While documentary ethics has been largely normative to date, there is growing interest in alternative forms of ethical thinking. The work of Emmanuel Levinas in particular is providing a way of thinking through both the ethics of documentary viewing and production. This article begins by drawing attention to the link between documentary ethics and aesthetics and then uses Levinas's work to consider the ethical relations established in observational documentary production. Of the different documentary modes, the observational has been the source (...) of particular ethical difficulties, yet viewed from a Levinisian perspective it is possible to identify ways in which observation preserves the alterity of the documentary subject. (shrink)

This book deals with the relationship between feminism and liberalism in theory and practice. The author argues that rather than seeing liberalism as exclusionary of women's specificity, as many contemporary feminists do, we should look at variations in liberalism, and in particular at its democratization in the nineteenth century and how feminists have used liberalism as a resource. Liberalism is analyzed using a post-structuralist theory of hegemony: texts of liberal political philosophy are deconstructed to show how the term "women" is (...) used as an "undecidable" in the Derridean sense to produce the opposition between feminine private and masculine public spheres; these texts are then linked to liberal-democratic social and political practices, including feminism as a social movement. (shrink)

The moral questions raised by synthetic media are considered in the context of posthumous documentary biography. Two possibilities are explored: firstly, that synthesis of the voice in biographical documentary deceives in a distinctive way and secondly, that it is possible for synthetic media to harm the subject of posthumous documentary.

There is a diversity of views among feminists who have been debating whether or not a women's movement exists in Britain today. In part this is due to the lack of a clear working definition of social movement. This article uses social movement theory to discuss the ambiguous signs that are taken to indicate either the movement's continuing existence or its disappearance: the growth of mainstream political organizations; a focus on `women' in cultural production; the `micro-politics' of everyday life. The (...) article looks at the history of second-wave feminism in England using the two main schools of social movement theory: the `contentious politics' model focusing on organizations and formal political structures; and the `submerged networks' theory that takes solidarity, conflict and challenging dominant cultural codes to be central to social movements. (shrink)

This article is concerned with post-Marxism and materialism in the work of Judith Butler, Ernesto Laclau and Chantal Mouffe. As `post-Marxists' these writers use `material' in a variety of ways, all of which indicate limits and constraints. The article focuses on one version of `materialism' in this work, a version that is more implied than elaborated, in which `material' is equivalent to institutionalized performativity or sedimented discourse: to `objective' social structures and institutions. Post-Marxists often use `the social' as equivalent to (...) `material' in this sense, to gesture towards the context in which politics succeeds or fails. I argue that the specificities of `the social' cannot be theorized from within the terms of post-Marxism itself and that Butler and Laclau acknowledge this limitation in their most recent work. I therefore conclude that post-Marxism needs a supplement that I call political sociology. This is a dangerous supplement in the Derridean sense: a necessary addition that destabilizes the value post-Marxism gives to the distinction between `social' and `political' in which the latter is the privileged term. (shrink)