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Jussi A. Saarinen [4]Jussi Antti Saarinen [1]
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Jussi A. Saarinen
University of Jyväskylä
  1.  57
    How Museums Make Us Feel: Affective Niche Construction and the Museum of Non-Objective Painting.Jussi A. Saarinen - 2021 - British Journal of Aesthetics 61 (4):543-558.
    Art museums are built to elicit a wide variety of feelings, emotions, and moods from their visitors. While these effects are primarily achieved through the artworks on display, museums commonly deploy numerous other affect-inducing resources as well, including architectural solutions, audio guides, lighting fixtures, and informational texts. Art museums can thus be regarded as spaces that are designed to influence affective experiencing through multiple structures and mechanisms. At face value, this may seem like a somewhat self-evident and trivial statement to (...)
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  2.  21
    Affect in Artistic Creativity: Painting to Feel.Jussi A. Saarinen - 2020 - Lontoo, Yhdistynyt kuningaskunta: Routledge.
    Why do painters paint? Obviously, there are numerous possible reasons. They paint to create images for others’ enjoyment, to solve visual problems, to convey ideas, and to contribute to a rich artistic tradition. This book argues that there is yet another, crucially important but often overlooked reason. -/- Painters paint to feel. -/- They paint because it enables them to experience special feelings, such as being absorbed in creative play and connected to something vitally significant. Painting may even transform the (...)
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  3.  29
    Paintings as Solid Affective Scaffolds.Jussi Antti Saarinen - 2019 - Journal of Aesthetics and Art Criticism 77 (1):67-77.
    We humans continuously reshape the environment to alter, enhance, and sustain our affective lives. This two-way modification has been discussed in recent philosophy of mind as affective scaffolding, wherein scaffolding quite literally means that our affective states are enabled and supported by environmental resources such as material objects, other people, and physical spaces. In this article, I will argue that under certain conditions paintings function as noteworthy affective scaffolds to their creators. To expound this idea, I will begin with a (...)
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  4.  13
    A Conceptual Analysis of the Oceanic Feeling : With a Special Note on Painterly Aesthetics.Jussi A. Saarinen - unknown
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  5.  22
    Social Aesthetics and Moral Judgment: Pleasure, Reflection and Accountability.Jussi A. Saarinen - 2019 - Australasian Journal of Philosophy 97 (4):844-845.
    Volume 97, Issue 4, December 2019, Page 844-845.
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