How might argumentation scholars approach sound? Using the analytics afforded by strategic maneuvering, this essay identifies three unique features of sonic presentational devices: they are immersive, immediate and embodied. Although these features offer arguers presentational resource, they also pose new problems to the reasonable resolution of disagreement: immersion hazards overlap, immediacy risks rate of delivery beyond reflection, and materiality can coerce listeners. To theorize strategic use of sound, I reconstruct and analyze a popular Radiolab segment “The Unconscious Toscanini of the (...) Brain.” I find Radiolab uses three different sonic figures: synchronicity, or the translation of data into sound to foreground temporal relations; musical stings, an auditory invocation of embodied memory and the wave, a sonic strategy to arouse and narrow attention. I conclude that Radiolab’s use of sound is reasonable because it extends the critical discussion. (shrink)

Arguments do not occur against silent backdrops. From the drone of televisions to the music in a retail space to the symphony of combustion engines on the street, we are perpetually immersed in sound. We live in a noisy world. The combined sounds of these environments, or soundscapes, provide the very conditions of social interaction. Charles Hirschkind remarked that soundscapes are as necessary "to politics and public reason as are markets, associations, formal institutions, and information networks". These soundscapes are far (...) from neutral and can be designed to promote desired outcomes: soothing tones as you board an airplane to alleviate fear, a blaring voice over the loudspeaker to compel... (shrink)

This essay notes the tendency to reduce sound to a cause of something else. Such a position constrains theory construction to only cause and effect schemes. I argue that we should expand our understanding of sound to include what I term sound figures, which acknowledge that sounds can represent the world. I conclude by offering an understanding of sound fig-ures tied to their resonance.