Five Unpublished Letters by Friedrich Nietzsche. Five unpublished letters by Nietzsche to Louise Röder-Wiederhold, as well as an unknown letter (draft) from her own hand suggest that Nietzsche’s negative judgment of her, which has dominated biographical Nietzsche research up to now, was anything but definitive and can be strongly relativized. The new documents also prove that Röder-Wiederhold was not only a temporary “secretary” for Nietzsche, but also an intellectual and humorous, interested, compassionate and independent-thinking correspondence partner, even if she did (...) not enter into a closer friendship with him. What particularly connected the two and remained an almost constant theme of their correspondence was the difficult life situation of their mutual friend, the unsuccessful composer Heinrich Köselitz, and how one could help him to get access to orchestras and opera stages in German-speaking countries which might perform his works. (shrink)

Classical aesthetics cherishes the image of a self‐contained author who expresses himself by creating a work of art. This definition is markedly challenged by authors who create their work in co‐operation with a congenial partner. Twin authors are a rare phenomenon but they show that it is possible to split up a literary project and to write novels in tandem. In 1997 I approached some joint authors, questioning them on their common experience, on the distribution of their work load and (...) the harmonisation of the style and content of their novels, as well as the individual steps of production. The material I accumulated was complemented by investigations on late writers such as the brothers Goncourt and the double author Ellery Queen. The project made it evident that twin authors display a number of common features which are characteristic of their trade. All authors asked reported that writing in tandem required a pervasive internal harmony and mutual calculability. A close personal relationship appears to be vital, in the sense that the partners complement each other in their skills and views. When they assemble the material for their plots, most twin authors draw on journalistic research rather than on inspiration and empathy. Their novels normally appeal to a down‐to‐earth taste and avoid digressions into poetry or copious descriptions of feelings and moods. (shrink)