the de-stabilizing referent of the writer-ly body as a “troubled and troubling landscape marked by cultural and historical signifiers, the body as flesh memory [...] the body as transitory” (Oliver, Author Statement). Moraine— a geological metaphor of the poet as a holder of memory, as an accumulation of rocks and debris carried along the edge, terminal, dropped at the foot of language (in language). “Flesh Memory” according to Akilah Oliver is "that which my body recalls [...] everything has to do with the task of remembrance and its narrative reinvention [...] I was always translating an idea of the world as it presented itself at any given time. To write was a choice about how to be seen, how to enter the world as translator, actor, participant, in the dialogues that apparently made the real 'real'" (Levitsky). Flesh. Memory. The stuff some poems are made from. The stuff that gets abandoned, gleaned, and picked up by more flesh and memory. "My body, my life has always felt like a kaleidoscopic rip in the dominant fabric [...] has always been a dialogue with the impossible and the apparent” (Levitsky). The impossible-body or poet's body anticipates and performs (through language) an irretrievable death. IN APORIA I realized everything I must have been doing must have been Death. It was Christmas or Labor Day—a holiday—and every time you turned on the radio they said something like ‘four million’ or ‘going to die’.” — Andy Warhol I’m trying on egos, [a justification for the planet’s continuance]. Oh hello transgressor, you’ve come to collect utilitarian debts, humbling narrative space. Give me condition and wheatgrass, I his body disintegrating. I his body is ossification. Death my habit radius, yeah yeah. I his body can’t refuse this summons. I can’t get out this fucking room. Tell me something different about torture dear Trickster. Tell me about the lightness my mother told me to pick the one i love the best how it signals everything I ever wish to believe true just holy on my ship. I jump all over this house. this is it [what I thought is thought only, nothing more deceptive than]: I his body keeps thinking someone will come along, touch me. As like human or lima bean. I’m cradling you to my breast, you are looking out. A little wooden lion you & Peter carve on Bluff Street is quieting across your cheekbone. Not at all like the kind of terror found in sleep, on trembling grounds. It is yesterday now. I have not had a chance to dance in this century. Tonight I shall kill someone, a condition to remember Sunday morning. To think of lives as repetitions [rather than singular serial incarnations]. To understand your death is as exacerbating as trying to figure out why as schoolchildren in mid-nineteen-sixties Southern California we performed reflexive motions: cutting out lace snowflakes, reading Dick and Jane search for their missing mittens, imagining snow. Disintegrat ing . The -ing gerund catapults from the non-finite verb into past, present, future. The -ing as a tail pinned to death, a dog spinning to bite and never fully reaching itself, always shy of the end, circumreferential; a double copulative: deathing. Possessively AO calls it “habit radius” (a virtual fetish attribute) or an inescapable death presence that “confronts us with the paradox of an unattainable object [...] through it’s being unattainable” (Agamben, 27). A flirtation or dialogue with an unknowable thing and aporia utilized as investigative instrument to engage (death) while (in Southern California) we “perform reflexive motions,” cut lace snowflakes, imagine snow, and pay rent like “yeah, yeah” what else is new. And this too, fiction. The book I wish to right. The restored fallen, heroic. Did you expect a different grace from the world? Or upon exit? I’m working on “tough.” They think I am already. All ready. Who is the dead person? Is "I'm sorry" real to a dead person? Browning grass. My hands on this table. A contentious century. A place to pay rent. Redemptive moments. Am I now the dead person? Dead person, dead person, will you partake in my persimmon feast? The body inside the body astounds, confesses sins of the funhouse. I too have admired the people of this planet. Their frilly, orderly intellects. The use they’ve made of cardamom, radiation as well. How they’ve pasteurized milk, loaned surnames to stars, captured tribes, diseases, streets, and ideas too. The living-body as archive: is it possible to experience the living-body as archive without a (kind of) death? Sifting the rubble, rummaging through hoarded debris, skin sheds, memory-napping, and re-awoken (in flesh and) on terrain. “An investigative poetics seeks to unravel staid communities of thought and grasp at what might always be just beyond reach; a poetics of inquiry that lies between language as meaning, and language as rapturous entry into the world of posited ideas and idealism”( Levitsky). Something snaps. Lights blow out prior to embarking upon an investigative poetics. It begins with a question (often a sexy aporia) that leads to openings. "Every politics of memory [...] implies an intervention of the state. It's a state that legislates and acts with regard to the nonfinite mass of materials to be stored, materials which must be collected, preserved” (Derrida & Stiegler, 62). It seems poetic investigation already contains the potentiality of an (invisible) archive if the writer is “always writing” especially when not. Here’s my stupid digital romantic inclination: the living-body (of a poet) is a self-sustaining archive of non-finite memories. But not even I really believe that. AO innovated and sculpted an investigative poetic praxis. In a conversation with poet Rachel Levitsky, poetic-voice is viewed not as a precious identifier, but as a means to think through/about form, concluding that form is linked to framing. While poetic-voice may have tendency to precede form, it also erupts as a result of framing techniques. “They are frames that hold the shape of thinking (which is also to say of imagining) [...].”7 This reminds me of my rabbit who symmetrically chewed the corners of his hutch, which makes me wonder if it’s an expression of the shape of some animal anxiety tick I won’t ever have access to. Beyond the form/frame, death is an unoriginal yet unique limit; death is a damn deathless thing. It functions as a source of poetic investigation; that thing always “just beyond reach.” And how is death not a fetish (in this case an obsessive reverence for something non-material)? “Insofar as it [death] is a presence, a fetish [...] it is in fact something concrete and tangible; but insofar as it is the presence of an absence, it is, at the same time, immaterial and intangible, because it alludes continuously beyond itself to something that can never really be possessed [...] The fetish is [...] a sign of an absence, it is not an unrepeatable unique object; on the contrary, it is something infinitely capable of substitution, without any successive incarnations ever succeeding in exhausting the nullity of which it is the symbol” (Agamben, 33). AO utilized absence (the absent body [catapulted by the death of a beloved]) as an apparatus to investigate. In the process of conversing with absence or that which is absent, the absent body is affectionately objectified, incessantly summonsed back to a place of recognition, of objects, a desire for the absent body to remain intact while exiting the structural limits of grammar and syntax by moving into chant forms “to say what cannot be said” (Levitsky). from AN ARRIVING GUARD OF ANGELS THUSLY COMING TO GREET dear oluchi- the light is blinking rapidly on the black boxy machine. your room seems bigger than before and i am still planning to read some of those robert jordan books of yours. yesterday at the used bookstore where i was browsing the mysteries to “stall reality” (they are really not mysteries at all, they just employ death as the plot mistress but are unable to grasp its mystery at all)—well the point is, things were calm down here for a while and the world was little. i want to be big like you. or i want you not vast, not dead, not gone, but human small and here. i am so selfish. that is what i really want. to see you again. to oil your scalp. to hear you walk in the door, say ma i’m home . give me a chance to say welcome home son. or when leaving, don’t forget your hat . what do you wear out there? i wish you could have taken your new shoes with you. i’m so proud of you. i’m sorry for the way you died. i miss you all the time. even before, i missed you. out there, one time, some different men said: “shake for me girl, i wanna be your backdoor man.” who dat you love. 5/18/03 A letter-poem in sixteen lines “dear oluchi-” is safe-housed in epistolary form. Poetic voice is rendered as internal thought meanderings, a not-so-much confession, private/(pillow?) talk in the desire to be heard/witnessed by the referent and reader with an intent to absolve. The diminutive “i” bears a relation to poet Fanny Howe’s “little g God” in that “One of the (many) things I like about little g God is that you can have a vodka tonic while you talk to little g God, sing along to Bowie’s “I’m Afraid Of Americans,” and hum Coltrane’s “A Love Supreme,” though maybe not all at the same time” (Oliver, 2009). Towards the middle of the poem AO is at a used bookstore and remarks on the funny employment of death as a ‘plot mistress’ that ‘they’ (the dubious employed mystery authors) are ‘unable to grasp’, thereby giving death a mouthpiece, a modeling job, something to do to pass the time. from THE VISIBLE UNSEEN When I first saw graffiti, I recognized in it an ugly aesthetic, a dialectics of violence, a distortion of limbs, a hieroglyph. It was only later when I read the names of the dead that I then saw the path of ghosts charted there; its narrative of loss for the visible unseen whose place in history has been fictionalized and rendered unseen under the totalizing glare of history. Inscriptions, traces, specters. Graffiti begs a public face just as ghosts require non-ghosts (humans) to sense them. The “visible unseen” is a game of hide-and-seek between public viewer and graffiti-inscriber, an ephemeral-violent aesthetic on an ephemeral-policed canvas. Graffiti-inscribers already submit to being forgotten, expect to be washed away; perhaps it’s a holy urban mandala created by gangster-type monks without Buddhism. [...] in its refusal to disappear it forces a discourse in the public imagination we are forced to see what we would rather not, to make sense of an encoded language that we cannot read on the level of meaning. it irritates, forces its agency on us, speaks outside and beyond semiotic reach. An epic font-size pervading the public’s imagination, illegible, I could just close my eyes, remain passive, drive past, abandon it beyond reach, push it further away beyond death walls. In Barcelona I watched a clean up crew wash walls with an awesome water hose but I was more intrigued by their bodies; not a distortion of limbs, not hieroglyph but also not entirely legible; the laboring body permanently erasing specters of the city, and of course they knew it was also an invitation for the ghosts to return. Graffiti is death’s little sister, is also an aporia. [...] Graffiti (fr GK -graph(os), something drawn or written, to diagram or chart) attempts to stage the impossible: to erase the essence of its own subjectivity. Graffiti is a cartography of ghosts, a mapping of elegiac rapture (the transporting of a person from one place to another, as in heaven) and rupture (the state of being broken open.) Dwelling is a fiction stasis. [...] The notion of the past as being something done with, a look-back event, inhibits the possibility of reading graffiti as rapture, as rupture. If graffiti posits history as always in the process of becoming undone. [...] Because what is the body, if not also a complex temple, an unstable site through which to negotiate subjects, materiality, economies, gods, and modes of representations? The site where we are all already belated. Graphein meaning “to write.” “Derrida says every archive makes a law, and the law of genre is its own rupture” (Bloch, 39). However, graffiti is an (non/anti)-archive of erasure due to (the politics of) washing out its subjectivity, which only adds onto (or is symptomatic of) its character. The inhibition of “reading graffiti as rapture, as rupture” is partly due to it being a “look-back” event in that it’s process involves scratching through layers to reveal previous specters underneath. Graffiti (as an ancient genre) has always been a thing of ‘becoming undone’, and therefore ‘belated and always in arrival’ (Levitsky). It’s a Dionysian activity done at night with it’s back turned toward us. "The specter [...] is of the visible, but of the invisible visible, it is the visibility of a body which is not present in flesh and blood [...] appearing for vision, to the brightness of day [...] something becomes almost visible which is visible only insofar as it is not visible in flesh and blood. It is a night visibility. As soon as there is a technology of the image, visibility brings night. It incarnates in a night body, it radiates in a night light" (Derrida & Stiegler, 115). (shrink)

Medical Ethics in Applied Ethics

The Body in Metaphysics

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Violence and blindness: The case of uchuraccay.James Mensch - 2013 - Phenomenologies of Violence, Ed. Michael Staudigl, Leiden: Brill Academic Publishers:145-155.

Only rarely does life imitate art in the starkness and directness of its message. When that message is a tragic one the effect becomes indelible. Such was the impact on Peru of the events of Uchuraccay, a small village located in its central highlands. Peru’s Truth and Reconciliation Commission called it “an emblematic referent of the violence and pain in the collective memory of the country” (TRC, 121). [i] In the twenty-year turmoil that engulfed Peru at the end of the (...)

Philosophy of Cognitive Science

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Sefer Noʻam Shelomoh: amarim neʻimim u-feninim yeḳarim ṿe-divre hadrakhah le-horot ha-derekh ha-yesharah she-yavor lo ha-adam la-daʻat ha-maʻaśeh asher yaʻaśun.Shelomoh Halbershṭam - 2014 - Bene Beraḳ: Mekhon Or Tsiyon. Edited by Shimon Goldberger.

[1] ʻAl ʻinyene ḥinukh ha-banim ṿeha-banot ṿi-yeme ha-baḥarut-- [2] ʻAl ʻinyene derekh ha-Ḥasidut lesayeaʻ le-zulato be-ruḥaniyut ṿe-nilṿeh elaṿ mikhteve ḳodesh be-ʻinyan zeh.

Judaism in Philosophy of Religion

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Mística na tradição ocidental em Lima Vaz.Hélio Pereira Lima - 2020 - Revista Portuguesa de Filosofia 76 (4):1487-1508.

This Work aims at reflecting on mystics, within the Western tradition, departing Lima Vaz’ thought, in order to try identifying the function that rested reserved to Mystic Experience, in the Modern Society, Society that, as It purposes Itself destroying the Sacred one up the World, has put aside Religion as a factor of legitimation regarding to public sphere. Its purpose is recovering some historical-philosophical aspects regarding to Christian Tradition in order to understanding better the level regarding to crisis of (...)

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Friedrich Nietzsche in 19th Century Philosophy

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Nietzsche and the problem of subjectivity.João Constâncio, Mayer Branco, Maria João & Bartholomew Ryan (eds.) - 2015 - Boston: De Gruyter.

This volume is the first to adress in a comprehensive way one of the main issues raised by Nietzsche's thought. The problem of subjectivity has become crucial in recent debates in Nietzschean scholarship and is key to understanding Nietzsche’s relation to modern philosophy, as well as his tremendous impact on philosophy from the time of his death until today. The collection assembles 25 essays by some of the finest Nietzsche scholars.

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Philosophy of Sexual Orientation in Philosophy of Gender, Race, and Sexuality

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Bareback porn, porous masculinities, queer futures: the ethics of becoming-pig.João Florêncio - 2020 - New york: Routledge.

This book analyses contemporary gay "pig" masculinities, which have emerged alongside antiretroviral therapies, online porn, and new sexualised patterns of recreational drug use, examining how they trouble modern European understandings of the male body, their ethics, and their political underpinnings. This is the first book to reflect on an increasingly visible new form of sexualised gay masculinity, and the first monograph to move debates on condomless sex amongst gay men beyond discourses of HIV and/or AIDS. It contributes to existing critical (...)

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Social Epistemology, Misc in Epistemology

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Proceedings of Sula 5: Semantics of Under-Represented Languages in the Americas (2009).Suzi Lima (ed.) - 2010 - Glsa Publications.

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Construction, alienation and emancipation: Thoughts on Abir‐Am's ethnography of scientific rituals.Kenneth Gergen & Pnina Abir-Am - 1992 - Social Epistemology 6 (4):365 – 372.

Pre-1000 Medieval Philosophy in Medieval and Renaissance Philosophy

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Cirne-Lima, Carlos: Personal Faith. [REVIEW]J. King - 1967 - Augustinianum 7 (1):175-175.

Sociology of Science in General Philosophy of Science

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The rituals of science: Comments on Abir‐Am.Hugh Gusterson & Pnina Abir-Am - 1992 - Social Epistemology 6 (4):373 – 387.

Freedom and Liberty in Social and Political Philosophy

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Mukālimāt.Muḥammad Zubair - 2020 - Islāmābād: Dār al-Baṣīrah.

Essays on Islamic apologetics; relations in Islam; also Islam and philosophy.

Islam in Philosophy of Religion

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Freedom.Guy D'Lima - 1971 - International Philosophical Quarterly 11 (3):341-361.

Philosophy of Social Science, General Works in Philosophy of Social Science

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Contribución a la epistemología del Trabajo Social, Buenos Aires.Lima Boris - forthcoming - Humanitas.

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Epistemología del trabajo social.Lima Boris - 1976 - Humanitas 198.

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Moche. Lima: Lib.Borja Arturo Jimenez - forthcoming - Studium.

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417

Sobre o conhecimento em Ludwig Feuerbach: uma investigação a partir dos Gedanken über Tod und Unsterblichkeit (1830).José Edmar Lima Filho - 2021 - Filosofia Unisinos 22 (2):1-14.

Ludwig Feuerbach in 19th Century Philosophy

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Correction to: An Origin of Citations: Darwin’s Collaborators and Their Contributions to the Origin of Species.Pedro de Lima Navarro & Cristina de Amorim Machado - 2022 - Journal of the History of Biology 55 (1):205-206.

A correction to this paper has been published: https://doi.org/10.1007/s10739-021-09640-x.

History in Social Sciences

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17

Multiculturalismo. Una revisión crítica.María Herrera Lima - 1996 - Isegoría 14:127-138.

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La ética desde el feminismo. Notas sobre la 'diferencial.María Herrera Lima - 1992 - Isegoría 6:153-160.

French Philosophy in European Philosophy

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21

Prendre les autres au sérieux : sur le débat cosmopolitisme-particularisme.María Herrera Lima - 2007 - Philosophiques 34 (1):17-40.

Dans cet essai, je tente de répondre à quelques-unes des objections habituellement adressées au cosmopolitisme, en prenant en considération la perspective de ceux que cette doctrine risque d’affecter, à savoir, les immigrants. J’argue que certaines de ces objections se fondent sur des conceptions simplifiées à l’excès et empiriquement inexactes de ce que sont la communauté et l’identité culturelle. J’examine aussi en détail la controverse entourant les possibles implications autoritaristes — ou impérialistes — des propositions visant à faire d’un système moral-légal (...)

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Los recursos de la ficción y los usos morales de la literatura.María Herrera Lima - 1995 - Isegoría 11:144-150.

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28

Urban sustainable agriculture: The paradox of the chinampa system in Mexico City. [REVIEW]Pablo Torres-Lima, Beatriz Canabal-Cristiani & Gilberto Burela-Rueda - 1994 - Agriculture and Human Values 11 (1):37-46.

Although the chinampa agriculture in Mexico City is considered an historical sustainable farming system,there have been few studies on its current status. This paper assesses the relationship between agroecological factors and socioeconomic strategies by analyzing urban forces, regional employment, and environmental concerns. Despite ecological deterioration caused by the urban expansion of Mexico City, the economic viability of this agricultural system is still based on the efficient use of farming technologies and resources management strategies that tend to maintain levels of productivity (...)

Environmental Ethics in Applied Ethics

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3

Lima Oliveira, Douglas (2020). Los diarios La Nación y O Estado de São Paulo y sus roles en la legitimación del neoliberalismo en Argentina y en Brasil (1989-1991). Tesis para optar por el grado de Magíster en Historia y Memoria. [REVIEW]Samanta Rodríguez - 2022 - Aletheia: Anuario de Filosofía 12 (24):e132.

Revisión de Tesis Los diarios La Nación y O Estado de São Paulo y sus roles en la legitimación del neoliberalismo en Argentina y en Brasil (1989-1991).

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Limae labor, Untersuchungen zur Textgenese und Druckgeschichte von Shaftesburys "The moralists".Horst Meyer - 1978 - Las Vegas: Lang.

Shaftesburys Dialog «The Moralists», ein Schlüsseltext der englischen Literatur und Ästhetik des frühen achtzehnten Jahrhunderts, ist bisher nur ideengeschichtlich interpretiert worden. Die vorliegende Studie zeichnet anhand weitgehend unbekannter Quellen aus dem Shaftesbury-Nachlass zum erstenmal die ebenso langwierige wie komplizierte Genese und Druckgeschichte des Textes nach. Shaftesburys hier erstmals veröffentlichte Briefe und Anweisungen an den Drucker und Verleger John Darby werfen neues Licht auf den Wandel der Typographie und der Buchgestaltung in der Epoche des englischen Neoklassizismus.

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History of Western Philosophy

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A "molecularização" do câncer de próstata : reflexões sobre o chip de DNA.Marko Monteiro & Ricardo Z. N. Vêncio - 2012 - In Ricardo Ventura Santos, Sahra Gibbon & Jane Felipe Beltrão (eds.), Identidades Emergentes, Genética E Saúde: Perspectivas Antropológicas. Editora Fiocruz.

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A "molecularização" do câncer de próstata : reflexões sobre o chip de DNA.Marko Monteiro & Ricardo Z. N. Vêncio - 2012 - In Ricardo Ventura Santos, Sahra Gibbon & Jane Felipe Beltrão (eds.), Identidades emergentes, genética e saúde: perspectivas antropológicas. Editora Fiocruz.

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25

F. Solano Const'ncio on political economy: A “science of proportions”.José Luís Cardoso - 2009 - History of European Ideas 35 (2):227-235.

The article provides an analysis of the work of Francisco Solano Constâncio (1777–1846), a Portuguese author who lived in Paris for most of his life. He had a very colourful and diversified career, which included the practice of medicine, political agitation, scientific journalism, diplomacy, linguistics, history, and the popularisation of political economy. As far as this last aspect is concerned, Constâncio is particularly well known for his translation into French of the famous works written on political economy by David Ricardo (...)

John Stuart Mill in 19th Century Philosophy

Philosophy of Political Science in Philosophy of Social Science

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502

Lima Tesis tentang Politik Pasca Kebenaran (Five Theses on Post-Truth Politics).Zainul Maarif - 2019 - Prosiding Simposium FIlsafat: Politik Dan Anti Politik 2019:1-13.

This paper describes five theses on the characteristics of post-truth politics: (1) post-truth politics are populist politics, (2) post-truth politics are nativist politics, (3) post-truth politics are zero-sum game politics, (4) post-truth politics is emotional politics that anti-rational-factual-scientific truth, and (5) post-truth politics is autocracy politics. After describing the six theses, this paper shows conclusions and reflections on post-truth politics.

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Teleology in the wake of post-structuralism: Non-coincidence in José lezama Lima.Brian Whitener - 2018 - Angelaki 23 (6):52-65.

Within the critical humanities there has been a recent return to Marxist and communist thought, which has meant a reckoning with post-structuralism. Thinkers, such as José Muñoz and Jodi Dean, who have been critical of parts of the post-structural legacy, have also held onto certain aspects of that tradition, in particular non-coincidence as a stay against identity, administration, and/or determination. However, they have done so in ways that have left unquestioned a contemporary commonsense around teleology. In this essay I argue (...)

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Analyzing the implications of organic standardization and certification in alternative food networks: The capability approach.Felipe Alexandre de Lima, Daiane Mülling Neutzling, Stefan Seuring, Vikas Kumar & Marilia Bonzanini Bossle - 2023 - Business Ethics, the Environment and Responsibility 32 (4):1547-1562.

Although organic standards and certification schemes have a crucial role in ensuring quality, safety, and sustainability within food systems, there is a need to critically analyze their implications on human capabilities within alternative food networks (AFNs). Therefore, this paper draws upon the capability approach to analyze the implications of three governance mechanisms (i.e., third-party, social control, and hybrid certification) on human flourishing within AFNs in Ceará, Brazil. The three cases primarily build on 66 interviews with farmers, consumers, AFN owners and (...)

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Philosophy of History in Philosophy of Social Science

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O processo evolutivo da história.Leôncio Basbaum - 1963 - São Paulo,: Editôra Edaglit.

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Sociologia do materialismo: introdução à história da filosofia.Leôncio Basbaum - 1978 - São Paulo: Edições Símbolo.

Physicalism in Metaphysics

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À escuta do silêncio: um estudo sobre a linguagem no pensamento de Heidegger.Thais Curi Beaini - 1981 - São Paulo, SP: Autores Associados.

Martin Heidegger in Continental Philosophy

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Realismo e dialética.Carlos Cirne-Lima - 1967 - Pôrto Alegre,: Ed. Globo.

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Arbeit am Kanon: Ästhetische Studien zur Musik von Haydn bis Webern.Andreas Dorschel & Federico Celestini - 2010 - Universal Edition.

In 'Arbeit am Kanon', Italian musicologist Federico Celestini and German philosopher Andreas Dorschel discuss aesthetic issues in the work of composers Joseph Haydn, Franz Schubert, Johannes Brahms, Anton Bruckner, Hugo Wolf, Gustav Mahler, Anton Webern, and Franz Schreker.

Classical Music in Aesthetics

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Ética no novo milênio: busca do sentido da vida.Lima Filho, Alceu Amoroso & Lafayette Pozzoli (eds.) - 2005 - São Paulo: Editora LTr.

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Rumūz-i Aʻẓam, bi-zabān-i Fārsī.Nāẓim Jahān̲ & Muḥammad Aʻẓam K̲h̲ān - 1902 - Naʼī Dihlī: Sīntral Kūnsil fār Rīsarch in Yūnānī Midīsin.

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Ak̲h̲lāqiyāt-i t̤ibb: muqaddamah-yi Rumūz-i aʻẓam Fārsī.Nāẓim Jahān & Muḥammad Aʻẓam Khān - 1978 - Karācī: Milne ke pate, Saifī Davāk̲h̲ānah. Edited by Muḥammad ʻAlī Shākir Farīdī & ʻAlī Ḥasan Aʻẓamī.

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Santa Rosa de Lima o la primera poetisa místico-visionaria de Hispanoamérica.Emilio Ricardo Báez Rivera - 2023 - Isidorianum 18 (35):267-316.

La obra literaria de santa Rosa de Lima se reduce a unos versos registrados en el Primer Proceso Ordinario de la jerarquía peruana y a dos medios pliegos holográficos, conservados en el convento de Santa Rosa de las Madres, de Lima. Basándose en estos datos y ahondando en el testimonio de las conclusiones obtenidas por el Dr. Juan del Castillo, tras el examen de conciencia de 1614 realizado a la Santa, el autor realiza una semblanza de la primera (...)

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17

Materia e incoación según el pensamiento cosmológico de Alberto Magno.Jimena Paz Lima - 2016 - Ideas Y Valores 65 (162):35-50.

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246

Questioning Hegemony Within White Academia.Asma Mehan, Carolina Lima, Faith Ng’eno & Krzysztof Nawratek - 2022 - Field 8 (1):47-61.

field: Issue 8 Embodying an Anti-Racist Architecture comprises essays, articles, podcasts, drawings, designs, the cover image, and a film. ‘This Call to Action' is a document borne from dialogue, and as such derives its power from the activism that collaboration and cooperation engender. -/- Asma Mehan, Carolina Lima, Faith Ng’eno, and Krzysztof Nawratek discuss white hegemony across different geopolitical and academic spaces, mindful of the nuances of using English as their shared yet borrowed language. -/- .

Other Academic Areas

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Dialética E evolução.Carlos R. V. Cirne-Lima - 1995 - Veritas – Revista de Filosofia da Pucrs 40 (160):701-727.

Dialéticos e analíticos não se entendemporque falam línguas com sintaxes parcialmentediferentes. Não obstante esta diferença, hátrês princípios básicos que regem e estruturamtanto a lógica dialética como a lógica analítica: osprincípios de identidade, de diferença e de coerênciauniversal. Os mesmos três princípios regemtambém a natureza em seu processo de evoluçãoe constituem o indivíduo e a espécie,as mutações por acaso ea seleção natural.

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Oliveira Lima Library: O legado do "Don Quixote Gordo" -doi: 10.4025/dialogos.v17i3.766.Gilmara Yoshihara Franco & Márcia Pereira da Silva - 2013 - Diálogos (Maringa) 17 (3).

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O negro nos escritos de um barão: escravidão e abolição no livro “motins políticos”.Luciano Demetrius Barbosa Lima - 2012 - Dialogos 16 (2).

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Science, Logic, and Mathematics

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Non-removal strategy for outliers in predictive models: The PAELLA algorithm case.Manuel Castejón-Limas, Hector Alaiz-Moreton, Laura Fernández-Robles, Javier Alfonso-Cendón, Camino Fernández-Llamas, Lidia Sánchez-González & Hilde Pérez - 2020 - Logic Journal of the IGPL 28 (4):418-429.

This paper reports the experience of using the PAELLA algorithm as a helper tool in robust regression instead of as originally intended for outlier identification and removal. This novel usage of the algorithm takes advantage of the occurrence vector calculated by the algorithm in order to strengthen the effect of the more reliable samples and lessen the impact of those that otherwise would be considered outliers. Following that aim, a series of experiments is conducted in order to learn how to (...)

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DIALÉTICA E LIBERDADE: razões, fundamentos e causas.Carlos Roberto Cirne-Lima - 1998 - Veritas – Revista de Filosofia da Pucrs 43 (4):795-816.

Na tradição analítica, tanto a fundamentação lógica cerno a causação ontológica pressupõem sempre a distinção, mais, a separação entre fundante e fundado, entre causa e efeito. Isso leva a regressus ad intinitum, irracionalidade essa que só pode ser evitada pela postulação de uma arkhé inicial que, estando fora da série, faz o começo da série e assim de fora a determina. Surge assim a predeterminação causal. Uma tal concepção leva ao indeterminismo causal que impossibilita a liberdade. Na tradição dialética, fundante (...)

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Oliveira Lima Library: O legado do "Don Quixote Gordo" -doi: 10.4025/dialogos.v17i3.766.Gilmara Yoshihara Franco & Márcia Pereira da Silva - 2014 - Dialogos 17 (3).

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Entre a razão E a experiência: Ensaios sobre tecnologia E modernidade.Keyliane Carvalho Lima - 2019 - Cadernos Do Pet Filosofia 10 (19):73-86.

O autor da coletânea de ensaios, Andrew Feenberg, nasceu em Nova York, nos Estados Unidos, em 1943. Filho de um proeminente físico teórico esteve desde muito cedo em contato com a ciência, com cientistas e com os aparatos técnicos por eles utilizados. Os seus interesses nas áreas de humanidades levaram-no a trilhar a formação em filosofia. Graduou-se na Universidade de John Hopkins em 1965, obteve o título de mestre em 1967 na Universidade da Califórnia em San Diego. Mudou-se para a (...)

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