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  1.  38
    Philosophical Investigations.P. M. S. Hacker & Joachim Schulte (eds.) - 2009 - Wiley-Blackwell.
    Incorporating significant editorial changes from earlier editions, the fourth edition of Ludwig Wittgenstein's _Philosophical Investigations_ is the definitive _en face_ German-English version of the most important work of 20th-century philosophy The extensively revised English translation incorporates many hundreds of changes to Anscombe’s original translation Footnoted remarks in the earlier editions have now been relocated in the text What was previously referred to as ‘Part 2’ is now republished as _Philosophy of Psychology – A Fragment_, and all the remarks in it (...)
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  2. Wittgenstein and the Vienna Circle.Friedrich Waismann, Brian Mcguinness & Joachim Schulte - 1980 - Tijdschrift Voor Filosofie 42 (1):166-166.
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  3. Experience and Expression: Wittgenstein's Philosophy of Psychology.Joachim SCHULTE - 1993 - Philosophy 68 (266):562-564.
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  4. Experience and Expression: Wittgenstein's Philosophy of Psychology.Joachim Schulte - 1995 - Clarendon Press.
    In this book, translated from the German by the author, Joachim Schulte uses the discussions of psychological concepts in Wittgenstein's late manuscripts as a basis of reconstructing the central arguments and ideas developed by Wittgenstein during that period. This reconstruction yields valuable insights not only in the philosophy of psychology, but also in aesthetics and the theory of meaning.
  5.  42
    Wittgenstein: an Introduction.L. F. S., Joachim Schulte, W. H. Brenner & J. F. Holley - 1996 - Philosophical Quarterly 46 (183):281.
    Joachim Schulte’s introduction provides a distinctive and masterful account of the full range of Wittgenstein’s thought. It is concise but not compressed, substantive but not overloaded with developmental or technical detail, informed by the latest scholarship but not pedantic. Beginners will find it accessible and seasoned students of Wittgenstein will appreciate it for the illuminating overview it provides.
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  6.  44
    Chor und Gesetz.Joachim Schulte - 1984 - Grazer Philosophische Studien 21 (1):1-32.
    Zwischen Goethes Morphologiebegriff und Wittgensteins philosophischer Methode bestehen deutliche Parallelen, insofern man sie als Verfahren oder Anleitungen zur Erklärung und Darstellung natürlicher Phänomene (Goethe) bzw. der Begriffsbildung und -Verwendung (Wittgenstein) betrachtet. Den von Goethe als Entwicklungsmodelle und Vergleichshilfen gedeuteten Begriffen "Typus" und "Urbild" entsprechen Wittgensteins "Paradigmen" und "Muster"; beiden geht es um "übersichtliche" Darstellungen, und beide betonen die erklärungsrelevante Rolle der "Urphänomene".
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  7.  14
    Chor und Gesetz: Wittgenstein im Kontext.Joachim Schulte - 1990
  8.  34
    The builders' language: The opening sections.Joachim Schulte - 2004 - In Erich Ammereller & Eugen Fisher (eds.), Wittgenstein at Work: Method in the Philosophical Investigations. Routledge. pp. 22--41.
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  9.  28
    We Have a Colour System as We Have a Number System.Joachim Schulte - 2014 - In Frederik Gierlinger & Štefan Joško Riegelnik (eds.), Wittgenstein on Colour. Boston: De Gruyter. pp. 21-32.
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  10.  12
    Erlebnis und Ausdruck: Wittgensteins Philosophie der Psychologie.Joachim Schulte - 1987 - Philosophia Verlag.
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  11.  25
    Chor und Gesetz.Joachim Schulte - 1984 - Grazer Philosophische Studien 21 (1):1-32.
    Zwischen Goethes Morphologiebegriff und Wittgensteins philosophischer Methode bestehen deutliche Parallelen, insofern man sie als Verfahren oder Anleitungen zur Erklärung und Darstellung natürlicher Phänomene (Goethe) bzw. der Begriffsbildung und -Verwendung (Wittgenstein) betrachtet. Den von Goethe als Entwicklungsmodelle und Vergleichshilfen gedeuteten Begriffen "Typus" und "Urbild" entsprechen Wittgensteins "Paradigmen" und "Muster"; beiden geht es um "übersichtliche" Darstellungen, und beide betonen die erklärungsrelevante Rolle der "Urphänomene".
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  12.  14
    “Engelmann Told Me…”: On the Aesthetic Relevance of a Certain Remark by Wittgenstein.Joachim Schulte - 2020 - Estetika: The European Journal of Aesthetics 57 (1):15-27.
    This paper is an attempt at bringing out various aesthetically relevant points alluded to by Wittgenstein in what I call ‘the Engelmann remark’ – a longish manuscript remark written by Wittgenstein in 1930 and painstakingly discussed by Michael Fried in the context of elucidating what is strikingly new in the work of a photographer like Jeff Wall. One part of this paper is dedicated to summarizing and briefly examining the account given by Fried while another part is meant to clarify (...)
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  13.  40
    Ludwig Wittgenstein and the Vienna Circle: Conversations Recorded by Friedrich Waismann.Wittgenstein's Lectures: Cambridge 1930-1932, From the Notes of John King Desmond LeeWittgenstein's Lectures: Cambridge 1932-1935, from the Notes of Alice Ambrose and Margaret Macdonald.Brian Mcguinness, Joachim Schulte, Desmond Lee & Alice Ambrose - 1981 - Philosophical Review 90 (3):444-448.
  14.  19
    Friedrich Waismann - Causality and Logical Positivism.Brian Mcguinness, Mathieu Marion, Friedrich Waismann, Alexander Bird, Joachim Schulte & Hadwig Kraeutler - 2011 - Springer.
    Friedrich Waismann (1896–1959) was one of the most gifted students and collaborators of Moritz Schlick. Accepted as a discussion partner by Wittgenstein from 1927 on, he functioned as spokesman for the latter’s ideas in the Schlick Circle, until Wittgenstein’s contact with this most faithful interpreter was broken off in 1935 and not renewed when exile took Waismann to Cambridge. Nonetheless, at Oxford, where he went in 1939, and eventually became Reader in Philosophy of Mathematics (changing later to Philosophy of Science), (...)
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  15. Privacy.Joachim Schulte - 2011 - In Marie McGinn & Oskari Kuusela (eds.), The Oxford Handbook of Wittgenstein. Oxford University Press.
     
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  16.  26
    Waismann as Spokesman for Wittgenstein.Joachim Schulte - 2011 - Vienna Circle Institute Yearbook 15:225-241.
    In 1929 Wittgenstein left Vienna for Cambridge, and Waismann grew into the role of spokesman for his absent hero. The story of his relation with the man so greatly esteemed by his much-admired mentor Schlick contains dramatic elements: there were moments of friction and of coldness, announcements of withdrawal from a shared project, accusations of plagiarism or, at least, insuffi cient acknowledgement. What we know of this story has been told by Brian McGuinness and Gordon Baker. If one wishes to (...)
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  17.  70
    World-picture and mythology.Joachim Schulte - 1988 - Inquiry: An Interdisciplinary Journal of Philosophy 31 (3):323 – 334.
    Partly by way of contrast with a conception described by Kleist, Wittgenstein's notions of world?picture and mythology are explained and three types of statement playing a particularly important role with respect to our world?picture or pictures distinguished. Problems concerning sentences which contain normative elements are discussed and a test for what to count as a statement giving information about our world?picture is proposed. A mythology in Wittgenstein's sense is characterized as a structured, systematic set of models permitting analogical development and (...)
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  18. Moses : Wittgenstein on names.Joachim Schulte - 2009 - In P. M. S. Hacker, Hans-Johann Glock & John Hyman (eds.), Wittgenstein and Analytic Philosophy: Essays for P. M. S. Hacker. Oxford University Press.
     
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  19. Remarks on Sprachgefühl.Joachim Schulte - 1988 - In J. C. Nyíri & Barry Smith (eds.), Practical Knowledge. Outlines of a Theory of Traditions and Skills. Croom Helm. pp. 136.
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  20.  12
    Wittgenstein’s Last Writings.Joachim Schulte - 2016 - In Harald A. Wiltsche & Sonja Rinofner-Kreidl (eds.), Analytic and Continental Philosophy: Methods and Perspectives. Proceedings of the 37th International Wittgenstein Symposium. Boston: De Gruyter. pp. 63-76.
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  21.  44
    Wittgenstein on Certainty and Doubt.Joachim Schulte - 2015 - Routledge.
    Wittgenstein's last work, On Certainty , is widely regarded as his third masterpiece of philosophy and one of his most enigmatic writings. On Certainty explores the ways in which claims of indisputable knowledge are expressed, and how language forms the basis of such claims. On Certainty has largely been read as representing a break with Wittgenstein's previous thinking, but this study places these ideas firmly in the development of his thought since the 1930s. Wittgenstein on Certainty and Doubt illuminates Wittgenstein's (...)
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  22.  5
    Ludwig Wittgenstein.Joachim Schulte - 2005 - Frankfurt am Main: Suhrkamp.
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  23.  29
    Wittgenstein on Time.Joachim Schulte - 2006 - In Michael Stöltzner & Friedrich Stadler (eds.), Time and History: Proceedings of the 28. International Ludwig Wittgenstein Symposium, Kirchberg Am Wechsel, Austria 2005. De Gruyter. pp. 557-568.
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  24.  5
    Logisch-philosophische Abhandlung.Ludwig Wittgenstein, Brian Mcguinness & Joachim Schulte - 1989 - Frankfurt am Main: Suhrkamp Publishers. Edited by Brian McGuinness & Joachim Schulte.
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  25.  31
    Bedeutung und Verifikation.Joachim Schulte - 1982 - Grazer Philosophische Studien 16 (1):241-253.
    Das (wie die erhaltenen historischen Belege zeigen) zuerst von Wittgenstein vorgeschlagene Verifikationsprinzip fungiert als Sinnkriterium wie auch als Kriterium der Sinribestimmung. Durch Waismanns Vermittlung wird es in der letzteren Funktion zur ausschließlichen Grundlage von Schlicks Semantik, die jedoch einerseits an ungenügenden Unterscheidungen zwischen Wahrheitsbedingungen, Verifikationsbedmgungen und Verifikationsmethode krankt, andererseits durch eme zu optimistische, die intersubjektive Kontrollierbarkeit entbehrende Sprachauffassung an Überzeugungskraft verliert. Wittgenstems späteres hochkomplexes Bedeutungskonzept, das durch Einbeziehung von Kontext und Äußerungssituation das Verifikationsprinzip zu emem unter mehrerenbedeutungsrelevanten Momenten sprachlicher Äußerungen (...)
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  26. Die Hinnahme von Sprachspielen und Lebensformen.Joachim Schulte - 1995 - Wittgenstein-Studien 2 (2).
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  27.  21
    Leaving the Past Where it Belongs.Joachim Schulte - 1994 - In Brian McGuinness & Gianluigi Oliveri (eds.), The Philosophy of Michael Dummett. Kluwer Academic Publishers. pp. 241-254.
    I think that our concepts of past and future are so basic and so all-pervasive that I find it difficult to believe that anyone could even begin to make it appear plausible that one could dislodge them from their accustomed habitats. But Michael Dummett, in his paper Bringing about the past, while leaving no doubt about the fact that we are well-advised to leave the past where it belongs, arrives at the conclusion that under very special circumstances one might consider (...)
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  28.  36
    Did Wittgenstein Write on Shakespeare?Joachim Schulte - 2013 - Nordic Wittgenstein Review.
    It is often claimed that certain remarks by Wittgenstein reveal him to have been an unsympathetic reader of Shakespeare and an unappreciative judge of the latter’s achievements. In the present paper, I attempt to show that this sort of observation is not only wrong but due to an inadequate perspective. An examination of the relevant remarks may bring to light a number of more or less interesting principles of evaluation, or aesthetic maxims and appraisals, but these do not say much (...)
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  29.  28
    Did Wittgenstein Write on Shakespeare?Joachim Schulte - 2013 - Nordic Wittgenstein Review 2 (1):1-32.
    It is often claimed that certain remarks by Wittgenstein reveal him to have been an unsympathetic reader of Shakespeare and an unappreciative judge of the latter’s achievements. In the present paper, I attempt to show that this sort of observation is not only wrong but due to an inadequate perspective. An examination of the relevant remarks may bring to light a number of more or less interesting principles of evaluation, or aesthetic maxims and appraisals, but these do not say much (...)
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  30. Music and Language-Games.Joachim Schulte - 2013 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 6 (1):173-185.
    This paper aims to clarify certain aspects of the connections between music and (word) language alluded to in various manuscript passages by Wittgenstein. Three points are emphasized: (1) Wittgenstein’s willingness to speak of music as a language; (2) the importance of context; (3) the possibility of distinguishing various ways of explaining our hearing certain sequences of sounds as expressive of gestures or states of mind etc. Several attempts at elucidating the idea of understanding music lead to the realization that, according (...)
     
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  31.  8
    8 Denkwürdigkeiten. Mr. Ballard und der Impressionist.Joachim Schulte - 1999 - In Eike von Savigny (ed.), Ludwig Wittgenstein: Philosophische Untersuchungen. Peeters Press. pp. 129-146.
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  32.  37
    Correspondance de Ludwig Wittgenstein dans les années 1930.Brian McGuinness & Joachim Schulte - 2009 - Cités 38 (2):149.
    Les lettres reproduites ici furent échangées au début de 1935 entre Ludwig et son frère Paul, le pianiste qui avait perdu un bras à la guerre, et dédicataire des concerti pour la main gauche de Ravel et Prokofiev entre autres... La relation entre les deux frères était toute de spontanéité, dénuée de contrainte et de formalisme. Nous verrons en quoi...
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  33.  19
    Text-Genetic-Philosophical Notes About the Wittgenstein Nachlass: Band Series I Items MSS 105-122.Alois Pichler & Joachim Schulte - 2021 - Nordic Wittgenstein Review 10.
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  34. Aesthetic Correctness.Joachim Schulte - 1989 - Revue Internationale de Philosophie 43 (169):298.
     
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  35. Aesthetic Correctness in Wittgenstein (1889-1989).Joachim Schulte - 1989 - Revue Internationale de Philosophie 43 (169):298-310.
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  36.  29
    Anmerkungen zum Regelbegriff.Joachim Schulte - 2014 - Wittgenstein-Studien 5 (1).
    Name der Zeitschrift: Wittgenstein-Studien Jahrgang: 5 Heft: 1 Seiten: 133-144.
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  37. b:«The Life of the Sign»: Wittgenstein on Reading a Poem.Joachim Schulte - 2004 - In John Gibson Wolfgang Huemer (ed.), The Literary Wittgenstein. Routledge. pp. 146--164.
     
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  38. Bedeutungsbegriff und Bedeutungstheorie.Joachim Schulte - 1979 - Philosophische Rundschau 26:213.
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  39.  24
    Bedeutung und Verifikation.Joachim Schulte - 1982 - Grazer Philosophische Studien 16 (1):241-253.
    Das (wie die erhaltenen historischen Belege zeigen) zuerst von Wittgenstein vorgeschlagene Verifikationsprinzip fungiert als Sinnkriterium wie auch als Kriterium der Sinribestimmung. Durch Waismanns Vermittlung wird es in der letzteren Funktion zur ausschließlichen Grundlage von Schlicks Semantik, die jedoch einerseits an ungenügenden Unterscheidungen zwischen Wahrheitsbedingungen, Verifikationsbedmgungen und Verifikationsmethode krankt, andererseits durch eme zu optimistische, die intersubjektive Kontrollierbarkeit entbehrende Sprachauffassung an Überzeugungskraft verliert. Wittgenstems späteres hochkomplexes Bedeutungskonzept, das durch Einbeziehung von Kontext und Äußerungssituation das Verifikationsprinzip zu emem unter mehrerenbedeutungsrelevanten Momenten sprachlicher Äußerungen (...)
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  40.  22
    Criss-crossing a Philosophical Landscape.Joachim Schulte - 1992 - Grazer Philosophische Studien 42:3-21.
    The question of who or what the happy man mentioned in Wittgenstein's Tractatus really is leads to a discussion of connected issues, e.g. the question of the Schopenhauerian origins of certain key notions of Wittgenstein's early philosophy, the import of the concept of a world-soul, the topic of solipsism, and the puzzling question of what is involved in the self's identification with the world.
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  41.  41
    Criss-crossing a Philosophical Landscape: Essays on Wittgensteinian Themes Dedicated to Brian McGuinness.Joachim Schulte & Göran Sundholm (eds.) - 1992 - Rodopi.
    Essays on Wittgensteinian Themes Dedicated to Brian McGuinness Joachim Schulte, Göran Sundholm. PREFACE For thirty-five years the international community of philosophers have known Brian McGuinness as a major authority on the...
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  42.  8
    12. Der Glückliche und seine Welt.Joachim Schulte - 2001 - In Wilhelm Vossenkuhl (ed.), Ludwig Wittgenstein: Tractatus logico-philosophicus. Akademie Verlag. pp. 305-326.
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  43.  7
    7 Denkwürdigkeiten. Mr. Ballard und der Impressionist.Joachim Schulte - 1999 - In Eike von Savigny (ed.), Ludwig Wittgenstein: Philosophische Untersuchungen. Peeters Press. pp. 167-190.
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  44.  5
    Einheitswissenschaft.Joachim Schulte, Brian Mcguinness & Rainer Hegselmann - 1992
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  45.  9
    “Engelmann Told Me…”: On the Aesthetic Relevance of a Certain Remark by Wittgenstein.Joachim Schulte - 2020 - Estetika: The European Journal of Aesthetics 1:15-27.
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  46.  84
    Feeling and expression.Joachim Schulte - 1987 - Topoi 6 (2):83-87.
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  47. Frege und... kein Ende.Joachim Schulte - 1984 - Philosophische Rundschau 31:60.
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  48.  24
    Ideen mit den Augen sehen Goethe und Wittgenstein über Morphologie.Joachim Schulte - 2014 - In Jonas Maatsch (ed.), Morphologie Und Moderne: Goethes >Anschauliches Denken< in den Geistes- Und Kulturwissenschaften Seit 1800. De Gruyter. pp. 141-156.
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  49.  13
    Invited Paper: Did Wittgenstein Write on Shakespeare?Joachim Schulte - 2013 - Nordic Wittgenstein Review 2 (1):7-32.
    Name der Zeitschrift: Nordic Wittgenstein Review Jahrgang: 2 Heft: 1 Seiten: 7-32.
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  50. Metaphysics'.Joachim Schulte - 2007 - In Guy Kahane, Edward Kanterian & Oskari Kuusela (eds.), Wittgenstein and His Interpreters: Essays in Memory of Gordon Baker. Blackwell.
     
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