It is common knowledge that problems of method have been exceptionally important in the history of science in modern times. Furthermore, their treatment with respect to the specifics of historical and social cognition has been intimately interwoven with interpretation of the fundamental questions of philosophy.

The essence of religious alienation may be identified by the use of Marx's method as we study the relationship of human beings to inimical natural and social forces dominant over them and give primary attention to the internal structure of socioeconomic alienation. In this connection it is necessary to take into consideration that the category alienation does not reveal its historical quality directly. Therefore, Marx and Engels did not confine their analysis to identifying the major features of alienation, but sought (...) to uncover the specifics of particular historically concrete forms of alienation. But the category alienation is a wholly meaningful abstraction, for it expresses a characteristic feature of the "prehistory" of humanity: realities created by human beings present themselves as dominant inimical, spontaneous forces not subordinate to the action of human beings. The Marxist analysis of the economic basis of alienation is the key to understanding all alienation. (shrink)

In what is likely to be the final word from one of the most accomplished historians of our time, History and the Human Condition presents John Lukacs's profound reflections on the very nature of history, the role of the historian, the limits of knowledge, and more. Guiding us on a quest for knowledge, Lukacs ranges far and wide over the past two centuries. The pursuit takes us from Alexis de Tocqueville to the atomic bomb, from the American frontier to the (...) Cold War, from Hitler to Heisenberg. As an added bonus, this book features a complete bibliography of Lukacs's writings.Readers of History and the Human Condition will cherish this fascinating work by the man the Washington Times calls "one of the more incisive historians of the twentieth century. (shrink)

1. Művészet és társadalom; válogatott esztétikai tanulmányok.--2. Világirodalom; válogatott világirodalom tanulmányok 2 v.

How is it possible that works of art exist? How do we become receptive aesthetic subjects? The Specificity of the Aesthetic extends these fundamental ontological and phenomenological questions around which Georg Lukács's theory of art was organised. This late work of aesthetics seeks to solve a puzzle that neither philosophy nor socialist politics was able to: the fundamental ethical question of what individuals and humanity as a whole ought to do. Art offers Lukács the already-existing means through which the damaged (...) edifice of Marxism might be reconstructed on a durable basis on which to rest the philosophy, politics, and ethics of a non-Soviet-style Marxism. Erik M. Bachman, Ph.D. (2011), University of California at Santa Cruz, is a Lecturer at that university. Author of Literary Obscenities: U.S. Case Law and Naturalism after Modernism (2018), he has also published numerous essays on modernism, film, and Lukács. Tyrus Miller, Ph.D. (1994), Stanford University, is the Dean of the School of Humanities at the University of California at Irvine. He has published and edited many notable monographs and essays on modernism, critical theory, and the avant-garde. (shrink)

1. Matter and form -- 2. Maimonides' theory of the parable -- 3. The parable of adamic perfection -- 4. Physical matter and its limitations on intellects -- 5. Maimonidean skepticism I -- 6. Maimonidean skepticism II -- 7. In the inner chamber of the ruler's palace: the critique of the theory of separate intellects -- 8. The embodied life of an intellect -- 9. Excrement and exegesis, or shame over matter.

An eminent part of Wittgenstein's work is his bequest.The present volume launches a discussion aboutthe significance of the so-called Kringel-Buch, as well as about the constitution of the text, and about Wittgenstein's cultural and moral philosophy.

Georg Lukács wrote The Theory of the Novel in 1914-1915, a period that also saw the conception of Rosa Luxemburg's Spartacus Letters, Lenin's Imperialism: The Highest Stage of Capitalism, Spengler's Decline of the West, and Ernst Bloch's Spirit of Utopia. Like many of Lukács's early essays, it is a radical critique of bourgeois culture and stems from a specific Central European philosophy of life and tradition of dialectical idealism whose originators include Kant, Hegel, Novalis, Marx, Kierkegaard, Simmel, Weber, (...) and Husserl. The Theory of the Novel marks the transition of the Hungarian philosopher from Kant to Hegel and was Lukács's last great work before he turned to Marxism-Leninism. (shrink)

Bd. 1. Irrationalismus zwischen den Revolutionen.--Bd. 2. Irrationaismus und Imperialismus.--Bd. 3. Irrationalismus und Soziologie.

1. Heidelberger Philosophie der Kunst (1912-1914).--2. Heidelberger Ästhetik (1916-1918).

Today, most liberal states are torn between attempts to accommodate different religions within floating limits of tolerance, and at the same time trying to uphold a sense of national identity. The traditionally liberal way to negotiate this dilemma has, put bluntly, been to address religion as a generic category, relegate it to the private sphere, and to make religion an object of tolerance. This idea of a strict separation between religion and the secular rests on an Enlightenment notion of a (...) secular reason disembodied from tradition. Against such an understanding post-secular philosophers have sought to make tacit assumptions about the nature of reality explicit, and consequently, to make metaphysics relevant. This book explores the metaphysical assumptions that underlie different interpretations of the relationship between religion and the secular, faith and reason, and transcendence and immanence. Questioning the notion of secular reason as a neutral and ultimate adjudicator of religious difference, different answers to how people of diverse religious and cultural identities can live together peacefully are explored. (shrink)

Zur Ästhetik Schillers.--Hegels Ästhetik.--Einführung in die Ästhetik Tschernyschewskijs.--Einführung in die ästhetischen Schriften von Marx und Engels.--Karl Marx und Friedrich Theodor Vischer.--Nietzsche als Vorläufer der faschistischen Ästhetik.--Franz Mehring (1846-1919)--Literatur und Kunst als Überbau.

The proposal of a semantics for quotations using explanatory notions drawn from philosophical theories of pictures. In Quotations as Pictures, Josef Stern develops a semantics for quotations using explanatory notions drawn from philosophical theories of pictures. He offers the first sustained analysis of the practice of quotation proper, as opposed to mentioning. Unlike other accounts that treat quotation as mentioning, Quotations as Pictures argues that the two practices have independent histories, that they behave differently semantically, that the inverted commas (...) employed in both mentioning and quotation are homonymous, that so-called mixed quotation is nothing but subsentential quotation, and that the major problem of quotation is to explain its dual reference or meaning—its ordinary meaning and its metalinguistic reference to the quoted phrase attributed to the quoted subject. Stern argues that the key to understanding quotation is the idea that quotations are pictures or have a pictorial character. As a phenomenon where linguistic competence meets a nonlinguistic symbolic ability, the pictorial, quotation is a combination of features drawn from the two different symbol systems of language and pictures, which explains the exceptional and sometimes idiosyncratic data about quotation. In light of this analysis of verbal quotation, in the last chapters Stern analyzes scare quotation as a nonliteral expressive use of the inverted commas and explores the possibility of quotation in pictures themselves. (shrink)

Hegel, the western and classical modernity. The myth and the frontier ; The hero in the epochs of mythical and the bourgeois ; The end of the individual ; The end of the subject -- Romanticism, crime and agonal modernity. The return of tragedy in modernity ; Heroes of coolness and the ironist -- Nietzsche, science fiction and hybrid modernity. Heroic individualismus and metaphysics ; Superhumans, supermen, cyborgs ; Heroes of the future.

The book represents a historical overview of the way the topic of gesture and sign language has been treated in the 18th century French philosophy. The texts treated are grouped into several categories based on the view they present of deafness and gesture. While some of those texts obviously view deafness and sign language in negative terms, i.e. as deficiency, others present deafness essentially as difference, i.e. as a set of competences that might provide some insights into how spoken language (...) works. One of the arguments of the book is that these two views of deafness and sign language still represent two dominant paradigms present in the current debates on the issue. The aim of the book, therefore, is not only to provide a historical overview but to trace what might be called a "history of the present". (shrink)

What Does "Academic" Mean? focuses, in two essays, on the prospects of contemporary universities. The term "academic" is traced back to Plato's Academy in a grove in Athens. The Academy is isolated, far away from the hustle and bustle of the city. Western universities founded in the Middle Ages show continuity, via Byzantium, with Plato's Academy. Not surprisingly, the Oxford Dictionary quoted by Pieper defines "academic" as "Not leading to a decision; unpractical." The preoccupation of the academic as academic is (...) seen by Pieper to be fundamentally theoretical, not practical. Pure theory is that which cannot at all be pressed into service. Clearly, many university disciplines that are richly funded by industry and business concerns tend to be favored by university administrations, which, intent on financial survival, frown on "unproductive" disciplines such as pure philosophy: metaphysics being a case in point, since it is the discipline least capable of practical application. (shrink)

Das religiose Sinnangebot einer letzten Verankerung in Gott, in einem Leben nach dem Tod, scheint heutzutage gegenuber der Faszination des Diesseits, dem Leben im Hier und Jetzt zu verblassen. Das Buch ergrundet diese geistige Atmosphare unserer Gegenwart und tritt dazu in einen Dialog mit den Denkern Yuval Noah Harari ('Homo Deus') und Hartmut Rosa ('Resonanz'), deren Utopien ein groaes Echo gefunden haben. Der Autor zeigt, wie der Glaube dabei eine neue Sprache finden kann: als Einladung an die menschliche Sehnsucht nach (...) tiefer Vitalitat, Lebensfreude und Lebenszugewandtheit, sich selbst auch in den Grenzerfahrungen von Scheitern, Krankheit und Tod zu vertrauen. (shrink)

The Christian idea of man -- The idea of man in general -- The Christian idea of man and St. Thomas Aquinas's theory of virtues -- The true concept of virtue and the hierarchy of virtues -- Prudence -- Justice -- Courage and fear of the Lord -- Discipline and moderation -- Faith, hope, and love -- The distinction between a natural and supernatural ethos.

Pieper distinguishes between Platonic stones in which Plato crystallizes mythical fragments from the mere stories which contain them, and Platonic myths, in which he purifies the proper mythical elements, freeing them of the non-mythical elements which tend to obscure them.

Tereza Matějčková se ve své knize vztahuje k literárním obrazům světa: komentuje Hegelovy filozofické výklady literárních děl nebo interpretuje literární díla autorů 20. století. Její komentáře a interpretace se dotýkají problémů a témat, které podstatně spoluvytvářely esteticko-uměleckou a kulturně-politickou mentalitu umělecké avantgardy 20. století a moderny. Ve svém článku se věnuji třem tématům: 1) Metafoře Theatrum mundi, kterou si Tereza Matějčková zvolila jako název 8. kapitoly své knihy; 2) problému zla, násilí a „abstraktní existence“ v moderně a zejména v surrealismu; (...) 3) konceptu „nových mytologií“ a „lyrizace světa“ v estetických esejích Karla Teigeho. (shrink)

Cílem této studie je prozkoumat postavení metafory na poli zkoumání významu a následně představit potenciál metafory, a obrazných vyjádření obecně, zastávat pozici kritéria hodnocení teorií významu. Jako výchozí bod si práce bere několik vlivných pojetí metafory, na nichž ukazuje šíři bádání o metafoře a obraznosti a zároveň různorodost možných přístupů k vysvětlení těchto jazykových fenoménů. Dále je věnována pozornost několika sporným bodům opakovaně se objevujícím v různých teoriích metafory. Na základě analýzy těchto sporných bodů jsou předloženy argumenty zpochybňující předpokládanou odlišnost (...) mechanismů konstituování významu u obrazných a doslovných vyjádření. Následkem toho je pak vznesen návrh, zda by metafora, pro své kvalitativní a kvantitativní rysy, nemohla být chápána jako prubířský kámen teorií významu, tj. byla nástrojem k hodnocení těchto teorií, k jejich falsifikování, modifikování či přímo k jejich vytváření.The main aim of this study is to examine the role that metaphor plays in investigation of linguistic meaning and to present the potential of metaphor and figurative language in general to maintain a position of an evaluating criterion for theories of meaning. Several influential theories of metaphor are used as a starting point for this inquiry, to show how vast the field of investigation of metaphors and figurative language might be and how various approaches attempt to explain these language phenomena. I then focus on a number of problematic points repeatedly resurfacing in various theories of metaphor. My analysis of these problems issues in arguments questioning supposed difference between constituting mechanisms of literal and figurative meaning. Having this in place, I propose that, on account of its quantitative and qualitative features, metaphor could be understood as a touchstone of theories of meaning, i.e. the tool for their evaluating, refuting, modifying and even for creating new ones. (shrink)

Throughout the history of mankind, energy security has been always seen as a means of protection from disruptions of essential energy systems. The idea of protection from disorders emerged from the process of securing political and military control over energy resources to set up policies and measures on managing risks that affect all elements of energy systems. The various systems placed in a place to achieve energy security are the driving force towards the energy innovations or emerging trends in the (...) energy sector. Our paper discusses energy security status and innovations in the energy sector in European Union (EU). We analyze the recent up-to-date developments of the energy policy and exploitation of energy sources, as well as scrutinize the channels of energy streaming to the EU countries and the risks associated with this energy import. Moreover, we argue that the shift to the low-carbon production of energy and the massive deployment of renewable energy sources (RES) might become the key issue in ensuring the energy security and independency of the EU from its external energy supplies. Both RES, distributed energy resources (DER) and “green energy” that will be based on the energy efficiency and the shift to the alternative energy supply might change the energy security status quo for the EU. (shrink)

A model of writing in cognitive development, Understanding the Representational Mind synthesizes the burgeoning literature on the child’s theory of mind to provide an integrated account of children’s understanding of representational and mental processes, which is crucial in their acquisition of our commonsense psychology. Perner describes experimental work on children’s acquisition of a theory of mind and representation, offers a theoretical account of this acquisition, and gives examples of how the increased sophistication in children’s theory of mind improves their understanding (...) of social interaction and how, in the case of autistic children, an impairment results in social ineptitude. He analyzes the concepts of representation and metarepresentation as they appear in current discussion in the philosophy of cognitive science and explains how the unfolding of mental representation enables infants to comprehend change over time, engage in pretence, and use representational systems like pictures and language. Perner goes on to show that around age four children become able to understand the representational nature of pictures and language and to distinguish appearance from reality. Introducing basic distinctions in philosophy of mind for characterizing the mental, Perner discusses differences in how commonsense and cognitive psychology view the mind. Tracing the onset of a commonsense psychology in the social and emotional awareness of early infancy, he reveals how the child begins to take a cognitive, representational view of the mind with repercussions for children’s episodic memory, self control, and their ability to engage in deception. Perner concludes by describing the observed developmental changes as a case of theory change And contrasts his thesis with competing proposals. Josef Perner is Lecturer in Experimental Psychology at Sussex University, Brighton, England. (shrink)