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  1.  31
    Image and ritual: reflections on the religious appreciation of classical art.John Elsner - 1996 - Classical Quarterly 46 (02):515-.
    It is a cliché that most Greek art was religious in function. Yet our histories of Classical art, having acknowledged this truism, systematically ignore the religious nuances and associations of images while focusing on diverse arthistorical issues from style and form, or patronage and production, to mimesis and aesthetics. In general, the emphasis on naturalism in classical art and its reception has tended to present it as divorced from what is perceived as the overwhelmingly religious nature of post-Constantinian Christian art. (...)
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  2.  35
    Images.John Elsner - 1995 - The Classical Review 45 (02):373-.
  3.  21
    Olga Palagia: The Pediments of the Parthenon. (Monumenta Graeca et Romana, VII.) Pp. 74; 120 illustrations. Leiden, New York, London: E. J. Brill, 1993.John Elsner - 1993 - The Classical Review 43 (2):457-458.
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  4.  52
    (1 other version)A. Mastrocinque (ed.): Ercole in Occidente. (Labirinti, 2.) Pp. 132; 50 plates, (3 in colour). Trento: Università degli Studi di Trento, 1993. Paper, L. 20,000. [REVIEW]John Elsner - 1995 - The Classical Review 45 (01):208-209.
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  5.  27
    B. B RENK (ed.): Innovation in der Spätantike: Kolloquium Basel 1994 . Pp. 445, figs, maps, ills. Wiesbaden: Reichert, 1996. Cased, DM 148. ISBN: 3-88226-879-. [REVIEW]John Elsner - 1999 - The Classical Review 49 (1):313-313.
  6.  29
    (3 other versions)E. Rystedt, CH. Scheffer, CH. Wikander : Opus Mixtum: Essays in Ancient Art and Society. Pp. 176, 77 figs. Stockholm: Paul Åström, 1994. Paper, SEK 250. ISBN: 91-7042-150-1. [REVIEW]John Elsner - 1997 - The Classical Review 47 (2):444-444.
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  7.  70
    (1 other version)Iconography - F. G. J. M. Müller: The So-Called Peleus and Thetis Sarcophagus in the Villa Albani. (Iconological Studies in Roman Art, I.) Pp. x + 179; 1 colour plate, 82 b&w figs. Amsterdam: J. C. Gieben, 1994. Cased, Gld. 85. - F. G. J. M. Müller: The Wall Paintings from the Oecus of the Villa of Publius Fannius Synistor in Boscoreale. (Iconological Studies in Roman Art, II.) Pp. ix + 156; 8 colour plates, 67 b&w figs. Amsterdam: J. C. Gieben, 1994. Cased, Gld. 85. - F. G. J. M. Müller: The Aldobrandini Wedding. (Iconological Studies in Roman Art, III.) Pp. xii + 207; numerous figs and plates. Amsterdam: J. C. Gieben, 1994. Cased, Gld. 85. [REVIEW]John Elsner - 1996 - The Classical Review 46 (1):139-140.
  8.  25
    Images - H. Belting: Likeness and Presence. A History of the Image before the Era of Art . Pp. xxiv+651, 295 black-and-white ills, 12 colour plates. Chicago, London: University of Chicago Press, 1994 . Cased, £51.95/$74.75. [REVIEW]John Elsner - 1995 - The Classical Review 45 (2):373-375.
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  9.  17
    Die Bildnisse des Augustus. [REVIEW]John Elsner - 1995 - The Classical Review 45 (2):479-480.
  10.  13
    Tradition in Late Antique Sculpture: Conservation, Modernization, Production. [REVIEW]John Elsner - 1995 - The Classical Review 45 (2):481-482.