90 found
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  1.  8
    On the Way to Language.Karsten Harries, Martin Heidegger & Peter D. Hertz - 1972 - Philosophical Review 81 (3):387.
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  2.  3
    The Ethical Function of Architecture.Karsten Harries - 1996 - MIT Press.
    Can architecture help us find our place and way in today's complex world? Can it return individuals to a whole, to a world, to a community? Developing Giedion's claim that contemporary architecture's main task is to interpret a way of life valid for our time, philosopher Karsten Harries answers that architecture should serve a common ethos. But if architecture is to meet that task, it first has to free itself from the dominant formalist approach, and get beyond the notion that (...)
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  3.  6
    Infinity and Perspective.Howard H. Harries & Karsten Harries - 2001 - MIT Press (MA).
    A philosophical exploration of the origin and limits of the modern world.
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  4. Suspensions of Perception. Attention, Spectacle and Modern Culture.Jonathan Crary & Karsten Harries - 2003 - Tijdschrift Voor Filosofie 65 (1):169-171.
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  5.  5
    The Antinomy of Being.Karsten Harries - 2019 - De Gruyter.
    One thing this book attempts to show is that Kant's antinomies open a way towards an overcoming of that nihilism that is a corollary of the understanding of reality that presides over our science and technology. But when Harries is speaking of the antinomy of Being he is not so much thinking of Kant, as of Heidegger. Not that Heidegger speaks of an antinomy of Being. But his thinking of Being leads him and will lead those who follow him on (...)
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  6.  3
    Heidegger as a Political Thinker.Karsten Harries - 1976 - Review of Metaphysics 29 (4):642 - 669.
    ASKED WHETHER, in the light of recent attempts to use philosophy to change our goals and to help transform society, he saw a social mission for his philosophy, Heidegger gave a negative reply: "If one wants to answer this question, one has to ask first: what is society? and consider that society today is only the absolutization of modern subjectivity and that from this perspective a philosophy which has overcome the stand-point of subjectivity is not even permitted to participate in (...)
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  7.  6
    Hegel on the Future of Art.Karsten Harries - 1974 - Review of Metaphysics 27 (4):677 - 696.
    MANY, PERHAPS MOST OF US, tend to connect art with the past. Faced with the art of our own time we become unsure: everything important seems to have been done, the vocabulary of art exhausted, and attempts to develop new vocabularies more interesting than convincing. Ours tends to be an autumnal view of art. The association of art and museum has come to replace such older associations as art and church, or art and palace. As we know it, the museum (...)
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  8.  9
    Questioning the Question of the Worth of Life.Karsten Harries - 1991 - Journal of Philosophy 88 (11):684-690.
  9.  25
    The infinite sphere: Comments on the history of a metaphor.Karsten Harries - 1975 - Journal of the History of Philosophy 13 (1):5-15.
  10.  10
    Metaphor and Transcendence.Karsten Harries - 1978 - Critical Inquiry 5 (1):73-90.
    Ever since Aristotle, metaphor has been placed in the context of a mimetic theory of language and of art. Metaphors are in some sense about reality. The poet uses metaphor to help reveal what is. He, too, serves the truth, even if his service is essentially lacking in that "Metaphor consists in giving the thing a name that belongs to something else."1 Thus it is an improper naming. This impropriety invites a movement of interpretation that can come to rest only (...)
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  11.  10
    “The Root of All Evil” Revisited: My Journey from Heidegger to Cusanus.Karsten Harries - 2023 - International Journal of Philosophical Studies 32 (1):101-123.
    I first examine the context that led me to write ‘The Root of all Evil.’ A second section rehearses my present understanding of the significance and the inadequacy of Heidegger’s fundamental ontology. A third section turns to the way my thinking has evolved, including a brief account of the way it has moved from Heidegger to the 15th century cardinal and philosopher Nicolaus Cusanus. I conclude with some remarks about what I take to be my place in today’s philosophy world.
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  12.  6
    Between Nihilism and Faith: A Commentary on Either/Or.Karsten Harries - 2010 - De Gruyter.
    If the Enlightenment turned to reason to reoccupy the place left vacant by the death of God, the last two centuries have undermined such faith in reason. We cannot escape this history. The specter of nihilism haunts Either/Or. To exorcize it is Kierkegaard s most fundamental concern. But where are we to turn? To an aesthetic transfiguration of, or escape from reality? Does ethics promise an answer? Or is all that is left an irrational leap to religion? All such questions (...)
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  13.  7
    What Need is There for an Environmental Aesthetics?Karsten Harries - 2011 - Nordic Journal of Aesthetics 22 (40-41).
    What need is there for an environmental aesthetics? The answer to that question is by no means obvious. To be sure, that we need to protect our environment has become a cliché that I am just a bit wary about repeating it here – the statement hardly bears much discussion any longer. Is it not obvious that we need to make sure that all those natural resources on which we depend for our survival will continue to be available, not just (...)
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  14.  4
    The Bavarian Rococo Church; Between Faith and Aestheticism.Karsten Harries - 1983 - Journal of Aesthetics and Art Criticism 42 (4):455-457.
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  15.  5
    Martin Heidegger and National Socialism: Questions and Answers.Fergus Kerr, Gunther Neske, Emil Kettering, Lisa Harries, Joachim Neugroschel & Karsten Harries - 1992 - Philosophical Quarterly 42 (167):257.
  16.  3
    Martin Heidegger: politics, art, and technology.Karsten Harries & Christoph Jamme (eds.) - 1994 - New York: Holmes & Meier.
    This volume has its origins in the colloquium 'Art, Politics, Technology -- Martin Heidegger 1889-1989' held at Yale University in 1989. The centenary provided the obvious occasion: regardless of whether deplored or welcomed, the far-reaching influence of Heidegger today is beyond question, an influence underscored in that centenary year by the literally scores of conferences that took place all over the world.
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  17. The Meaning of Modern Art a Philosophical Interpretation.Karsten Harries - 1968 - Northwestern University Press.
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  18.  8
    Copernican Reflections and the Tasks of Metaphysics.Karsten Harries - 1983 - International Philosophical Quarterly 23 (3):235-250.
  19.  3
    Death and utopia towards a critique of the ethics of satisfaction.Karsten Harries - 1977 - Research in Phenomenology 7 (1):138-152.
  20.  2
    2. Philosophy in Search of Itself.Karsten Harries - 2001 - In Anne Applebaum (ed.), What is Philosophy? Yale University Press. pp. 47-73.
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  21.  14
    Problems of the Infinite.Karsten Harries - 1990 - American Catholic Philosophical Quarterly 64 (1):89-110.
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  22. Karsten Harries and Roger Scruton on Architecture and Philosophy.Karsten Harries, Roger Scruton & Christian Illies - 2018 - Architecture Philosophy 3 (1).
     
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  23. Ut Architectura Philosophia? Questioning the Relationship of Architecture and Philosophy.Karsten Harries - 2018 - Architecture Philosophy 3 (2).
     
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  24.  6
    Politics of Practical Reasoning: Integrating Action, Discourse and Argument.Keith Breen, Frank Canavan, Gerard Casey, Heike Felzmann, Thomas Gil, Karsten Harries, Richard Hull, Sebastian Lalla, Elizabeth Langhorne, Thomas Nisters, Felix O'Murchadha & Fran O'Rourke (eds.) - 2012 - Lexington Books.
    This book treats practical and political reasoning as an active engagement with the world and other people; it cannot be understood as exclusively cognitive and this is seen as a virtue rather than a deficiency. Informal, emotional, characterological, aesthetic and interactional aspects of thought can be constituents of reasonable arguing. The work examines key capacities connected with argumentation, in a variety of fields from professional and medical ethics to work organization and the practice of art.
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  25.  3
    John Wild 1902-1972.David Carr, Karsten Harries & John E. Smith - 1972 - Proceedings and Addresses of the American Philosophical Association 46:196 - 197.
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  26.  1
    A Note on John Wild's Review of Being and Time.Karsten Harries - 1963 - Review of Metaphysics 17 (2):296 - 300.
    One is, however, somewhat puzzled to discover that what Wild considers to be of value in Being and Time is thought less important by Heidegger, while what Heidegger takes to be the key issue of the work, is seen by Wild only to detract from and obscure its real merits. Has Heidegger failed to understand his own earlier work? In that case it must seem doubtful whether he ever understood it in the first place; on this view Heidegger appears somewhat (...)
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  27. Alfred Schutz, The Phenomenology of the Social World.Karsten Harries - 1970 - Journal of Value Inquiry 4 (1):65.
     
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  28.  3
    Brand Blanshard 1892-1987.Karsten Harries - 1991 - Proceedings and Addresses of the American Philosophical Association 64 (5):64 - 66.
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  29.  3
    Boundary Disputes.Karsten Harries - 1986 - Journal of Philosophy 83 (11):676-677.
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  30.  1
    Cusanus and the Platonic Idea.Karsten Harries - 1963 - New Scholasticism 37 (2):188-203.
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  31.  4
    Copernican reflections.Karsten Harries - 1980 - Inquiry: An Interdisciplinary Journal of Philosophy 23 (2):253 – 269.
  32.  5
    Descartes and the labyrinth of the world.Karsten Harries - 1998 - International Journal of Philosophical Studies 6 (3):307 – 330.
    In the Rules the young Descartes likens his method to the thread that guided Theseus. The simile is born of a confidence that he has seen through the art of the followers of Daedalus and this has given him a model of how to unriddle the labyrinth of the world. From the very beginning Descartes had an interest not only in optics, perspective, and painting, but in using his knowledge of them to duplicate some of the effects said to have (...)
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  33.  2
    David Kolb, Postmodern Sophistications: Philosophy, Architecture, and Tradition.Karsten Harries - 1993 - Bulletin de la Société Américaine de Philosophie de Langue Française 5 (1):123-125.
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  34.  3
    David Kolb, Postmodern Sophistications: Philosophy, Architecture, and Tradition.Karsten Harries - 1991 - Bulletin de la Société Américaine de Philosophie de Langue Française 3 (3):261-263.
  35.  1
    David Kolb, Postmodern Sophistications: Philosophy, Architecture, and Tradition.Karsten Harries - 1991 - Journal of French and Francophone Philosophy 3 (3):261-263.
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  36. Europa tussen droom en werkelijkheid.Karsten Harries - 2005 - Nexus 42.
    Ten aanzien van Europa is de vraag aan de orde of de doelstellingen louter materieel en economisch zouden moeten zijn of ook ideëel. De auteur ervaart een geestelijke dimensie aan zijn plaats als Duitser in Europa en wil aan het verleden van Europa een plaats geven in zijn leven. Het is problematisch dat cultureel erfgoed grotendeels in musea wordt geplaatst, buiten het dagelijks leven. Het belang van een robuuste gemeenschapszin en van geestelijke waarden. Ethiek veronderstelt een beeld van de mensen (...)
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  37.  2
    Fantastic Architecture: Lessons of Laputa and the Unbearable Lightness of Our Architecture.Karsten Harries - 2011 - Journal of Aesthetics and Art Criticism 69 (1):51-60.
  38.  2
    George A. Schrader, Jr. 1917-1998.Karsten Harries & John E. Smith - 1998 - Proceedings and Addresses of the American Philosophical Association 72 (2):123 - 124.
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  39. Heidegger and Hölderlin: The Limits of Language.Karsten Harries - 1963 - Pacific Philosophical Quarterly 44 (1):5.
     
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  40.  5
    Heidegger and the Problem of Style in Interpretation.Karsten Harries - 1989 - Irish Philosophical Journal 6 (2):250-274.
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  41. Heidegger's Conception of the Holy.Karsten Harries - 1966 - Pacific Philosophical Quarterly 47 (2):169.
     
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  42. In a Strange Land: An Exploration of Nihilism.Karsten Harries - 1962 - Dissertation, Yale University
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  43.  5
    Le Discours de rectorat et le « national-socialisme privé » de Heidegger.Karsten Harries - 2010 - Les Etudes Philosophiques 93 (2):189.
    L’épisode du Rectorat est vu par certains comme un mystère, par d’autres comme une évidence. Nous voudrions montrer qu’entre ces deux extrêmes, il est possible de tenter une lecture dépassionnée, parce qu’historique, et explicitante, parce qu’herméneutique. On s’attache ainsi à confronter les documents primordiaux, tel le Discours de rectorat, aux documents rétrospectifs, tels l’Entretien avec le Spiegel ou les Faits et Réflexions, afin de montrer que l’engagement de Heidegger pour le national-socialisme est indissociable d’un projet philosophique qui prime sur toute (...)
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  44.  5
    ‘Let No One Ignorant of Geometry Enter Here’: Ontology and Mathematics in the Thought of Martin Heidegger.Karsten Harries - 2010 - International Journal of Philosophical Studies 18 (2):269-279.
  45.  4
    Meta-criticism and meta-poetry: A critique of theoretical anarchy.Karsten Harries - 1979 - Research in Phenomenology 9 (1):54-73.
  46.  5
    Kunst, Politik, Technik.Christoph Jamme & Karsten Harries - 1992
  47.  5
    Meaning of Modern Art.Karsten Harries - 1968 - Northwestern University Press.
    Originally published in 1968, Karsten Harries's classic work provides a philosophical understanding of how modern art differs fundamentally from the art of earlier periods.
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  48.  3
    Phenomenology beyond the spirit of revenge.Karsten Harries - 1989 - Research in Phenomenology 19 (1):275-281.
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  49.  1
    Review article.Karsten Harries - 1970 - Journal of Value Inquiry 4 (1):65-75.
  50. Strepen aan repen.Karsten Harries - 1998 - Nexus 20.
    Naar aanleiding van het vernielen van Barnett Newman's "Who is Afraid of Red, Yellow and Blue" in het Stedelijk Museum van Amsterdam in 1986 volgt een onderzoek naar soortgelijke destructieve agressie tegen kunstwerken in Europa en de Verenigde Staten. De vernielers van bepaalde kunstwerken beroepen zich vaak op filosofische kunstbeschouwingen, al zijn er ook vandalistische ego-trippers aan het werk, die publieke aandacht willen trekken.
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