This paper argues that the semantic facts about ‘because’ are best explained via a metaphorical treatment of metaphysical explanation that treats causal explanation as explanation par excellence. Along the way, it defends a commitment to a unified causal sense of ‘because’ and offers a proprietary explanation of grounding skepticism. With the causal metaphor account of metaphysical explanation on the table, an extended discussion of the relationship between conceptual structure and metaphysics ends with a suggestion that the semantic facts about ‘because’ (...) tell against grounding-causation unity. (shrink)

This paper presents evidence that ‘because’ is importantly ambiguous between two closely related senses covering what are usually called causal explanations, on the one hand, and grounding or metaphysical explanations, on the other hand. To this end, it introduces the lexical categories of monosemy, polysemy and homonymy; describes a test for polysemy; and discusses the results of the test when applied to ‘because’. It also shows how to understand so-called hybrid explanations in light of the semantic facts established by the (...) analysis. (shrink)

This paper pursues a question about the spatial relations between the three types of matter posited in Margaret Cavendish’s metaphysics. It examines the doctrine of complete blending and a distinctive argument against atomism, looking for grounds on which Cavendish can reject the existence of spatial regions composed of only one or two types of matter. It establishes, through that examination, that Cavendish operates with a causal conception of parts of nature and a dynamic notion of division. While the possibility of (...) unmixed spatial regions is found to be consistent with both the doctrine of complete blending and Cavendish’s anti-atomism by themselves, it is finally ruled out by a consideration of her theory of place. In fact, the geometrical question of the spatial relations between types of matter that drives the paper is ultimately exposed as illicitly mathematical from the perspective of Cavendish’s metaphysics. (shrink)

This paper reconstructs Margaret Cavendish’s theory of the metaphysics of artifacts. It situates her anti-mechanist account of artifactual production and the art-nature distinction against a background of Aristotelian, Scholastic, and mechanist theories. Within this broad context, it considers what Cavendish thinks artisans can actually do, grounding her terminological stipulation that there is no genuine generation in nature in a commitment to natural and artistic production as the mere rearrangement of bodies. Bodies themselves are identified, in a conceptually Ockhamist manner, with (...) their figures, so that the resulting theory of mere rearrangement is Scholastically respectable. The paper also offers literal interpretations, focused narrowly on the philosophical content of her theories of art and artifacts, of her claims that art concerns only “nature’s sporting or playing actions”, that its products are “deformed and defective”, and that they are “at best …mixt or hermaphroditical.". (shrink)

This paper explores Cavendish’s argument for what she calls “animate matter.” Her commitment to the ubiquity of animate matter, styled “Cavendish’s animism,” is presented as the conclusion of an inference to the best explanation of nature’s order. The reconstruction of Cavendish’s argument begins with an examination of the relationship between God’s creation of our world and the order produced through nature’s wise governance of her parts. Cavendish’s materialism and anti-atomism are presented as ingredients in her final account of God’s ordering (...) of the world by making it a self-moving whole. On the present account of Cavendish’s metaphysics, this self-moving whole then freely produces the regular motions that constitute its ordering of itself, as a distinct ordering beyond God’s initial act of creating our world. The depth of Cavendish’s commitment to the animistic elements of her materialism—or in other words, the extent to which her system is genuinely animistic—is then considered. (shrink)

ABSTRACT This paper explores a taxonomy of uses of ‘because’ from the linguistics literature. It traces the apparent semantic differences between content, epistemic, and act ‘because’ to differences in attachment height. But it argues that the fact that these uses of ‘because’ never occur in the same environments is evidence of an underlying semantic unity. Arguments from such a distribution to underlying unity are familiar from phonology and morphology, and they are implicit in Quine's comments on ambiguity in Word and (...) Object, but they have too rarely been deployed in semantics. Here, such an argument points the way towards an underexplored conception of polysemy, while also making progress on the rather more limited topic of the lexical semantics of ‘because’. (shrink)

This paper characterizes two senses in which Hegel interpretations can be (anti-)metaphysical. It argues that Pippin's seminal work misreads Hegel’s Being Logic through reading it anti-metaphysically, in one of these senses. But it also suggests that Pippin’s recent work makes room for a metaphysical (in the corresponding sense) reinterpretation of the Being Logic. So it pushes, in the spirit of a friendly amendment, for a fuller such reinterpretation, one that nevertheless coheres with Pippin’s deep commitments about Hegel as a post-Kantian (...) philosopher, since the reading remains, in the relevant sense—now the other one—anti-metaphysical. (shrink)