In _This Strange Idea of the Beautiful_, François Jullien explores what it means when we say something is beautiful. Bringing together ideas of beauty from both Eastern and Western philosophy, Jullien challenges the assumptions underlying our commonly agreed upon definition of what is beautiful and offers a new way of beholding art. Jullien argues that the Western concept of beauty was established by Greek philosophy and became consequently embedded within the very structure of European languages. And due to its relationship (...) to language, this concept has determined ways of thinking about beauty that often go unnoticed or unchecked in discussions of Western aesthetics. Moreover, through globalization, Western ideals of beauty have even spread to cultures whose ancient traditions are based upon radically different aesthetic foundations; yet, these cultures have adopted such views without question and without recognizing the cultural assumptions they contain. Looking specifically at how Chinese texts have been translated into Western languages, Jullien reveals how the traditional Chinese refusal to isolate or abstract beauty is obscured in translation in order to make the works more understandable to Western readers. Creating an engaging dialogue between Chinese and Western ideas, Jullien reasseses the essence of beauty. (shrink)

Emerging from the disruption of the First World War, surrealism confronted the resulting ‘crisis of consciousness’ in a way that was arguably more profound than any other cultural movement of the time._ _The past few decades have seen an expansion of interest in surrealist writers, whose contribution to the history of ideas in the twentieth-century is only now being recognised._ Surrealism: Key Concepts_ is the first book in English to present an overview of surrealism through the central ideas motivating the (...) popular movement. An international team of contributors provide an accessible examination of the key concepts, emphasising their relevance to current debates in social and cultural theory. This book will be an invaluable guide for students studying a range of disciplines, including Philosophy, Anthropology, Sociology and Cultural Studies, and anyone who wishes to engage critically with surrealism for the first time. _Contributors:_ Dawn Ades, Joyce Cheng, Jonathan P. Eburne, Krzysztof Fijalkowski, Guy Girard, Raihan Kadri, Michael Löwy, Jean-Michel Rabaté, Michael Richardson, Donna Roberts, Bertrand Schmitt, Georges Sebbag, Raymond Spiteri, and Michael Stone-Richards. (shrink)

George Santayana (1863-1952), a Spanish-American philosopher, is an influential personage on the cultural stage in English- and Spanish-speaking countries. His numerous books and papers on topics as varied as epistemology, ontology, aesthetics, ethics, anthropology, value theory, and American studies, along with his best-selling novel, his sophisticated poetry, and his famous autobiography, make him a vivid and profound source of reflection on the history of American and European thought, as well as a stimulus for future work. Santayana's exceptionality was appreciated by (...) William James and Josiah Royce, his most eminent colleagues in Harvard University's Department of Philosophy, and has been discussed by such respected authors as John Dewey, Bertrand Russell, Charles Hartshorne, Eric Voegelin, Alfred Schutz, Richard Rorty, Hilary Putnam, Arthur Danto, and Ferdinand Savater, among others. This book aims to understand Santayana by considering his often provocative views on America. Other scholars have reconstructed his thought at various times and in a variety of ways, but no one has yet considered Santayana's approach toward America in a serious and profound way (at least not in the English language). This book attempts to convince the reader that the impartiality of Santayana's philosophy, its transcendence of cultural limits and mental borders, makes it a living philosophy, and that this is the strongest aspect of Santayana's thought. (shrink)

As the aftershocks of the latest economic meltdown reverberate throughout the world, and people organize to physically occupy the major financial centers of the West, few experts and even fewer governments have dared to consider a world without the powerful markets that brought on the crash. Yet, as François Morin explains in _A World Without Wall Street?_, this is the very step that needs to be taken as quickly as possible to avoid a perpetual future of dehumanizing working conditions, devastated (...) ecosystems, and the submission of public policies to private interests. In this insightful and radical take on global finance, Morin recommends nothing less than a revolutionary reconstruction of the international monetary system. More, he recommends that the laws of societies be reformed so that the power of management may be shared among all of the actors involved in production, not concentrated in the hands of the few. This shift, argues Morin, will transform the monetary system into a common good for all of humanity, rich or poor. With Wall Street at the center of the very power structure that needs to be dismantled, Morin takes broad aim at the purely speculative financial games and arcane instruments by which the global economy and its citizens are held captive. In this very timely and provocative book, Morin bravely offers a way forward—instead of simply triaging a hemorrhaging system, he persuasively asks us to consider a subversive reinvention. (shrink)

Tarot cards are one means to unlocking an image. In this article, the image is that of the Albanian writer and political dissident Musine Kokalari at her 1946 trial. Her photograph features in Albanian discourses about its communist past. I argue that the image provides clues as to the manner in which the country has faced up to its own history. For what is certain is that the Albanian account of the Enver Hoxha dictatorship remains incomplete. Drawing on Walter Benjamin’s (...) notion of ‘here-and-now in a flash’, and Roland Barthes’ and Italo Calvino’s reflections on photography and the power of the visual, we can identify at least two distinct memory regimes in the relevant historical, legal and political narratives. (shrink)

According to political philosopher Frédéric Gros, traditional notions of war and peace are currently being replaced by ideas of intervention and security. But while we may be able to speak of an end to war, this does not imply an end to violence. On the contrary, Gros argues that what we are witnessing is a reconfiguration of our ideas of war, resulting in new forms of violence—terrorist attacks, armed groups jockeying for territory, the use of precision missiles, and the dangerous (...) belief that conflict can be undertaken without casualties. In _States of Violence_, Gros explains how war was once conducted to defend or increase the power of a city, an empire, or a state, but today conflict is directed at the very fragility of the individual and based upon a logic of unilateral destruction inflicted upon deprived civilian populations. While war was once rationalized as justified bloodshed, these new states of violence are instead centered on the spectacle of stark, publicized civilian suffering. By charting the history of the philosophy of conflict in Western discourse, Gros offers a stimulating and timely critique of contemporary notions of war and terror. (shrink)

The author discusses the problem of homosexuality in the Hellenic period. The presented analyses are not only historical as the author shows in detail reviewing the evidence of homosexual behaviour, but he also discusses the forms and meanings of that behaviour. He is specially interested in the axiological context. He tries to recreate the system of evaluations according to which these sexual activities were seen as positive and shows the borderline beyond which homosexuality was condemned.