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Karen S. Feldman [13]Karen Sue Feldman [1]
  1.  46
    Continental Philosophy: An Anthology.William McNeill & Karen S. Feldman (eds.) - 1998 - Wiley-Blackwell.
    From Immanuel Kant to Postmodernism, this volume provides an unparalleled student resource: a wide-ranging collection of the essential works of more than 50 seminal thinkers in modern European philosophy. Areas covered include Kant and German Idealism, Existentialism, Phenomenology, Hermeneutics, Marxism and the Frankfurt School, Structuralism, Psychoanalysis, Feminism, Deconstruction, and Postmodernism. Each section begins with a concise and helpful introduction, and all the texts have been selected for accessibility as well as significance, making the volume ideal for introductory and advanced levels (...)
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  2.  33
    Conscience and the Concealments of Metaphor in Hobbes's "Leviathan".Karen S. Feldman - 2001 - Philosophy and Rhetoric 34 (1):21 - 37.
  3.  9
    Conscience and the Concealment of Metaphor in Hobbes's Leviathan.Karen S. Feldman - 2001 - Philosophy and Rhetoric 34 (1):21-37.
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  4.  29
    Conscience and the concealment of metaphor in Hobbes's.Karen S. Feldman - 2001 - Philosophy and Rhetoric 34 (1):21-37.
  5.  7
    11. Marxism and the Frankfurt School: Rhetoric as Critique.Karen S. Feldman - 2017 - In Gerald Posselt & Andreas Hetzel (eds.), Handbuch Rhetorik Und Philosophie. De Gruyter. pp. 265-280.
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  6. Drucilla Cornell, Just Cause: Freedom, Identity, and Rights Reviewed by.Karen S. Feldman - 2001 - Philosophy in Review 21 (6):409-411.
  7.  2
    Freud and monotheism : Moses and the violent origins of religion.Gilad Sharvit & Karen S. Feldman (eds.) - 2018 - Fordham University Press.
    Moses and Monotheism brings together fundamental new contributions to discourses on Freud and Moses, as well as new research on the intersections of theology, political theory, and history in Freud's psychoanalytic work.
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  8.  29
    Per canales Troporum : On Tropes and Performativity in Leibniz's Preface to Nizolius.Karen S. Feldman - 2004 - Journal of the History of Ideas 65 (1):39-51.
  9.  75
    Not Dialectical Enough: On Benjamin, Adorno, and Autonomous Critique.Karen S. Feldman - 2011 - Philosophy and Rhetoric 44 (4):336-362.
    Where Benjamin attempts an account of social and attention practices surrounding the artwork, Adorno accuses him of not being dialectical enough and of inadequately theorizing the artwork's autonomy.2 Adorno makes the same accusation in those places where Benjamin attempts to disrupt historicism with the "dialectical image." Although Adorno appears to offer the same criticism in both instances, I maintain that Adorno's blanket prescription for more dialectics covers over a chiastic relationship between his reactions in each case. That is, the worries (...)
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  10.  17
    Binding words : conscience and rhetoric in Hobbes, Hegel, and Heidegger.Karen S. Feldman - 2006 - Northwestern University Press.
    The concept of binding force is at stake in this book on two different levels: there is an investigation of how, within the work of Hobbes, Hegel and Heidegger, conscience is described as binding upon us; and further, Feldman considers how ...
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  11. Miguel de Beistegui and Simon Sparks, eds., Philosophy and Tragedy Reviewed by.Karen S. Feldman - 2001 - Philosophy in Review 21 (3):167-169.
     
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  12.  2
    Continental Philosophy: An Anthology.Karen S. Feldman (ed.) - 1998 - Wiley.
    From Immanuel Kant to Postmodernism, this volume provides an unparalleled student resource: a wide-ranging collection of the essential works of more than 50 seminal thinkers in modern European philosophy. Areas covered include Kant and German Idealism, Existentialism, Phenomenology, Hermeneutics, Marxism and the Frankfurt School, Structuralism, Psychoanalysis, Feminism, Deconstruction, and Postmodernism. Each section begins with a concise and helpful introduction, and all the texts have been selected for accessibility as well as significance, making the volume ideal for introductory and advanced levels (...)
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  13.  21
    Heidegger and the hypostasis of the performative.Karen S. Feldman - 2004 - Angelaki 9 (3):157 – 167.