Max Weber's concept of the iron cage has become a byword in the scholarly world since the publication in 1930 of Talcott Parsons' translation of The Protestant Ethic and the Spirit of Capitalism . What is less well-known is that Jules Verne had earlier used the iron cage metaphor in Twenty Thousand Leagues Under the Sea (1869) to reveal the paradoxes of modernity. Roland Barthes criticized Verne's vision of modernity as bourgeois and positivistic, pointing out his narrow-minded (...) enthusiasm for futuristic technology. In this essay, I argue that Verne's originality lies precisely in his equivocal attitude towards modernity with its high technology. Verne, I suggest, does not reject technological modernity, but by dissecting it he reveals its propelling forces, high demands and price. He shows that the Enlightenment's Rule of Reason is, in the end, governed by the ancient passions of fear, bitterness and the thirst for revenge. It is this combination that makes the human condition tragic. Verne's Homeric imagination creates an epic hero—Captain Nemo—who personifies the remarkable alliance of modern science and ancient heroism. (shrink)

Al momento de incluir a los componentes de divulgación científica y los relatos de aventuras en las estructuras de ficción, la Literatura Universal halló en la figura de Jules Verne a uno de sus exponentes más genuinos. Su singularidad ha trascendido su propia época, perpetuando los avances del mundo moderno hasta nuestros días, como una inusitada notoriedad de este escritor francés. No obstante, y más allá del imaginario literario, los condimentos geográficos e históricos son los que mayormente predominan (...) en la obra de Verne; varios de los cuales, forman parte de la famosa compilación: Los Viajes Extraordinarios. (shrink)

Modernity is Apocalyptic in essence. This assertion is stated nowhere in The Triumph of Human Empire by Rosalind Williams, nor in l’Apocalypse Joyeuse by Jean-Baptiste Fressoz. But it is everywhere on the pages of these books, which recount the ambivalence with which the project of Modernity and its technological feats has been received in specific times and places, notably nineteenth century Europe. Essence here is not to be understood as transcendental a-historical necessity, but as unfolding historical ontology. Despite contingencies, the (...) project of Modernity has continued to realise a secular ending of the world by continuing to conquer and destroy it.In The Triumph of Human Empire we encounter ambivalence through the biographies and works of three European writers, who employed the genre of romance to express their uneasiness with modern civilisation and progress: Jules Verne, William Morris and Louis Stevenson. Verne is perhaps the writer which we would least expect to have probl .. (shrink)

The term 'implicit bias' has very swiftly been incorporated into philosophical discourse. Our aim in this paper is to scrutinise the phenomena that fall under the rubric of implicit bias. The term is often used in a rather broad sense, to capture a range of implicit social cognitions, and this is useful for some purposes. However, we here articulate some of the important differences between phenomena identified as instances of implicit bias. We caution against ignoring these differences: it is likely (...) they have considerable significance, not least for the sorts of normative recommendations being made concerning how to mitigate the bad effects of implicit bias. (shrink)

Our focus here is on whether, when influenced by implicit biases, those behavioural dispositions should be understood as being a part of that person’s character: whether they are part of the agent that can be morally evaluated.[4] We frame this issue in terms of control. If a state, process, or behaviour is not something that the agent can, in the relevant sense, control, then it is not something that counts as part of her character. A number of theorists have argued (...) that individuals do not have control, in the relevant sense, over the operation of implicit bias. We will argue that this claim is mistaken. We articulate and develop a notion of control that individuals have with respect to implicit bias, and argue that this kind of control can ground character-based evaluation of such behavioural dispositions. (shrink)

It is not usually morally permissible to desire the suffering of another person, or to act so as to satisfy this desire; that is, to act with the aim of bringing about suffering. If the retributive emotions, and the retributive responses of which they are a part, are morally permitted or even required, we will need to see what is distinctive about them. One line of argument in this paper is for the conclusion that a retributive desire for the suffering (...) of the wrong-doer, and the aim to bring this about, can (contra recent arguments from Hanna 2008) be morally justified. -/- It has been suggested that by reflecting on the role of the retributive emotions in interpersonal relationships, and the alleged legitimacy of the aim for the suffering of the wrong-doer within them, support can be garnered for retributive practices of punishment by the state (Duff 1986 and 2001, Bennett 2002 and 2003). The conclusion of the second line of argument in the paper is that whilst the retributive responses can permissibly aim at suffering, the way in which this is so in interpersonal relationships cannot provide support for retributive state punishment. (shrink)

Since God made us in his image, we reason by analogy with his reasoning. We are dependent on him as the final context for understanding analogies and thus for understanding all human reasoning.

Jules Janssens a construit une œuvre importante, qui, pour de nombreux chercheurs, a ouvert des perspectives de recherches nouvelles et fécondes. Ses travaux ont fait date. Ils portent principalement sur la philosophie d'Avicenne, ses sources, ses rapports avec la pensée musulmane, son influence sur la théologie ash'arite (al-Ghazālī, Fakhr al-Dīn al-Rāzī) et sa réception dans le monde latin. Pour lui rendre hommage, quatorze collègues et amis de renommée internationale se sont réunis pour poursuivre ses réflexions sur ces thèmes. L'ouvrage (...) qui en est issu offre un état des lieux de la recherche contemporaine sur Avicenne et sa postérité arabo-latine. (shrink)

This volume contains the new version of Jules Vuillemin's Five Studies on Aristotle, which first appeared in 1967. Topics include: the types of analogy in Aristotle and Thomas Aquinas; the economy of the Categories and their logical articulation; the legitimacy of the refutations by the regression towards the infinite; the Aristotelian concept of knowledge as relationship; the structure of the proofs for the existence of the Prime mover. French text.

For half a century René Girard’s theories of mimetic desire and scapegoating have captivated the imagination of thinkers and doers in many fields as an incisive look into the human condition, particularly the roots of violence. In a 1993 interview with Rebecca Adams, he highlighted the positive dimensions of mimetic phenomena without expanding on what they might be. Now, two decades later, this groundbreaking book systematically explores the positive side of mimetic theory in the context of the multi-faceted world of (...) creativity. Several authors build on Adams’ insight that loving mimesis can be understood as desiring the subjectivity of the other, particularly when the other may be young or wounded. With highly nuanced arguments authors show how mimetic theory can be used to address child and adult development, including the growth of consciousness and a capacity to handle complexity. Mimetic theory is brought to bear on big questions about creativity in nature, evolutionary development, originality, and religious intrusion into politics. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

In searching for beauty's source, we encounter ultimate reality. In this new contribution to worldview thinking, Poythress shows how all creation reflects the Trinitarian God-and where philosophers go wrong.

Do participants in shared activity have mutual obligations to do their bit? This article shows this question has no one-size-fits-all answer and offers a pluralist account of the normativity of shared agency. The first part argues obligations to do one's bit have three degrees of involvement in shared activity. Such obligations might, obviously, bolster co-participants’ resolve to act as planned (degree 1). Less obviously, there also are higher and lower degrees of involvement. Obligations to do one's bit might provide our (...) agency-pooling mechanism. When they do, we act together by virtue of satisfying them (degree 2). Conversely, some shared activities involve no obligation (degree 0). In the second part, I argue shared agency theory is best served by a non-moralistic conception of obligation, one on which co-participants’ obligations need be neither strict-performance obligations, nor directed ones. Overall, my arguments suggest that we can choose how to coordinate normatively our shared activities. (shrink)

Il y a un mot de passe pour entrer dans ce livre. Un mot de passe facile à retenir. C'est le mot AMOUR. L'auteur ne le révèle qu'à la toute fin, mais dès les premières pages, on le devine. On a tôt fait de découvrir un homme en amour avec «son» Plateau, où il habite depuis plus de trente ans. Cet amour bien réel en cache un autre plus profond, l'amour de la langue française. Quelques essais bien sentis en témoignent (...) éloquemment. C'est ainsi qu'à travers récits et essais, dans une langue belle et empreinte d'humour, Jules Tessier nous invite à partager des souvenirs où il sera question de pièces de théâtre, de personnages méconnus mais hauts en couleur, de conseils pour augmenter sa longévité, d'invitations au voyage et même de péchés et de vertus! «Un dénominateur commun relie tous ces chapitres, que ce soit le point de vue d'un observateur ou d'un actant: un vif intérêt, peut-être même une passion pour les thèmes abordés.» Au cours de sa carrière universitaire, Jules Tessier s'est intéressé notamment aux manifestations de la vie française sur le continent, tant sur le plan de la langue que sur celui de la littérature. Il est à l'origine du périodique Francophonies d'Amérique qu'il a dirigé pendant dix ans, à partir de sa fondation en 1991, et vingt-cinq ans plus tard, cette revue est toujours aussi nécessaire et dynamique. Mot de passe est le quatrième d'une série de titres consacrés à des essais et inaugurée par Sur la terre comme un ciel (Fides, 2010). (shrink)