This article explores the understanding of æsthetics in the work of Philippe Lacoue-Labarthe and Jean-Luc Nancy. It does so in relation to Hegel’s claim about art’s dissolution or passing at the end of the classical Greek age, as the world entered the modern Christian age. For the two French thinkers, their relation to Hegel (and to a large extent æsthetics generally) turns on the claim that art was, but is not. The article looks first at Nancy’s discussion of the young (...) girl carrying fruit, a figure used by Hegel to depict this scene in the history of spirit, then moves on to a rarely read but significant article by Lacoue-Labarthe, “The Unpresentable,” before some final thoughts. (shrink)

At the turn of the 1960s, Maurice Blanchot began publishing texts that he named entretiens, this change in his writing responding to what deconstruction sees as the closure of logocentric or continuous discourse. Paradoxically, this closure does not prevent such discourse, in which philosophical enquiry and technological change are intertwined, from dominating the modern world. By changing his writing, and by reiterating the dialogical form so central to metaphysical tradition since Plato, Blanchot gives voice to the tensions between continuity and (...) its ‘outside’, between philosophy and literature. This is one sense in which his entretiens do not engage in a representation of difference, but instead open themselves to the inflections of what Jean-Luc Nancy calls le partage des voix. (shrink)