There are cases in which the literal interpretation of statutes may lead to counterintuitive consequences. When such cases go to high courts, judges may handle these counterintuitive consequences by identifying problematic rule conditions. Given that the law consists of a large number of rule conditions, it is demanding and exhaustive to figure out which condition is problematic. For solving this problem, our work aims to assist judges in civil law systems to resolve counterintuitive consequences using logic program representation of statutes (...) and Legal Debugging. The core principle of Legal Debugging is to cooperate with a user to find a culprit, a root cause of counterintuitive consequences. This article proposes an algorithm to resolve a culprit. Since the statutes are represented by logic rules but changes in law are initiated by cases, we adopt a prototypical case with judgement specified by a set of rules. Then, to resolve a culprit, we reconstruct a program so that it provides reasons as if we applied case-based reasoning to a new set of prototypical cases with judgement, which include a new set of facts relevant to a considering case. (shrink)

BackgroundThe quality of ethics consults is notoriously difficult to measure. Survey-based assessments cannot capture nuances of consultations. To address this gap, we conducted interviews with health professionals who requested ethics consults during the initial phase of the COVID-19 pandemic.MethodHealthcare professionals requesting ethics consultation between March 2020 and May 2020 at a tertiary academic medical centre were eligible to participate. We asked participants to comment on the consults they called and thematically analysed responses to identify features associated with optimal quality consultations.ResultsOf (...) 14 healthcare providers, 8 (57%) were women and professions were as follows: 11 (79%) medical doctors, 1 (7%) social worker, 1 (7%) physician assistant and 1 (7%) nurse practitioner. Two aspects of quality emerged: satisfaction and value. Themes within the domain of satisfaction included: responsiveness of the ethics consultant, willingness to consult, institutional role of the ethics service and identifying areas for improvement. When describing value, respondents spoke of the intrapersonal and interpersonal worth of consultation.ConclusionParticipants were generally satisfied with ethics consultation services, similar to opinions of those found in pre-COVID-19 survey studies. Our qualitative approach allowed for a richer exploration of the value of ethics consultation during the pandemic and has implications for ethics consultation services more broadly. Ethics consultation—emphasising both the process and outcome—created valuable moral spaces, promoting thoughtful and ethical responses to dilemmas in patient care. Future assessments should incorporate patient and family/surrogate perspectives and explore the domain of education as an additional quality measure. (shrink)

The purpose of this study is to examine how trends in the use of images in modern life science journals have changed since the spread of computer-based visual and imaging technology. To this end, a new classification system was constructed to analyze how the graphics of a scientific journal have changed over the years. The focus was on one international peer-reviewed journal in life sciences, Cell, which was founded in 1974, whereby 1725 figures and 160 tables from the research articles (...) in Cell were sampled. The unit of classification was defined as a graphic and the figures and tables were divided into 5952 graphics. These graphics were further classified into hierarchical categories, and the data in each category were aggregated every five years. The following categories were observed: data graphics, explanation graphics, and hybrid graphics. Data graphics increased by more than sixfold between 1974 and 2014, and some types of data graphics including mechanical reproduction images and bar charts displayed notable changes. The representation of explanatory graphics changed from hand-painted illustrations to diagrams of Bezier-curves. It is suggested that in addition to the development of experimental technologies such as fluorescent microscopy and big data analysis, continuously evolving application software for image creation and researchers’ motivation to convince reviewers and editors have influenced these changes. (shrink)

The purposes of this study are (a) to establish a measurement for evaluating conversational impressions of group discussions, and (b) to make an exploratory investigation on their interactional processes which may affect to form those impressions. The impression rating and factor analysis undertaken first give us four factors concerning conversational impressions of “focus group interviews (FGIs)”: conversational activeness, conversational sequencing, the attitudes of participants and the relationships of participants. In relation to the factors of conversational activeness and conversational sequencing in (...) particular, the microanalysis of four selected topical scenes from our database further shows that the behavior of the moderator and the interviewees is organized not independently but with reference to each other. The study thus emphasizes the importance of the integration of quantitative and qualitative approaches towards human interactions. (shrink)

Robustness is a fundamental property of biological systems, observed ubiquitously across species and at different levels of organization from gene regulation to ecosystem. The theory of biological robustness argues that robustness fosters evolv-ability and that together they entail various tradeoffs as well as characteristic architectures and mechanisms. We argue that classes of biological systems have evolved to enhance their robustness by extending their system boundary through a series of symbioses with foreign biological entities . A series of major biological innovations (...) has been achieved by events consistent with this framework: horizontal gene transfer, serial endosymbiosis, oocytes-mediated vertical infection, and host-symbiont mutualism for bacterial flora. Self-extending symbiosis contributes to robustness because symbiotic foreign biological entities can enhance the adaptative capacity of the system against environmental perturbations as well as contribute novel functions. In addition, evolutionary history indicates that the degree of symbiosis achieved has substantially changed from tight integration into the genome to loose integration as bacterial flora . The most dramatic example can be seen in the symbiosis of host immune system and bacterial flora in which substantial function of host defense depends on the proper maintenance of bacterial flora and its adaptive capability. Biological systems following this type of evolutionary path might have attained high levels of functionality, robustness, and evolvability. Thus, robustness, evolution, and self-extending symbiosis may form essential system principles for biology. (shrink)

Journal Name: Cognitive Linguistics Issue: Ahead of print.

En la literatura árabe islámica pueden rastrearse diversos textos en torno a personajes de la Historia de Salvación que pleitean o discuten con la divinidad, como Adán y Eva, Moisés, ʿUzayr / Ezra y hasta el mismo profeta Muhammad. Dichos textos, dispersos en diversas fuentes árabes medievales, representan la recepción fragmentaria y discontinua que la rica literatura de debate medioriental tuvo en el imaginario religioso islámico, desde los textos sumerios y acadios hasta el género literario hebreo de la disputa o (...) rīb, así como la apocalíptica apócrifa judeocristiana. (shrink)

Comparative study of Indic philosophy and religion, from Jaina viewpoint.

Comprehensive work on Hindu philosophy and spiritual life.

Study on Vācaspatimiśra's Bhāmatī, 10th century supercommentary of Śaṅkarācārya's Śārīrakamīmāṃsābhāṣya, Advaita commentary of Bādarāyaṇa's Brahmasūtra, basic Vedanta work.

On ethical concepts of Hindu, Buddhist and Jain philosophy.

Man’yōshū Book 16: A New English Translation Containing the Original Text, Kana Transliteration, Romanization, Glossing and Commentary. By Alexander Vovin. Leiden: Brill, 2021. Pp. xviii + 199. $168.

This themed issue of Journal of Critical Realism has a focus on interdisciplinarity, health and well-being.1 Specifically, the articles address topics such as homelessness, obesity (Kana...

This study traces the impact of Ch'en Pei-hsi's Hsing-li tzu-i on the rise of philosophical lexicography in Tokugawa Japan . It suggests that the appearance of copies of the 1553 Korean edition of Pei-hsi's Tzu-i, brought to Japan in the wake of Toyotomi Hideyoshi's invasion of Korea , crucially influenced both understandings of and reactions to Neo-Confucianism in Tokugawa Japan. Pei-hsi's Tzu-i, the study relates, served as the literary template for several early Tokugawa works, including Fujiwara Seika's Kana seiri , (...) and Hayashi Razan's Shunkansho and Santokusho . The Tzu-i also went through several Japanese editions, beginning with the 1632 Sino-Japanese edition, based on Razan's kambun rendition of the Tzu-i, a vernacular explication of the text by Razan, the Seiri jigi genkai, published in 1659, an annotated edition of the 1632 Sino-Japanese edition, printed in 1670, and the 1668 publication of a later, significantly variant, Chinese edition of Pei-hsi's Tzu-i. ;Razan's Seiri jigi genkai promoted Neo-Confucian learning as expounded in the Tzu-i, but also called attention to etymologically problematic terms of that learning. The dissertation suggests that Razan's Genkai influenced both the literary form and the philosophical content of Yamaga Soko's Seikyo yoroku , Ito Jinsai's Gomo jigi , and Ogyu Sorai's Benmei , thus linking Razan's critical promotion of Pei-hsi's Tzu-i to a series of conceptually based "School of Ancient Learning" critiques of Neo-Confucianism. (shrink)

Béatrice Acklin Zimmermann Barbara Schmitz An der GrenzeTheologische Erkundungen zum BösenUnter dem Eindruck der schrecklichen Ereignisse vom 11. September 2001, von Beslan, Abu Ghraib und Kana ist das Interesse "am Bösen"wiedererwacht. Dabei fällt auf, dass die in Politik und Gesellschaft erfolgten Deutungen des Bösen geprägt sind durch klare Grenzziehungen zwischen "gut"und "böse", die zunehmend auch auf religiöse Kategorien wie Licht-Finsternis, gerecht-sündig, Tod-Leben rekurrieren. Dies provoziert die Frage nach der Trennschärfe von "gut"und "böse": Wo genau verläuft die Grenze zwischen "gut"und "böse"und (...) wer zieht diese Grenze? Ist "das Böse"eine unabhängige Größe oder tritt es vielmehr in Vermischung mit "dem Guten"auf? Und was bedeutet die Grenzziehung zwischen "gut"und böse"im Blick auf Genderkonfigurationen?In ökumenischer Aufgeschlossenheit und aus verschiedenen theologischen Blickwinkeln erkunden die Autoren und Autorinnen dieses Bandes "das Böse"unter dem Gesichtspunkt von Grenzziehungen. Zur Debatte stehen dabei ebenso die Grenzziehung zwischen "gut"und "böse"und die damit verbundenen Dualisierungen wie die Frage nach dem Verhältnis von "Gender"und den Konstruktionen des "Bösen". In kritischer Abgrenzung zur gegenwärtigen gesellschaftlich-politischen Tendenz, das Böse primär beim Anderen, einer bestimmten Nation, Kultur, Gesellschaftsschicht oder Weltanschauung zu verorten, wird in den verschiedenen Beiträge gezeigt, dass eine strenge Grenzziehung zwischen dem "Bösen"und dem "Guten"der Komplexität der Wirklichkeit nicht standhält. Mit Beiträgen von Béatrice Acklin Zimmermann, Ruth Albrecht, Pierre Bühler, Barbara Henze, Ralph Kunz und Ute Nürnberg, Walter Lesch, Karl Matthias Schmidt und Barbara Schmitz. Die HerausgeberinnenBéatrice Acklin Zimmermannist Privatdozentin für Systematische Theologie an der Theologischen Fakultät der Universität Freiburg/Schweiz und Leiterin des Bereiches Theologie und Philosophie an der Paulus-Akademie Zürich. Barbara Schmitzist Studienrätin im Hochschuldienst für den Bereich Altes Testament und Sprachen an der Universität Duisburg-Essen. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.4 (2003) 12-19 [Access article in PDF] The Concept of Freedom in Art Education in Japan The concept of freedom has played a very important role in art education in Japan. Needless to say, freedom has been regarded as an essential principle of education in the West. Writers from Jean Jacques Rousseau to John Dewey stressed the significance of freedom in education. Especially, in (...) the field of art education, Frantz Cizek, Viktor Lowenfeld, and Herbert Read emphasized the importance of children's free expression in relation to creativity. This article examines the concept of freedom in art education in Japan, focusing on the ideas of two major non-governmental movements in art education; the Free-Expression Movement in the 1920s and the Creative Aesthetic Education Movement in the 1950s-1960s. Although both movements have already declined, their impacts are still felt in Japanese art education. The Beginning of Art Education in Japan In the early Meiji Era (1868-1912), art education was introduced to Japan when the modern school system was imported from the West. In 1872, the first government drawing textbook; Seiga Shinan [Guide to Western Pictures] was published based on a Japanese translation of British drawing manuals. 1 In this period, the purpose of art class was to teach the basic skill of mechanical drawing for industrial development; the method consisted of merely copying model pictures in the drawing textbook. In 1910, Akira Shirahama, who spent three years in Europe and the United States surveying art education, edited Shintei Gacho [New Textbook of Drawing]. As Okazaki points out, Shirahama, who was impressed by the art curriculum in the public schools of the United States, referred to the importance of children's creative imagination; however, the new textbook did not fully reflect the idea. 2 Thus, the practice of art class was limited to copying textbooks, and children's free expression was not considered important in art class. Until this period, the issue of freedom did not correlate to art education. The Free Expression Movement in the Taisho Era After the World War I, a democratic movement prevailed during the Taisho Era (1912-1926) in Japan. This movement, called Taisho Democracy, influenced various parts of Japanese life including politics. In the field of education, many democratic ideas of education were introduced from the West and books on progressive educational thought such as John Dewey's Democracy and Education were translated into Japanese. Child-centered education also became popular among progressive teachers. During this period, Jiyuga KyouikuUndo, the Free-Drawing Education movement, was started by Kanae Yamamoto. Okazaki describes this epoch-making movement as "the remarkable movement of art education in 1919 which began to change art education philosophy." 3 It was the first time the issue of freedom was raised in art education in Japan. [End Page 13] Yamamoto's Concept of Freedom Kanae Yamamoto, born in 1882, studied Western painting at the Tokyo Fine Arts School. After graduation, he started his career as a print artist and set off for Europe in 1912. He stayed in France to study art and experienced the much freer atmosphere in Europe compared to Japan. When he returned to Japan via Russia in 1916, he encountered an exhibition of children's paintings in Moscow. The free expression of the Russian children's paintings deeply impressed him.After Yamamoto's return from Europe, he organized the first exhibition of children's free painting in Japan and established Japan Children's Free Drawing Association in 1919. The exhibition was given great attention by the public, who, influenced by the Taisho democratic movement, was becoming very interested in democratic education. Yamamoto's book; Free Drawing Education was published in 1921. In his usage, the term "freedom" is sometimes synonymous with creativity. 4 He explained the meaning of freedom in his education theory: Our education of freedom is not to educate as teachers like. It is not a worship of freedom showing the model of freedom but to teach freedom itself....In my belief, the essence of human beings will never... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.4 (2003) 12-19 [Access article in PDF] The Concept of Freedom in Art Education in Japan The concept of freedom has played a very important role in art education in Japan. Needless to say, freedom has been regarded as an essential principle of education in the West. Writers from Jean Jacques Rousseau to John Dewey stressed the significance of freedom in education. Especially, in (...) the field of art education, Frantz Cizek, Viktor Lowenfeld, and Herbert Read emphasized the importance of children's free expression in relation to creativity. This article examines the concept of freedom in art education in Japan, focusing on the ideas of two major non-governmental movements in art education; the Free-Expression Movement in the 1920s and the Creative Aesthetic Education Movement in the 1950s-1960s. Although both movements have already declined, their impacts are still felt in Japanese art education. The Beginning of Art Education in Japan In the early Meiji Era (1868-1912), art education was introduced to Japan when the modern school system was imported from the West. In 1872, the first government drawing textbook; Seiga Shinan [Guide to Western Pictures] was published based on a Japanese translation of British drawing manuals. 1 In this period, the purpose of art class was to teach the basic skill of mechanical drawing for industrial development; the method consisted of merely copying model pictures in the drawing textbook. In 1910, Akira Shirahama, who spent three years in Europe and the United States surveying art education, edited Shintei Gacho [New Textbook of Drawing]. As Okazaki points out, Shirahama, who was impressed by the art curriculum in the public schools of the United States, referred to the importance of children's creative imagination; however, the new textbook did not fully reflect the idea. 2 Thus, the practice of art class was limited to copying textbooks, and children's free expression was not considered important in art class. Until this period, the issue of freedom did not correlate to art education. The Free Expression Movement in the Taisho Era After the World War I, a democratic movement prevailed during the Taisho Era (1912-1926) in Japan. This movement, called Taisho Democracy, influenced various parts of Japanese life including politics. In the field of education, many democratic ideas of education were introduced from the West and books on progressive educational thought such as John Dewey's Democracy and Education were translated into Japanese. Child-centered education also became popular among progressive teachers. During this period, Jiyuga KyouikuUndo, the Free-Drawing Education movement, was started by Kanae Yamamoto. Okazaki describes this epoch-making movement as "the remarkable movement of art education in 1919 which began to change art education philosophy." 3 It was the first time the issue of freedom was raised in art education in Japan. [End Page 13] Yamamoto's Concept of Freedom Kanae Yamamoto, born in 1882, studied Western painting at the Tokyo Fine Arts School. After graduation, he started his career as a print artist and set off for Europe in 1912. He stayed in France to study art and experienced the much freer atmosphere in Europe compared to Japan. When he returned to Japan via Russia in 1916, he encountered an exhibition of children's paintings in Moscow. The free expression of the Russian children's paintings deeply impressed him.After Yamamoto's return from Europe, he organized the first exhibition of children's free painting in Japan and established Japan Children's Free Drawing Association in 1919. The exhibition was given great attention by the public, who, influenced by the Taisho democratic movement, was becoming very interested in democratic education. Yamamoto's book; Free Drawing Education was published in 1921. In his usage, the term "freedom" is sometimes synonymous with creativity. 4 He explained the meaning of freedom in his education theory: Our education of freedom is not to educate as teachers like. It is not a worship of freedom showing the model of freedom but to teach freedom itself....In my belief, the essence of human beings will never... (shrink)