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  1.  8
    Introduction: The Humanities and the Sciences.Rens Bod & Julia Kursell - 2015 - Isis 106 (2):337-340.
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  2.  16
    A Third Note: Helmholtz, Palestrina, and the Early History of Musicology.Julia Kursell - 2015 - Isis 106 (2):353-366.
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  3.  35
    First Person Plural: Roman Jakobson’s Grammatical Fictions.Julia Kursell - 2010 - Studies in East European Thought 62 (2):217 - 236.
    Roman Jakobson, who had left Russia in 1920 and in 1941 took refuge in the USA from the Nazis, was one of the main figures in post war linguistics and structuralism. Two aspects of his work are examined in this article. Firstly, Jakobson purifies his linguistic theory of pragmatic references. Secondly, he develops his own diplomatic mission of mediating between East and West. In this article, I argue that these two aspects did not develop independently from one another. Instead I (...)
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  4.  7
    Alexander Ellis’s Translation of Helmholtz’s Sensations of Tone.Julia Kursell - 2018 - Isis 109 (2):339-345.
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  5.  9
    Volker Smyrek. Die Geschichte des Tonmischpults: Die technische Entwicklung der Mischpulte und der Wandel der medialen Produktionsverfahren im Tonstudio von den 1920er-Jahren bis heute. xxix + 539 pp., illus., bibl., indexes. Berlin: Logos Verlag, 2013. €57. [REVIEW]Julia Kursell - 2015 - Isis 106 (2):491-492.
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  6.  9
    First Person Plural: Roman Jakobson’s Grammatical Fictions.Julia Kursell - 2010 - Studies in East European Thought 62 (2):217-236.
    Roman Jakobson, who had left Russia in 1920 and in 1941 took refuge in the USA from the Nazis, was one of the main figures in post war linguistics and structuralism. Two aspects of his work are examined in this article. Firstly, Jakobson purifies his linguistic theory of pragmatic references. Secondly, he develops his own diplomatic mission of mediating between East and West. In this article, I argue that these two aspects did not develop independently from one another. Instead I (...)
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  7.  4
    Karin Bijsterveld. Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. Xii + 350 Pp., Illus., Bibl., Index. Cambridge, Mass./London: MIT Press, 2008. $32. [REVIEW]Julia Kursell - 2009 - Isis 100 (4):942-943.
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  8.  4
    Matthias Rieger. Helmholtz Musicus: Die Objektivierung der Musik im 19. Jahrhundert durch Helmholtz’ Lehre von den Tonempfindungen. xiii + 174 pp., figs., bibl., index. Darmstadt: Wissenschaftliche Buchgesellschaft, 2006. €44.90. [REVIEW]Julia Kursell - 2007 - Isis 98 (4):854-855.
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    Erwin Hiebert. The Helmholtz Legacy in Physiological Acoustics. Xxiii + 269 Pp., Figs., Apps. Cham: Springer, 2015. €105.99. [REVIEW]Julia Kursell - 2016 - Isis 107 (3):624-625.
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    Peter Donhauser. Elektrische Klangmaschinen: Die Pionierzeit in Deutschland und Österreich. 348 pp., figs., tables, apps., index. Vienna: Böhlau, 2007. €39. [REVIEW]Julia Kursell - 2008 - Isis 99 (3):632-633.
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