The relation between Australia’s First Nations peoples and settler-colonial Australians may be characterised as having “miscarried” to the extent that colonial difference is unacknowledged,...

Angelaki, Volume 16, Issue 4, Page 73-85, December 2011.

While ethics and justice are domains that concern the human, this paper argues that these spheres are organized and given meaning in terms of what lies at the limits of the human subject: children (excluded from political and economic life) and non-human animals. In this respect, the orientation to ethical life takes the form of a disavowal: in the attempt to negotiate human vulnerability, a subjectivity that defines itself in terms of the control of nature displaces its fragility onto children (...) and animals. In the face of environmental catastrophe – and the threats to human security that accompany it – there is a shared sense of the tenuousness of life. An opportunity to comprehend this tenuousness is missed, however, to the extent that both children and animals are romanticized as “innocent”: ethically pure because morally and politically incapable. Because of their exclusion from the sphere of moral action, children and non-human animals have come to represent human vulnerability in general: a vulnerability associated with passivity, and a lack of precisely the control that has produced the problems we now face. This paper argues for a reconsideration of the passivity and vulnerability that lies at the “limits of being human” as the site of ethical and political change. The philosophy of Giorgio Agamben is deployed to think through the caesura between human and non-human animality, and the “passivity” or impotentiality that enables the ethical. Jacques Rancière is also drawn upon to consider the failure to recognize children and animals as political actors. (shrink)

This paper argues that the figure of the child performs a critical function for the middle-class social imaginary, representing both an essential “innocence” of the liberal individual, and an excluded, unconscious remainder of its project of control through the management of knowledge. While childhood is invested with affect and value, children’s agency and opportunities for social participation are restricted insofar as they are seen both to represent an elementary humanity and to fall short of full rationality, citizenship and identity. The (...) diverse permutations of this figure, as it develops in the middle-class imagination, are traced from the writings of John Locke to the films of Michael Haneke (via Charles Dickens and Henry James), to interrogate what this ambivalence regarding childhood reflects about middle-class, adult identity. (shrink)

With his concept of ‘potentiality,’ Agamben offers a promising means of approaching questions of power and agency. Yet arguably, by situating potentiality as a reserve created through the sovereign ban, Agamben neglects the inter-subjective context of ordinary everyday agency. This means that while Agamben’s theory is particularly well suited to the analysis of interactions between states and their citizens, and those excluded from citizenship, it provides poor tools for understanding how social disparity develops within communities, understood as networks of individuals (...) of varying capacities and ways of being. By revisiting Aristotle’s discussion of potentiality from which Agamben’s concept is drawn, the essay develops from potentiality ways of thinking about agency. The essay focuses upon a class of individual who are increasingly seen to embody the political community’s potentiality, to the extent that their ability to exercise agency is reduced: that is, the ‘innocent child’—glossed at once as humanity’s future and best hope, and as its most vulnerable and unrealised quotient. While human potentiality is thought only in terms of childhood innocence, not only will these individuals’ agency be stymied, but citizens will also continue to separate themselves from their own unrealised potentials and frailties. (shrink)

This article examines Sarah Kofman's interpretation of Nietzsche in light of the claim that interpretation was for her both an articulation of her identity and a mode of deconstructing the very notion of identity. Faulkner argues that Kofman's work on Nietzsche can be understood as autobiographical, in that it served to mediate a relation to her self. Faulkner examines this relation with reference to Klein's model of the child's connection to its mother. By examining Kofman's later writings on Nietzsche alongside (...) her autobiography, this article contends that Kofman's defense of anti-Semitism in Nietzsche serves to fend off her own ambivalence about being Jewish. (shrink)

"Understanding Psychoanalysis" presents a broad introduction to the key concepts and developments in psychoanalysis and its impact on modern thought. Charting pivotal moments in the theorization and reception of psychoanalysis, the book provides a comprehensive account of the concerns and development of Freud's work, as well as his most prominent successors, Melanie Klein and Jacques Lacan.The work of these leading psychoanalytic theorists has greatly influenced thinking across other disciplines, notably feminism, film studies, poststructuralism, social and cultural theory, the philosophy of (...) science and the emerging discipline of neuropsychoanalysis. Analysing this engagement with other disciplines and their key theorists, "Understanding Psychoanalysis" argues for a reconsideration of psychoanalysis as a resource for philosophy, science, and cultural studies. (shrink)

Recent publications have traced a relation of influence between Nietzsche's philosophy and Freudian psychoanalysis. While Freud is certainly intellectually indebted to Nietzsche, the present paper emphasises the significant difference between these philosophers' works: Namely, that they exhibit a different economy, and are thus committed to competing theoretical structures. This difference comes to the fore in the approach that each takes to elaborating the mind-body relation, and especially in the contrast between Freud's early neuroscientific speculations and Nietzsche's emphasis upon language, and (...) particularly metaphor. In order to illustrate this 'economical' difference between their theories, the paper critiques Freud's early commitment to neurological discourse using Nietzsche's genealogical method. (shrink)

Nietzsche’s relationship to his contemporaries, as expressed in his writings, was often figured by corporeal imagery evocative of disgust. For instance, in On the Genealogy of Morality Nietzsche declared himself to suffer from mankind—which he then proceeds to describe as “maggot”—or worm-like. Nietzsche’s philosophical project can be interpreted as a visceral protest against, and attempt to overcome, humanity. This paper argues that Nietzsche attempted through his writings to create a future community of like-constituted companions in his readers through a transmission (...) of affect and education in taste. This would-be "community" is premised on a curious affective dialectic that seeks to transform disgust for humanity into a pure movement of self-creation. The socio-political effects of this dialectic of disgust will be examined alongside Nietzsche's co-option of images of purity, in order to evaluate his response to modern nihilism. (shrink)

Introduction: The quickened and the dead -- Ontology for philologists : Nietzsche, body, subject -- "Be your self!" : Nietzsche as educator -- The life of thought : Nietzsche's truth perspectivism and the will to power -- Of slaves and masters : the birth of good and evil -- Moments of excess : the making and unmaking of the subject -- Lacan, desire, and the originating function of loss -- The word that sees me : the nexus of image and (...) sign -- The nothing as the reverse side of Lacan's mirror -- Nietzsche is dead, long live Nietzsche : in memory of paternal ghosts -- The "insiders" : Nietzsche's secret teaching and the invention of "the philosopher of the future" -- Finding one's home in the nothingness of Nietzsche's text -- Nietzsche's excessive demand and the question of the adulterous queen's desire -- High and low : the hierarchical structure of Nietzsche's texts -- Inside and outside : Nietzsche "incorporated"; or, Who incorporates whom in the act of reading Nietzsche? -- The father's indulgence of the prodigal son : ambiguity and the limits of "the position" -- The contagion of affect in Netzsche : Klein, Krell, Bataille -- Doing time with Melanie Klein : renouncing "the bad breast," mourning the loss of "the good breast" -- "Motivating this writingéis a fear of going crazy" : how Klein might read Georges Bataille sur Nietzsche -- David Farrell Krell's "novel" approach to reading Nietzsche -- Family romances and textual encounters : Sarah Kofman reading Nietzsche -- Reading Nietzsche I : explosions -- Autobiography or autothanography : killing with words in Rue Ordener, Rue Labat -- Reading Nietzsche II : le pris des juifs; Nietzsche, les juifs, l'anti-semitisme -- The vision, the riddle, and the vicious circle : Pierre Klossowski's reading of Nietzsche's sick body -- On the continuity and disjunction between the body and language -- Exquisite delirium : the thought of eternal return -- The conspiracy of philosopher/villains : Nietzsche/Klossowski/Sade -- From cannibalism to voodoo : the creation and control of the subject of Nietzsche's writing. (shrink)

This paper addresses the emergence of the ‘death drive’ in Sigmund Freud’s later work, and thesignificance of this development for his psychoanalytic theory as a whole. In particular, the paper arguesthat the ‘death drive’ is a pivotal concept, articulating a connection between what are commonlyunderstood as the ‘lower’ and ‘higher’ functions of the psyche. Moreover, the death drive is pivotal in asecond sense, in that it articulates a turn away from the strictly empirical realm of science, to a dark andobscure (...) field indicated , but not comprehended, by observable phenomena. Finally, thepaper suggests that as Freud’s departure from his scientific methodology into the wilderness of speculation,the death drive represents his most valuable contribution to psychoanalysis. With the death drive, Freud isable to engender a new perspective of human being: one that is not already encompassed by themechanistic neurological viewpoint from which his researches first issued. (shrink)

This paper addresses the emergence of the ‘death drive’ in Sigmund Freud’s later work, and the significance of this development for his psychoanalytic theory as a whole. In particular, the paper argues that the ‘death drive’ is a pivotal concept, articulating a connection between what are commonly understood as the ‘lower’ and ‘higher’ functions of the psyche. Moreover, the death drive is pivotal in a second sense, in that it articulates a turn away from the strictly empirical realm of science, (...) to a dark and obscure field indicated, but not comprehended, by observable phenomena. Finally, the paper suggests that as Freud’s departure from his scientific methodology into the wilderness of speculation, the death drive represents his most valuable contribution to psychoanalysis. With the death drive, Freud is able to engender a new perspective of human being: one that is not already encompassed by the mechanistic neurological viewpoint from which his researches first issued. (shrink)

: This article examines Sarah Kofman's interpretation of Nietzsche in light of the claim that interpretation was for her both an articulation of her identity and a mode of deconstructing the very notion of identity. Faulkner argues that Kofman's work on Nietzsche can be understood as autobiographical, in that it served to mediate a relation to her self. Faulkner examines this relation with reference to Klein's model of the child's connection to its mother. By examining Kofman's later writings on Nietzsche (...) alongside her autobiography, this article contends that Kofman's defense of anti-Semitism in Nietzsche serves to fend off her own ambivalence about being Jewish. (shrink)

Recent publications have traced a relation of influence between Nietzsche's philosophy and Freudianpsychoanalysis. While Freud is certainly intellectually indebted to Nietzsche, the present paper emphasisesthe significant difference between these philosophers' works: Namely, that they exhibit a differenteconomy, and are thus committed to competing theoretical structures. This difference comes to the fore inthe approach that each takes to elaborating the mind-body relation, and especially in the contrast betweenFreud's early neuroscientific speculations and Nietzsche's emphasis uponlanguage, and particularly metaphor. In order to illustrate (...) this ‘economical’ difference between their theories, the paper critiques Freud's early commitment to neurological discourse using Nietzsche's genealogical method. (shrink)

The paper considers the part of Thomas Hobbes's 'natural man' in the construction of a culturally shared fantasy regarding pre-social humanity, and the marginalization of 'excluded' citizens who are seen in various ways to approximate that fantasy. While Hobbes did not valorize his hypothetical 'natural man,' I argue that his particularly dark elaboration of it lent an ambivalence to this ideal, which thereby enables it to function as a fantasy. With the aid of psychoanalytic theory, the paper explores the relation (...) of Hobbes's psychology of perception to his political philosophy; with particular attention to the resonances between Hobbes's account of the imagination and emotion, and the psychoanalytic notion of fantasy. The fantasy of the pre-contract natural man is then drawn upon to illustrate some concrete social relations which marginalize certain kinds of subject, understood as both 'innocent' and a threat to the community. (shrink)

Nostalgic, socially privileged ideals of childhood have actively contributed to the formation of Australian national identity, as well as modern subject-formations more broadly. This paper argues that, while such nostalgia has been drawn on for normative ends—in the service of the management of the modern individual—nostalgia also has the power to disrupt our conceptions of the normal. In the context of the contemporary “crisis” of childhood particularly, opportunities to reconstitute ideals of “childhood” and “family” differently have become available to communities (...) such as Aboriginal Australians, who previously have been denied access to these nostalgic forms. (shrink)

By comparing Pierre Klossowski’s works on Nietzsche and the Marquis de Sade, the paper attempts to clarify his understanding of the part played by the ‘bodily remainder’ in recruiting a following of readers to their texts. Klossowski’s designation of the ‘simulacrum’ of eternal return in Nietzsche’s philosophy is compared with his account of the role played by sodomy in Sade’s writings. Klossowski contends that, through these figures, a bodily contagion, is communicated to the reader, but esoterically: that is, only to (...) a select few, whose bodies can replicate the impulses that the text conceals. Ultimately, what Klossowski’s interpretations of Nietzsche and Sade achieve, however, is the dissimulation of identity, as well as of a decisive difference between the reader and the philosopher whom she reads. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 33.1 (2003) 81-94 [Access article in PDF] Voices from the Depths Reading "Love" in Luce Irigaray's Marine Lover Joanne Faulkner Yet, except for the case of the Hymn, which combines the dedication and the text itself, what follows the dedication (i.e., the work itself) has little relation to this dedication. The object I give is no longer tautological (I give you what I give you), it is interpretable; (...) it has a meaning (meanings) greatly in excess of its address; though I write your name on my work, it is for "them" that it has been written (the others, the readers). Hence it is by a fatality of writing itself that we cannot say of a text that it is "amorous," but only, at best, that it has been created "amorously," like a cake or an embroidered slipper. —Roland Barthes, A Lover's Discourse: FragmentsIf, as Barthes writes, it is "by a fatality of writing itself" that a text cannot be amorous, then Luce Irigaray's Marine Lover of Friedrich Nietzsche—written for, about, and with Nietzsche—can be read precisely as a revitalization of writing. Suppose we were to read Marine Lover not only as a critique, but as an encounter with Nietzsche: an amorous encounter, which serves to bring to life Nietzsche's dedication of his work to the "philosophers of the future." In her interpretation of his work, Irigaray poses to Nietzsche the possibility that his "philosopher of the future" might be a woman, even though his various stylizations of "woman" (as a trope for "truth," "dissimulation," "shame," "prudishness," "seduction," and slavish dependency, among other things) seem to preclude actual women as readers of Nietzsche's work. Although he writes "woman's" name continually over his texts, women are not the ones to whom Nietzsche dedicates his work: the philosopher of the future to whom he beckons is presumed by him to share certain prejudices—philosophers' prejudices—about women. What does this mean for his women readers? Feminism's encounter with Nietzsche has been interesting and productive, but never easy.A number of excellent accounts of Marine Lover have already been published that enumerate Irigaray's criticisms of Nietzsche, reading her elemental address to him in terms of his forgotten relation to certain women (his mother, his sister, and a postulated lover).1 I would like to contribute a new dimension to this conversation, by exploring the effects of the affective relation that Irigaray sets up between herself and Nietzsche in Marine Lover. In particular, I am interested in how her critique of Nietzsche's text quickens—or enlivens—his philosophy. Irigaray presents Marine Lover as an address directly to Nietzsche, writing from the perspective of the reader whom his philosophy [End Page 81] most excludes: she addresses him as his marine lover (l'amante marine: the fluid, active, woman lover rather than the passive—always feminine—beloved: l'aimée).2 Thus she addresses him as an equal and active participant in the love relation, resisting the images and ideals that Nietzsche projects upon "woman." In this paper, I will argue that it is through a relation of love with Nietzsche that Irigaray is able to initiate a conversation between them, opening his text to new possibilities; to new relations with women. I will first explore Nietzsche's understanding of friendship, as a privileged relation to the other, before turning to Irigaray's response to Nietzsche, in which love is understood as philosophy's origin and impetus. Nietzsche's "Friend": The Philosopher of the Future Let us... believe in our star friendship, even if we should be compelled to be earth enemies. —Nietzsche, The Gay SciencePhilosophy generally exhibits a curious "body language" to its reader. Arguments are constructed in order to demonstrate one way of thinking that excludes "rival" paths of thought. The reader is invited to think along the channel constructed by the philosopher, to inhabit his thought alone, and ultimately to become persuaded by it. The text is set up as a conduit that transports the reader to... (shrink)

Engaging philosophy with history, literature, film and testimony, this book examines the critical relationship between white Australian identity and the cultural priority of childhood in Australia.

The title of this issue, Spinoza Today', takes up a question central to Genevieve Lloyd's substantial oeuvre, whether she is writing about feminist philosophy or historical phi- losophers and movements. That is, how do we draw on past philosophers to address contemporary problems, while also doing justice to the context for which they wrote? More particularly, why be interested today in what Spinoza wrote in the seven teenth century? But also: How do we read so as to be attentive to (...) Spinoza's particular concerns, and without subordinating his insights to neat dichotomies that aid the teaching, if not the thinking, of his philosophy? (shrink)