According a to a certain position formulated within the philosophical school of post-structuralism, attempts to reconstruct forms of consciousness are themselves textual fabrications, and should be relinquished in favour of other, more 'textual' forms of analysis. This paper argues that phenomenologists should not reject this critique outright, for it compels them to think more carefully about the appropriateness of particular terminologies for the representation and comprehension of particular life-worlds. To this end, the vocabulary of Maurice Merleau-Ponty is delineated and considered (...) as to its appropriateness for the study of sportive lifeworlds in particular, and that of soccer play more particularly. A Merleau-Pontian analysis of the latter is offered, and it is contended that whilst certain problems are attendant upon its use, it nonetheless stands as a vital resource for understanding such a form of activity. Indo-Pacific Journal of Phenomenology , Volume 2, Edition 2 September 2002. (shrink)

This article provides a critique of the postmodernist notion that there has been of recent years a dissolution of the divide between aesthetics and practical activities, between Art and Life. It does so by considering the game of soccer from a phenomenological viewpoint, which shows that the game possesses intrinsically ‘aesthetic’ qualities. The conditions of possibility of such qualities are understood by introducing the idea of the ‘proto‐aesthetics’ of soccer and other mundane phenomena. By considering the proto‐aesthetics of the quotidian (...) we argue that recent changes in the nature of practical life should not be regarded as due to ‘aestheticisation’ but rather as springing from processes of commodification. (shrink)