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Julian Johnson [6]Julian P. Johnson [2]Julian Philip Matthew Johnson [1]
  1. The Path of the Masters (Abridged).Julian P. Johnson - 1965 - Beas, India]Radha Soami Sat Sang Beas.
     
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  2. Music in Hegel's Aesthetics: A Re-Evaluation.Julian Johnson - 1991 - British Journal of Aesthetics 31 (2):152-162.
  3.  1
    Transformations of Musical Modernism.Erling E. Guldbrandsen & Julian Johnson (eds.) - 2015 - Cambridge University Press.
    Profound transformations in the composition, performance and reception of modernist music have taken place in recent decades. This collection brings fresh perspectives to bear upon key questions surrounding the forms that musical modernism takes today, how modern music is performed and heard, and its relationship to earlier music. In sixteen chapters, leading figures in the field and emerging scholars examine modernist music from the inside, in terms of changing practices of composition, musical materials and overarching aesthetic principles, and from the (...)
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  4. The Emancipation of Sound.Julian Johnson - 2008 - In Andreas Haug & Andreas Dorschel (eds.), Vom Preis des Fortschritts: Gewinn Und Verlust in der Musikgeschichte. Universal Edition.
     
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  5. The Path of the Masters, the Science of Sūrat Shabda Yoga.Julian P. Johnson - 1958 - Beas, Punjab, Radha Swami Satsang.
     
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  6. The Path of the Masters.Julian Philip Matthew Johnson - 1957 - Beas, Punjab, Radha Swami Satsang.
     
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  7. Webern and the Transformation of Nature.Julian Johnson - 1999 - Cambridge University Press.
    This book is about the way in which a society constructs an idea of nature and the role that art, and specifically music, may have in the articulation of that idea. It explores such an idea in relation to Webern, whose music has been almost exclusively portrayed as abstract and autonomous. In opposition to the exclusively formalist concerns of post-Darmstadt Webern reception, this book argues that abstraction in music is understood fully only in relation to the material, historical reality from (...)
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  8. The Elliptical Geometry of Utopia : New Music Since Adorno.Julian Johnson - 2006 - In Berthold Hoeckner (ed.), Apparitions: New Perspectives on Adorno and Twentieth Century Music. Routledge.
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    Who Needs Classical Music?: Cultural Choice and Musical Value.Julian Johnson - 2002 - Oxford University Press.
    During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just "a matter of taste": while some music provides entertainment, or serves as background noise, other music claims to function (...)
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