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Kathryn Gutzwiller [16]Kathryn J. Gutzwiller [2]
  1.  8
    The Nautilus, the Halycon, and Selenaia: Callimachus's "Epigram" 5 Pf. = 14 G. - P.Kathryn Gutzwiller - 1992 - Classical Antiquity 11 (2):194-209.
  2.  19
    Callimachus' Lock of Berenice: Fantasy, Romance, and Propaganda.Kathryn Gutzwiller - 1992 - American Journal of Philology 113 (3).
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  3. Vergil and the Date of the Theocritean Epigram Book.Kathryn Gutzwiller - 1996 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 140 (1):92-188.
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  4.  29
    BABRIUS J. Vaio: The Mythiambi of Babrius. Notes on the Constitution of the Text . (Spudasmata 83.) Pp. Liv + 176. Hildesheim, Zurich, and New York: Georg Olms Verlag, 2001. Paper, DM 68. ISBN: 3-487-11438-. [REVIEW]Kathryn Gutzwiller - 2004 - The Classical Review 54 (02):342-.
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  5.  20
    The Plant Decoration on Theocritus' Ivy-Cup.Kathryn J. Gutzwiller - 1986 - American Journal of Philology 107 (2).
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  6.  18
    Seeing Thought: Timomachus' Medea and Ecphrastic Epigram.Kathryn Gutzwiller - 2004 - American Journal of Philology 125 (3):339-386.
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  7.  4
    Under the Sign of the Distaff: Aetia 1.5, Spinning and Erinna.Kathryn Gutzwiller - 2020 - Classical Quarterly 70 (1):177-191.
    Scholars continue to make progress addressing the lacunae in our papyrological sources for Callimachus’ prologue to theAetia, both by lending additional support to old supplements and by discounting others or demonstrating their weaknesses. To the first category belongs the crucial verb at the end of line 5, where, in my view, Callimachus first characterizes the making of his poetry :πολλάκι μοι Τελχῖνες ἐπιτρύζουσιν ἀοιδῇ,νήιδες οἳ Μούσης οὐκ ἐγένοντο φίλοι,εἵνεκε]ν οὐχ ἓν ἄεισμα διηνεκὲς ἢ βασιλ[η⋅⋅⋅⋅⋅⋅]ας ἐν πολλαῖς ἤνυσα χιλιάσινἢ⋅⋅⋅⋅⋅]⋅ους ἥρωας, ἔπος (...)
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  8. The Gildersleeve Prize for the Best Article Published in the American Journal of Philology in 2004 has Been Presented To.Kathryn Gutzwiller - 2005 - American Journal of Philology 126 (3):299.
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  9.  11
    The Tragic Mask of Comedy: Metatheatricality in Menander.Kathryn Gutzwiller - 2000 - Classical Antiquity 19 (1):102-137.
    The plays of Menander have been largely absent from the recent critical attention given the metatheatrical aspects of ancient comedy because they avoid direct reference to performance and maintain dramatic illusion. But as readings of tragic self-reflexivity have shown, even consistently illusionistic drama can make reference to itself as drama so that the audience is encouraged to view the play in double focus, as both a pretense of reality and as an evident dramatic artifice. Metatheatricality in Menander has its basis (...)
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  10.  4
    The Epigrams of Crinagoras of Mytilene: Introduction, Text, Commentary Ed. By Maria Ypsilanti.Kathryn Gutzwiller - 2020 - Classical World: A Quarterly Journal on Antiquity 113 (2):233-234.
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