Focusing on the first four images of the Other mobilized in René Descartes’ Meditations—namely, the blind, the mad, the dreamy, and the bad—Reading Descartes Otherwise casts light on what have heretofore been the phenomenological shadows of “Cartesian rationality.” In doing so, it discovers dynamic signs of spectral alterity lodged both at the core and on the edges of modern Cartesian subjectivity. Calling for a Copernican reorientation of the very notion “Cartesianism,” the book's series of close, creatively critical readings of Descartes’ (...) signature images brings the dramatic forces, moments, and scenes of the cogito into our own contemporary moment. While unravelling the knotted skeins of ambiguity that have been spun within philosophical modernity out of such clichés as “Descartes, the abstract modern subject” and “Descartes, the father of modern philosophy,” the analysis highlights a figure who is at once everywhere and nowhere, a living Cartesian ghost. This effort at revitalizing and reframing the legacy of Cartesian modernity, in a way mindful of its proto-phenomenological traces, also involves reflecting on some of the trends in contemporary Cartesian scholarship while putting Descartes in dialogue with a host of twentieth century and contemporary Continental philosophers ranging from Edmund Husserl, Gaston Bachelard and Maurice Merleau-Ponty to Emmanuel Levinas, Michel Foucault, Gilles Deleuze, Jacques Derrida, Jean-Luc Nancy, Jean-Luc Marion, and Alain Badiou among others. (shrink)

Gender, race, ethnicity, class, religion, culture, etc., etc., etc…. How are we to rearticulate and retool those kaleidoscopic “problems” of social categories and identities each time differently, with different productivity, even as different “products”?—this capital, frontal problema, this “sufficient” bodily evidence in and of reality, “in front of you” and me. Such is the broad philosophical force, background and foreground, of the questions I dwell on here if only briefly. What interests me in particular, just as an example if not (...) exemplar, concerns the “Asian female” question, with which I happen to have some auto-ethnographical familiarity: the material specificity as well as translatability of some of the stereotypical identity markers of it categorically isolatable as such—I also show why a categorically responsive reflection matters, as my ultimate aim here is to advance a case for the social ontological centrality of this issue of Asian gender stereotypes to feminist and critical race theories. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Coeditors’ IntroductionRetro III: As We RestartAlyson Cole and Kyoo Leethe covid-19 pandemic drags on, and, as the world is now trying to recover from it by learning to at least live with it better, philoSOPHIA has arrived at the third and final issue of RETRO. The fact that this series ended up being framed by the turbulent temporality of the current pandemic is something that some future editors of (...) philoSOPHIA, too, might find worth remembering.For now, we return to the now-point, as expected. To that end, here we have assembled articles on historical, individual, and gendered stigmas and wounds and traumas, among others, focusing also on their relationships to existential time, namely, present moments that persist.We turn first to the pressing issue presented by “Shackling Pregnant Women: US Prisons, Anti-Blackness, and the Unfinished Project of American Abolition”: Brady Heiner offers a lucid “interpretation of the social meaning of shackling imprisoned pregnant women and its persistence despite widespread normative consensus in favor of its abolition,” a joltingly specific, haunting reminder of how deeply the legacy of slavery is embedded in the US criminal legal system and the ways in which American abolition remains an “unfinished project.”Finally, RETRO III marks an ending and a restart of another kind. As of this issue—or, rather, this volume—philoSOPHIA is transitioning from a biannual to an annual publication schedule. In recent years, the journal has transformed in various ways. In 2018, we adopted a new transContinental approach and, with it, a new subtitle. We have expanded to include different [End Page v] genres, media, and voices, always aiming to reflect on our current moment and rethink persistent feminist philosophical questions from divergent angles. Publishing one volume per year is, we are certain, the best way to sustain this breadth of inquiry and continue deepening our alliances with critical race, disability, literary, media, and queer studies, among other fields. As we restart, readers can expect us to keep pushing boundaries, as we always have, while maintaining the same high quality and standards. This is essentially a change in the journal’s format, not in its substance.Wound/stigma as process also emerged as a key notion in Retro III partly because of our preliminary editorial conversation with Annette-Carina van der Zaag about three years ago, who, in response to our call for proposals on “retro” themes, had proposed an idea of guest editing an issue. Although that plan unfortunately did not materialize as we dealt with various pandemic challenges still faced by so many of us on a daily basis, Annette did write a spirited article while encouraging some other colleagues to explore related ideas, for which we remain grateful. In this piece, “Touching Wounds: On the Fugitivity of Stigma,” which explores stigma’s queer-responsive “transformational energy,” van der Zaag articulates ways of “inhabiting” wounds on three registers—material, affective, and fugitive—as an open-ended, future-embracing pathway beyond identity-bound ontology. Ghalya Saadawi, in turn, in her engagingly autobiographical essay “Critical Incision: Hypochondria, Autotheory, and the Health-Illness Dialectic,” autotheoretically draws out “critical” energy from this critical “illness” of hers, hypochondria, to the effect of destabilizing the temporally linearized and medically coordinated discursive ideals of health and being/living well.Survival, at the end of the day, often requires some literal transcending. A case in point has been movingly portrayed and theorized by Na-Young Lee, a sociologist and justice activist who, in “Multiple Encounters and Reconstructed Identities,” revisits questions of historical trauma and collective stigma. Here, she introduces and reflects on her oral history interviews with Korean “Halmoni Activist-Survivors of Japanese Military Sexual Slavery as Postcolonial Subjects,” with whom she herself continues to fight in solidarity. Focusing on the stories of two foundational figures, “Yun Chung-ok, a leading scholar and activist who, having managed to escape the fate of many other peers, first spoke out about Japanese military sexual slavery, and Kim Bok-dong, a survivor and human rights activist,” Lee shows how “overcoming trauma and reaching out to others continues to drive the redress movement” and how “through mutually constructed identities, activist-survivors broke away from... (shrink)

This essay introduces the work of the “first generation” Korean feminist photographer Youngsook Park. Highlighting the spirited and critical “wildness” of her feminist aesthetic agenda, with a topical focus on her iconic Michinnyeon Project, this dossier also contextualizes her more current projects such as Michinnyeon · Balhwa-hada and Could Not Have Left Them Behind along with her broader lifetime achievements thus far.

What unites Arizona's current xenophobic, border cultural politics and the exemplary life of Benjamin Franklin, “True-blue English/First American”? What transhistorical resonances and parallels are there in those states of affairs? Casting a double look at “the inside looking out” and “the outside looking in,” Anglo Americana vis-à-vis Pax Britannica and vice versa, this piece turns to the postcolonial identity disorder endured then by our dear Ben, a ghostly transitory figure here, as a way to initiate a critical philosophical discourse on (...) transatlantic Anglocentrism and its psycho-geopolitical legacy of xeno-thinking in the cultural and historical imaginary of the United States, where a psycho-geopolitical reaction-formation of WAS self-identities has been the operative norm, a particular form and force of ethnonationalizing racial discourse in the United States, namely, “xenoracism”: the amalgamated categorical interactions of xenophobia and racism, a porous subgenre rather than sealed subset of xenophobia or racism, where the foreign is racialized and particular “aliens” become further alienized at once with catalytic, categorical reciprocity. Presented as a preamble to a fuller conceptualization of U.S. xenoracism, this exposition spotlights the post/colonial complexity, including irony, of that “special” gray/grey tie between the two bound and “divided” by shared Anglophonocentrism, “Comyn Englysshe,” this wounded attachment. (shrink)

(2002). A Meditation on Knell, Funeral Melancholia and the Question of Self-Reflexivity: 'To Whom Would the Reflexive be Returned?' Angelaki: Vol. 7, No. 2, pp. 93-105.

This piece revisits this old Asian American trope, “the perpetual foreigner-stranger over there and here,” by showing how and why irony, “invAsian” irony in particular, becomes the constant in the cultural ontology and phenomenology of Asian Americana, where the Asian American subject still figures as encroaching builder or unbuilding resident, a transfigurative threat to the narrative coherence of the nationalist US imaginary. These particularly “InvAsian,”1 dangerous and honorary “CauASIAN,” characters—however outdated and yellowing they may seem in the year 2015—still seem (...) real enough; they are downwardly mobile noodle delivery men or upwardly mobile medical overachievers, riding up and down on the Great Chain of American Being, except that they are not laterally mobile, for they are still a little too strange, stupidly or smartly. So, the alien permanence of the “invAsian” irony of permanent aliens: how does this diehard cliché of fascination and fear, this contradictory object of condescension and condemnation, exist or subsist? The economized, i.e., selective and “invested”2 performance and mobilization of ethnoracial stereotypes captures the invAsian irony of America, which mirrors the deeper and wider Euro-American irony of identitarian anxieties over mythologized reality or territorialized origin. America, come on, really, where is your originality from? (shrink)