Study on the Bhāmati of Vācaspatimiśra, active 976-1000, Pañcapadikāvivaraṇa of Prakāśātman and Bhāṣyaratnaprabhā of Govindananda and commentary of Śaṅkarācārya on first sutra of four chapters called Catuḥsūtrī of Brahmasūtra of Bādarāyaṇa, work on Vedanta.

In giving a historically specific account of the self in early twentieth-century India, this article poses questions about the historiography of nationalist thought within which the concept of the self has generally been embedded. It focuses on the ethical questions that moored nationalist thought and practice, and were premised on particular understandings of the self. The reappraisal of religion and the self in relation to contemporary evolutionary sociology is examined through the writings of a diverse set of radical nationalist intellectuals, (...) notably Shyamji Krishnavarma, Bal Gangadhar Tilak and Har Dayal, and this discussion contextualizes Mohandas Gandhi. Over three related sites of public propaganda, philosophical reinterpretation and individual self-reinvention, the essay charts a concern with the ethical as a form of critique of liberalism and liberal nationalism. While evolutionism and liberalism often had a mutually reinforcing relationship, the Indian critique of liberalism was concerned with the formation of a new moral language for a politics of the self. (shrink)

On philosophy of Krishna, Hindu deity; research articles published in Gujarat Times.

This scarce antiquarian book is a facsimile reprint of the original.

Illustrations: Numerous Colour and 15 B/w Illustrations Description: The volumes of the PROJECT OF HISTORY OF SCIENCE, PHILOSOPHY AND CULTURE IN INDIAN CIVILIZATION aim to discover the central aspects of India's heritage and present them in an interrelated manner. In spite of their unitary look, these volumes recognize the difference between the areas of material civilization and those of ideational culture. The Project is not being executed by a single group of thinkers, methodologically uniform or ideologically identical in their commitments. (...) Rather, contributions are made by different scholars of diverse ideological persuasions and methodological approaches. The Project is marked by what may be called 'methodological pluralism'. In spite of its primarily historical character, this project, both in its conceptualization and execution, has been shaped by scholars drawn from different disciplines. It is the first time that an endeavour of such unique and comprehensive character has been undertaken to study critically a major world civilization. History of art, unlike that of science, is not an accumulation of facts. It comprises concurrences and overlappings cutting across the linearity of time. Based on this premise the essays in this volume delve into the discourse as also forms of creativity in the Indian tradition in terms of both the perennial and the ephemeral aspects of aesthetic experience. The essays form four groups dealing with (a) core concepts which permeate the discourse on aesthetic theories, and having ramifications in many other disciplines and domains; (b) The Rasa theory in the framework of classical philosophical traditions of Vedanta, Mimamsa, Samkhya, and Kashmir Saivism, and (c) the comprehension of the foundational concepts of aesthetic theory, namely, Rasa and Dhvani from the perspectives of Indian thought traditions addressing also music, dance and the visual arts. There is no clear-cut demarcation between the four groups of essays though in their own framework they illustrate a transition from the discourse (sastra) to practice (prayoga) i.e., from theorizing on the nature of aesthetic experience to the process of concretizing it into forms of music, dance, architecture, and painting. The contributions highlight the fact that the history of Indian aesthetic tradition comprises various textual and performing traditions that have flourished in the Indian subcontinent. What we have is not a single history but multiple histories based on various philosophical and methodological approaches adopted by art historians. Some of these histories pertain to the technical details of a given art form, and some with the changes that have occurred in the evolution and development these forms. While some historical accounts focus on the relevant biographical details of the artists, some art histories focus on the social, cultural, political, and even the economic conditions of civilization that determine the nature of an art form. Considering the multi-dimensional and multi-level complexities of Indian civilization and culture, the contributions to this volume have investigated into a number of factors which are directly and indirectly relevant for comprehending the complexities of the Indian aesthetic tradition. (shrink)

Text on the fundamentals of Nyaya philosophy with Gujarati commentary.

Classical aphoristic work expounding the basic tenets of Sankhya philosophy, with commentary; includes Sāṅkhyakārikā, classical verse work on the system, by Īśvarakr̥ṣṇa, with commentary.

The Bhagavad Gita's philosophical and political significance remains forever contemporary. In this volume a group of leading historians reflect on the significance of the Bhagavad Gita for political and ethical thinking in modern India and beyond. These essays contribute new perspectives to historical, contemporary and global political ideas. Violence and nonviolence, war, sacrifice, justice, fraternity and political community were constitutive of India's political modernity, and it was to these questions that Indian public figures turned their attention in the nineteenth and (...) twentieth centuries. Oriented towards the future, these commentaries and interpretations of a text that locates war as the central problem of human life have detached the Gita from antiquity and made it foundational for India's modernity. The book would be of interest to academic researchers as well as general readers interested in South Asian history, Indian philosophy and religion. (shrink)

Study on Advaita philosophy and mysticism in the works of Niścaladāsa, d. 1863, religious leader of Dadupanthis, Hindu sect.

Classical aphoristic work, with commentary and supercommentry, expounding the basic tenets of Sankhya philosophy.

Treatise, with Hindi and Sanskrit commentaries, on the fundamentals of Nyaya philosophy.

Nyaya Sutra offers a new English translation of the text ascribed to Aksapada, an Indian philosopher who lived around the beginning of the Common Era. The translation is accompanied by the original Sanskrit text and an original commentary. The commentary explains every sutra separately and identifies the sources of the Nyaya Sutra. It analyses the way older ideas on epistemology, logic and soteriology were presented as a new coherent system of thought. The book puts forward that the main goal of (...) the Nyaya Sutra: to define what it considered the basic tenets of a soteriology and how the goal of this soteriology could be reached by rationally applying epistemological and logical methods to finding out the truth. In turn, this truth was thought to lead to the ultimate soteriological goal of freedom from suffering. Showing the coherence of the text and its ultimate goal being soteriological, the new commentary also discusses many scholarly issues regarding the Nyaya Sutra and its position in the history of Indian philosophy. This book will be of interest to researchers studying Indian philosophy, world philosophies, epistemology, logic, philosophical method, art of debate, soteriology, rationalism, spirituality, Hinduism, Indian religions and religious studies. (shrink)

Classical work on Nyaya philosophy; includes Nyāyabhāṣya and Sunandā commentary.

Basic aphoristic text, with commentary and supercommentaries, on Nyāya philosophy.

Aphoristic work, with commentary and supercommentary, on the basic tenets of Nyaya philosophy, representing the orthodox approach to Indian logic and epistemology.